Wednesday Pickups 5/9/12

Two weeks in row? How can it be so? Answer, lots and lots of blow. In all seriousness though, it is that time  again, where I examine the funny pages... I mean comic books of the previous week and help you navigate the ever vibrant shelves of your local comic shop. This week I'm looking at another slew of number #1s, two newer favorites, and... Uncanny X-Force (partly to challenge myself to think of new ways of saying "OMG I LUV THIS COMIC!" and partly because I know some of you slackers still aren't reading it.) So without further ado, let's get to it.

Our first book is the new title from Boom! Studios, Higher Earth #1; Created & written by Sam Humphries, art by Francesco Biagini, colors by Andrew Crossley, and letters by Ed Dukeshire. Dropped into a trash dump of a world (both in looks and how higher earths classify it) a mysterious stranger recruits one of the planet's lone inhabitants, a young woman named Heidi, for a secret mission involving planet hopping up the food chain. While I feel a lot of comparisons could be drawn between this and Marvel's recent Cable series, if for nothing else than the two main characters, this is an awesome first issue that really leaves me wanting more. Humphries and crew deliver a gritty, futuristic interstellar-adventure that is well done across the board! The story is intriguing and and well plotted; the art is eye-catching and flows so fluidly, and before I forget the best part is IT ONLY COSTS $1! Do yourself a favor and pick this book up, even if you don't like it that much you only wasted a buck so win-win. Not sure yet how I will continue with the book, whether in issues or waiting for a collected edition, but I can promise you I will be returning to Higher Earth soon.

Out next book comes from Avatar Press, Dan The Unharmable #1; Written by David Lapham, art by Rafael Ortiz, and colors done by Digikore Studios. Dan is a man with a plan; live as simple as possible, help out the occasional college coed, and oh yeah be invincible. I only moderately enjoyed the issue, but Lapham goes to one of his trademark moves and leaves us with a crazy ending that is going to make me return for more. Overall, the book shows glimpses of the work I love by him (namely Young Liars) such as it's  strange characters in "every day" settings and subtle jabs at established mindsets but at the same time it feels a bit more forced here. On the art side, Ortiz just kind of follows the Avatar party line (above average attention to detail, with as much blood and destruction as possible) but doesn't really do anything interesting with it and presents panels that feel so flat and isolated. Bottom line, I would only recommend it for those who've taken a ride with Lapham before and trust him to take you for a wild ride by the time it ends; for everyone else; I say wait and see how it all shakes out. As for myself, I have to give it at least few more issues based on  the aforementioned ending in this one and  trust in Lapham.

The final first issue of the week comes from Image, Mind The Gap #1; Written by Jim McCann, art by Rodin Esquejo & Sonia Oback, letters by Dave Lanphear, and production by Damien Lucchese. A phone call, an assault, the usual suspects, an unusual location, and an out of body experience introduce us the new "world" of Ellis Peterssen who has just entered a coma or possibly something more. Jim McCann, assisted by some beautiful artwork from Esquejo and Oback, invite us to solve (and enjoy) the mystery of who attacked Ellis Peterssen, and I for one am accepting the challenge. While there are a lot of mystery series out there, so many of which seem more formulaic than thrilling, this particular one enthralled me and had me thinking about it well after I set the issue down. My lone complaint so far is it does seem to be a bit heavy on the references, but that too could prove endearing over time. I won't say too much more about that now, but if everything goes to plan you will be hearing more from me about this book before it's second issue (oh a mystery inside a review of mystery comic, how meta.) For now, I really recommend giving it a shot if you enjoy losing your self in a whodunit from time to time and for those who don't, at least flip through it to check out the art.

From a damsel in distress to one causing her own fair share, we go to another Image book with mysteries, Fatale #5; Written by Ed Brubaker, art by Sean Phillips, and colors by Dave Stewart. The first arc of this series comes to a close as Hank, Jo, and Walter are thrown together one last time with not everyone making it out alive. I know I just ragged on mysteries in the last paragraph, but this is another one that really works for me mainly because the mystery seems so secondary to Brubaker's character's and the macabre story he is trying to tell. Complimenting it in perfect harmony is Phillips thick, shadowy art, that refuses to leap off the page but instead lures you into it's murky, occult world. Through five issues this has been one hell of a ride that's left me anxiously waiting for more and pondering just how deep this rabbit hole goes. While I wouldn't say it's a must read for everyone, if a mature and supernatural mystery sounds up your alley, you would be remiss not to give it a chance.

Heading over to Marvel we have your monthly dose of mutants with Uncanny X-Force #25; Written by Rick Remender, art by Mike McKone, color art by Dean White, letters by Cory Petit, with two back up stories written by Rick Remender and art done by Jerome Opena. A new arc begins as two members quit X-Force, leaving the other three in a bit of a pickle when their latest quarry knows they're coming. I knew I would enjoy where ever Remender took the story next as so far he's done no wrong in my eyes on this title, but I was a little apprehensive about how well McKone's artwork would fit in the book. I am thankful to report though, that White's colors more than helped to smooth the transition and present us with some of the best McKone art I've seen since his early Exiles stuff. As for the back-up stories, I'm usually not a huge fan of reprints in the back, especially when they add to the price but don't supplement the story. However, in this case I'm going to allow it, mainly because I can't help but love anything Opena creates. Final verdict: buy it unless you hate good comics! (But seriously, a good jumping on point if you've been waiting.)

Last up, and my favorite comic of the week, is Hell Yeah #3 from Image; Written by Joe Keatinge, illustrated by Andre Szymanowicz, lettered by Douglas E. Sherwood, and colored by Jason Lewis. Ben Day, our misanthropic protagonist, gets all the details on why super-ladies from another earth came looking for him; While back at his now demolished high school another group of universe hoppers comes looking for him with something more sinister in mind. I've been digging the first couple issues of the title, and #3 only makes me love it more as Szymanowicz finally gets to let loose with some great action panels. On the narrative side, Keatinge's story continues to be interesting and well paced, leaving us with another perfect cliff hanger. Seriously, out of all of Image's newest titles, this is easily my favorite! And to make matters even better, this issue starts up a fun, unrelated back up story (yes, I know I just bagged on those but this one doesn't jack up the price.) So please check out this title if you're a fan of mixing your hyper violence with your crazy, superhero worlds or you know, you just want to explore a story where superheroes make other entertainment obsolete in a medium some of the major companies seem to be pushing for that.

That's it for this week, but since it is currently a new Wednesday be sure to grab the new issues of The Secret History of D.B. Cooper, Saucer Country, and Red Hood and the Outlaws. Have any recommendations? Leave'em or tweet'em.

Wednesday Pickups 1/4/12

New year, new comics, new posting schedule (as in a little more often then every four months); so without further ado let's get right into the first batch of comics from 2012!

First up, Team Cyclops is making the world love and fear them in Uncanny X-Men #4. In a one-off tale, spinning out of Mr. Sinister's return, The Phalanx are back and still having problems "making friends." Not a ground breaking comic by any means, but it is always nice to get a one'n'done in sea of trade formatted titles.   Keiron Gillen weaves an interesting and humanizing story of a solitary phalanx (phalani?), which accompanied by Brandon Perterson's art and Justin Ponsor's thematic colors makes for an enjoyable read. I would love to see more of this kind of thing from the book, but the arc starting next issue doesn't sound too bad either as it is spinning out of the previous events from the next title here.

We once again head to the Age of Apocalypse with Uncanny X-Force #19.1. Phoenix and Sabretooth return to their home-world after helping out X-Force, and are immediately thrown back into the fire. Another solid writing effort from Remender, who has been knocking it out of the park lately, this time paired up with Billy Tan's softer and more dramatic art making for a compelling read. My only real complaint with this one is that it should have been Age of Apocalypse #0, as it leads directly into #1 of that series and offers no introduction to the current X-Force (the original goal of these .1 issues.) Still, I'm looking forward to more of this story and these characters when their title starts in March.

From the horrors of a post-apocalyptic world, we head to the horrors (and whores) of the werewolf world in Ferals #1. It seems strange beasts have descended upon the small Minnesota town of Cypress and they aren't too fond of it's human inhabitants. In true Avatar Press (and writer David Lapham) fashion, this book features blood and guts galore but also harbors some psychological under-currents that will keep readers coming back. Maybe not their best first issue, when compared to the likes of the Crossed minis and Caligula, but still definitely worth a look, if only to check out the various ways Gabriel Andrade decides to layout corpses in his art.

We continue this horror spree over into DC with Animal Man #5. Buddy Baker confronts the third hunter to save his family, but he might have just put them into more danger. Another fantastic issue from Jeff Lemire (writer) and Travel Foreman (primary artist) that not only raises the stakes in the series but sticks some beautifully grotesque art in ones mind that won't soon be forgotten. Definitely looking forward to more from this creative team in the coming months, especially when it starts officially crossing over with the next book here.

Concluding DC's horror, double feature for the week is Swamp Thing #5. Alec and Abby continue chasing her half brother, the soon to be avatar of The Rot, with disastrous results. As the similarities between this and Animal Man continue to grow, so does the quality in each of them. Scott Snyder is quickly becoming the top man in horror comics and Yanick Paquette's art (especially the fluid panel layering) makes almost every page worthy of a wall frame.  Hard to deny this the top spot of the week, but a well know noir team has snatched it out from under them.

My favorite comic of the week is Fatale #1 from Image Comics. The famous Criminal team of Ed Brubaker and Sean Phillips reunite to tell the tale of the fictional novel 'The Losing Side of Eternity' and the trouble it brings it's new owner. Interestingly enough, this is my foray into the teamed efforts of Brubaker and Phillips and I really enjoyed it. The former's knack for interesting yet mysterious dialogue and the latter's expressive and shadowy artwork work well in tandem, creating a murky world of beautiful women and troubled men. Looking forward to more as the first issue only gave the reader barest taste of the mythology, murder, and magic it advertises but sometimes a little goes along way.

That's all folks! Next week looks to be shaping up nicely with lots of Image titles and X-books to get to, so make sure you swing by your local comic shop and grab a few.

Wednesday Pickups 9/14/11

Fresh September continues with four new titles this week, as well four regular favorites. So let's get right to it:

We start in the X-world, with Uncanny X-Force #15. The Dark Angel Saga blazes on as Fantomex, Deadpool, and Deathlok may be all that stand in the way of global genocide; God help us all. Another spectacular issue from my favorite on-going title, Rememder's characters remain well written, while Opena's art never ceases to amaze. Only a few issues left in this storyline, and while I can't wait to see how it all shakes out at the same time, I really don't want it to end.

Heading off world, we catch up with X-Men Legacy #255. Magneto, Frenzy, Gambit, and Rogue continue their search for Havok and Polaris, but they might be getting in over their heads. While I do enjoy Mike Carey's story here, and not just because it is the gateway for some of my favorite X-ers to return regularly to X-books, Steve Kurth's pencils aren't exactly my cup of tea. I generally find myself not a fan of artist's whose face drawings come out strange or misshapen, and Kurth is no exception. That said, his action sequences are alright and do make the downsides tolerable. Overall, I am looking forward to where this title is heading and hopefully an artist change in the near future.

From Marvel, we head over to DC's Vertigo line with The Unwritten #29. Tommy and Lizzie get closer to unraveling the mystery of his father's journal with neither of them liking what they find. This great and original series continues with another solid issue. While I don't want to get into too many specifics and give anything away, one of the final scenes in this issue gets into some Marshall McLuhan ideology and offers a brilliant critique on the way the comic book industry has been run at times. A must read for long-time comics fans as well as those just getting into the medium.

Last up from Vertigo this week is, the penultimate issue of American Vampire: Survival of the Fittest #4 of 5. Cash and Felicia's covers are blown, so let the slaughter of Nazi vampires begin. Really enjoying this mini from Scott Snyder (writer) and Sean Murphy (artist), but that should come as no surprise since I love both of their work. While I was worried from last issue that this mini would end up trying to explain too much of this vampire world, Snyder has succeed in telling just enough to not get to far away from the main series roots and leave some question unanswered. In addition to that, Murphy's art really shines this issue as he gets to draw a lot more action that we've seen so far. Looking forward to the final issue, as the end of this one sets it up for a bloody conclusion.

Kicking off the new titles is Pigs #1 from Image Comics. Mischief and murder have forced a second generation KGB sleeper cell based in Cuba into action, and America authorities are left trying to figure out what the hell is going on. Superb story concept and execution by Nate Cosby and Ben McCool on this first issue. They paced the action and drama quite well in addition to ending with a cliffhanger that makes the wait for the next issue unbearable. My only complaint so far is Breno Tamura's art is a little rough for my taste, but I could see myself warming up to it as the book goes on. Always happy to support something that tries to tell an interesting story, and this title is no exception.

Going back to Marvel, for the third installment in their relaunched Ultimate line, we have Ultimate Comics Spider-Man #1. In this first issue we meet Miles Morales, an average kid in New York, whose life is about to change forever in multiple ways. Stupendous start for Brian Michael Bendis (writer) and Sara Pichelli (artist)! This issue seems to have that perfect balance of being something original, with a new protagonist, and having the classic feel of a super hero origin story. I've been enjoying all the new titles from the Ultimate Comics line but so far this one is my favorite, although the last one to come in the one I'm most looking forward to.

Finishing out the week we have two of DC's new 52, and the first of those is Superboy #1. Scientists at a secret facility have combined the DNA of Superman and that of human to produce a clone with amazing abilities, but only time will tell if Superboy inherited his "father's" penchant for doing good. While I wasn't amazed by this first issue, I was surprised that I did like it and how well it was done. Written by Scott Lobdell and drawn by R. B. Silva, this first issue does a solid job of introducing the character and showing where he is coming from. One particular inclusion I liked, was that of Rose Wilson (aka Ravager pre-DC Reboot) who was beginning to be a romantic interest for him at the end of Teen Titans and might end up being one here, a nice nod to the readers that creator's haven't thrown everything out in the DCnU. I think the next issue will weight a little more on whether I will be picking this series up regularly, so I'm hoping for it to grab me a little more.

Last up, and barley edging out the new Spider-Man for pick of the week, is Red Lanterns #1 from DC Comics. Atrocitus and his blood thirsty red lanterns are back, but it seems their leader made have lost his taste for rage. Extremely impressive first issue from Peter Milligan and Ed Benes! While I was a little worried these characters wouldn't be able to hold their own title, Milligan has erased all doubt and Benes great art is just blood-red icing on the cake. I can't wait to see future issues getting to the core of these lantern's rage as is done for Atrocitus here and any additions Milligan makes the core. If you've grown a little tired of the event-centric Green Lantern books over the last few years, as I have, I think this book might be just what your looking for in the new DCU.

Another solid week of floppys in the books, and next week looks to continue the trend with a whole lot of appetising X-titles. See you back here in 7 days for some X-Men, X-Women, and maybe if we're lucky something X-rated.

Wednesday Pickups 7/20/11 & 7/27/11

I'm bundling the last two weeks together since I got caught up in some other thing. So, lets get right to it with the comics from the 20th.

Kicking things off, we have Uncanny X-Men #541. Tieing in with Marvel's summer event, Fear Itself, the X-Men are trying to stop the possessed Juggernaut who is working a scorched-earth path towards San Fransisco. While it's a scenario that's been done a dozen times before, Greg Land's art and Kieron Gillen's strategic take on the matter keep it interesting. It is also worth mention that this tie-in hasn't distracted from the direction the book has been going, as so often happens with these major events. Not a ground-breaking issue by any means, but sill a fun read.

From there, we cut out the adjective with X-Men #15. Wrapping up the "First to Last" arc, this issue features the final showdown between the X-Men and the Evolutionaries, who are trying to "save" them. A pretty good issue and arc, Christopher Yost's story has a classic feel while still managing to show how a lot of these characters have changed over the years. The combined artistic talents of Paco Medina and Dalibor Talajic, the former handling the current happenings with the latter covering the flashbacks, also work in a nice harmony to flush out the comic. I'm not sure what is happening with this book after the X-Men: Schism event, but if the same creator's stick around I will as well.

Departing Marvel and getting into Image, we have Hack/Slash #6. Starting the new arc, "Fame Monster", this issue features a slasher going after pop culture "celebrities", all the while treating Cassie to his vicious slayings by showing them in her dreams. Another great issue from Tim Seeley and Daniel Leister, with it's patented comedic-horror plots, fan service, and gory moments. If you've ever wanted to see some tan guys from Jersey get into a real situation, this one's for you.

The pick of the week this time is a special book you won't find on your local shop's shelf, Matinee Eclectica a special publication put out by Dirty Third Comics. I first heard of Matinee Eclectica through a wonderful crowd-funding site called Kickstarter, and have been looking forward to reading it ever since. The basis of the anthology is that all the stories are written by relative new-comer Ryan Schrodt, who partners with a different artist for each mini-tale. Generally when it comes to Anthology books, I find a lot to like and at least some parts that are dreadful. Matinee Eclectica breaks that pattern though, as I like every story and love quite a few of them. Schrodt really shows some writing chops in expertly handling all the major genres from super-heroes and sc-fi to western and horror tales. Just as impressive, is the combined talent of the artists assembled here. I don't want to start listing them all, as I would inevitably forget someone, but they are certainly creators I will be looking for more of in the future. Now, I'm not sure where you can get the book right now outside of con appearances, but I would start with contacting Mr. Schrodt through his completed Kickstarter campaign or the email given there. I, for one, can not wait to read more of his stuff in the future.

Let's keep rolling right into the books from the 27th.

First up this week is the lone DC universe book, Teen Titans #98. Begining the last story before the DC reboot, this issue features the return of Superboy Prime to the regular DCU, who is looking for revenge on Conner and the Titans. I'm kind of torn on this issue. It presents some interesting ideas but on the other hand they are all ones that I can't see being wrapped up in the two remaining issues of this title. The art however is pretty well done, with grittier pencils by Eduardo Pansica that fit the story's darker mood. Either way I'll be picking up the last couple issues and I'm crossing my fingers that they don't disappoint.

Next, we continue to catch up with the Inhumans in FF #7. Black Bolt returns to his people but he certainly doesn't come to bring them peace. Still not really enjoying this mini/fill-in story that has taken us away from what is happening with the Future Foundation. Hickman's writing is ok but Greg Tocchini's rougher art really does nothing for me. Next issue looks to be back on earth and hopefully Epting will be handling the art once again.

Rounding out my Marvel/non-X pickups, we have Venom #5. In this issue, Flash deals with his oldest foe, his father. At first I thought I wasn't going to like this one as it has starts off having an "after school special" kind of vibe to it, but by the end Remender makes it all worth while as he dives deeper into the mind of Flash Thompson. The kind of command he has over characters in his writing is unparalleled in the industry, and he makes each title more appealing than the last (something we will get back to with Uncanny X-Force later in this post.) Tony Moore and Tom Fowler, the two artists handling the issue, also contribute quite a bit as their touching panels hit just as hard as Remender's plots. This book is quickly becoming one of my favorite Marvel titles every month.

Heading over to Vertigo, we have American Vampire #17. Henry, Skinner, and the rest of their outfit escaped the cells, but it's straight from the frying pan and into the vampires running around on fire. Another fantastic issue from Scott Snyder and Rafael Albuquerque, filled with vampires (American and otherwise) and World War II action! This penultimate chapter of the "Ghost War" arc wraps up the perfect amount, leaving the most anticipated showdown for the final issue. Still really digging this book after a year and a half, and can't wait for more.

Going from buckets of blood to kegs of it, we have Crossed: Psychopath #4. Amanda and Rick see what "The Crossed" did to Darwin and Claire last issue, while Harold let's us see what happened to his first "love", Lori. David Lapham and Raulo Caceres continue to put out the sickest comic on the shelves, but its also one of the best done. The free reign Avatar Press gives Lapham constantly challenges his creativity for crazy story-telling, while Caceres art does wonders bringing the stories to life with fluid panel structure and mesmerizing, full-page spreads. Certainly not a title for everyone, but if you are a horror or gore fan you need to be reading it.

Closing out the week we have four X-books, starting with X-Men: Schism #2 of 5. The X-Men are on damage control, as the numerous countries that have activated Sentinels are falling victim to the robots. Meanwhile, the new Black King of the Hellfire club continues moving pieces into place before he overtly strikes as his mutant foes. This issue brought the mini-series down quite a bit, as the slow pace seems out of place in an event story and Frank Cho's art is not looking it's best. Additionally, Jason Aaron seems to be over-stating character's personalities and feelings to justify a predictable end that readers can see coming a mile away. There are still some things I like about the book, such as the new Hellfire Club direction, but I am really hoping the third issue brings some needed improvements.

From the X-Men as a collective, we head into the smaller groups starting with X-Men Legacy #252. The group begins searching Paris for Styx, Legion's most dangerous personality that got loose, but it doesn't go as well as they'd hoped. I am enjoying this story from Mike Carey, as he subtly makes these characters deal with their personal demons and left over feelings from "Age of X". The pencils by Khoi Pham don't really strike me strongly one way or another, but they do have their moments. Probably not a good point for some looking to get into the X-world but an enjoyable book anyways.

Taking second place this week is my favorite covert X-team in Uncanny X-Force #12. The Dark Angel Saga continues as X-Force teams up with the remaining Age of Apocalypse X-Men, while their individual leaders (Wolverine and Jean Grey respectively) ponder more than a friendly alliance. As I mentioned earlier with Venom, Remender has a flair for character development and this issue is no exception. That in addition to his over the top story and Mark Brooks pencils make this another fantastic comic. My sole complaint is the limited amount of panel time Dark Angel has been given, but that is more of the Angel fan in me speaking than a critique.

The top spot this week goes to Abnett and Lanning's New Mutants #28. Moonstar brings in a therapist to help her team deal with the personal problems their each going through. While this approach has been done before in comics, it hasn't been done with the speedy, no-punches pulled attitude this issue brings. Instead of having the characters confess all their problems in monolouges or thought bubbles, Abnett and Lanning choose to hit these not so merry mutants right in the face with them. Presenting a great pay off for those that have been reading for years, and a nice summary for those just joining in, this issue is a great read for any comic book fan and I definitely recommend checking it out.

That's it for this week, so go read some comics or at the very least complain on the interent about ones you don't like.

Wednesday Pickups 3/16/11

Eight books again this week because I forgot to grab T.H.U.N.D.E.R. Agents (and then after writing all this realized I missed another book which will be put in next week), which I'm starting to think I did subconsciously to make this a nice symmetrical group.

Starting off with DC, we have Brightest Day #22. Continuing it's string of character wrap up issues, BD #22 gives us the final showdown between Firestorm and Deathstorm. As usual the art is really good but the narrative just felt rushed compared to the others that have been ongoing here. There was one moving scene but the rest really felt like filler. That said, I am still looking forward to these last few issue of Brightest Day, if only just to see how all this white lantern hoopla ends up.

Continuing the DC double feature, we have Red Robin #21. Concluding The Rabbit Hole arc, Tim finds how Mikalek got the Uternet back online but taking it back might cost four innocent men their lives and minds. Despite the awkwardness of the Teen Titans cross over taking place during this arc, I really enjoyed how it ended up. Nicieza and To give us another action packed issue that still manages to build the characters involved. Pulling over time on this issue though, are Guy Major's colors that give it a really appealing and vibrant look.

Heading over to Vertigo, we have The Unwritten #23. Tommy's search for answers continues, this time from the inside of a whale with of some of literature's most famous whale prisoners keeping him company. Another great issue in this series, one that has yet to disappoint. Carey and Gross somehow always manage to answer a question not only with another question but with one that makes you reflect on the "answers" you've previously received. Almost as enjoyable as the issue itself, is the letters section in which Carey and Gross each discuss the departure of the book's editor Pornsak Pichetshote. A guiding force for the book since the beginning, his touch will definitley be missed as he moves on to other work.

From Image, we have Hack/Slash #2. Cassie and Vlad do battle with the revived Acid Angel while Cat Curio gets into a little scrape of her own back in Eminence, Indiana. More hot and sexy slasher action from Tim Seeley and Daniel Leister, this universe continues to be a fun read. Looking forward to more in the future and, eventually, digging in to the Vol. 1 omnibus I bought late last year.

Going back in the alphabet to Icon, we have Casanova: Gula #3. Zephyr Quinn kills her way to daddy dearest as we find out what Xeno's endgame with these assassinations is. Another great issue from Matt Fraction and Fabio Moon, featuring the former's confusing but enjoyable storyline and the latter's beautifully whimsical art. This series is just so crazy and out there that I consistently fail as trying to say why I like it, suffice to say that everyone should just go check it out. As usual, a contender for top book of the week but decided to go with something I will get to a bit later.

Moving into the home stretch with the Marvel books, we have Fear Itself Prologue: Book of the Skull One-Shot. In current times Sin, the daughter of Red Skull, is tracking down a magical book that her farther used in the World War II era; Meanwhile, in flashbacks, we see the Red Skull using said book and being tracked by the Invaders. I've been debating with myself as to whether I want to pick up a lot of Marvel's next big event, and I have to say this prologue didn't really sell me on it. While the art looked great (pencils by Scot Eaton, inks by Mark Morales, and colors by Sunny Gho) the premise and the road it starts to venture down just don't grab me. However, if you are more into the Norse Gods in the Marvel U you might like where it's heading quite a bit more. As for me, I think I might pick up some of the X-related tie ins (big surprise there) and leave the rest on the shelf.

Speaking of X-Books, next up is Uncanny X-Force #5.1. Taking a break for the current story line, this perfect introductory issue to the team (hence the .1) treats us to X-Force getting a little revenge on Lady Deathstrike and the Reavers for their previous encounters. While I don't think it was the right move to put this out in the middle of another storyline, it is a great one off issue none the less. Remender continues his spot on (or subtle changing) of the character's personalities while Rafel Albuquerque (an artist who has been mentioned a lot here in conjunction with American Vampire) lets the blood and bullets fly with his spectacular art. If you've been hearing all the hype about Uncanny X-Force and are looking to give it a try, this is the issue for you.

Last up, and honest shocker as pick of the week, is Iceman & Angel One-Shot from Marvel. Back in the younger days, as still X-Boys that are wet behind the ears, Bobby and Warren end up spending Spring Break in New York but, as we all know, the Marvel U New York is never a boring place. Written by Brian Clevinger with art by Juan Doe, this comic is the perfect combination of humorous lines and old school, monster fighting artwork. If your a fan of these two X-men at all (confession: I am huge one) or just like to enjoy a classic, funny adventure every once in a while give this issue a shot.

That is it for this week's books but I should have a post soon about some of the stuff I checked out at C2E2 last weekend, so be on the look out for that.

Wednesday Pickups 2/16/11

[Announcer's Voice]Coming in at nine books, zero trades, this stack packs quite a wallop with its floppy stock and chiseled right angles. Hailing from the slightly slushy streets of Chicago's south suburbs, this cartel of comics contains books new and old, bright and dark, DC and other, THE COMICS OF FEBRRUUUUUUARY SIXTEENTH, TWENTY ELEVENNNNN![/Announcer's Voice]


We start things off this week with Green Lantern Corps #57, the conclusion of The Weaponer storyline. The small group of Green Lanterns stand with The Weaponer and Thunders of Quard against Sinestro and his corps, but will it be enough or will the truce be broken and ignite another War? Guest staring Firestorm (on loan from Brightest Day) we get an answer, and all too quickly. With the slow build the arc has been utilizing, this final issue seems out of place wrapping everything up too nicely and not really justifying one character's major choice. Tyler Kirkham's pencils, brilliantly assisted by BATT's ink and Nei Ruffino's colors, looked spectacular but Tony Bedard's story seems like it was rush to conclusion (possibly for the crossover starting next month, War of the Green Lanterns.) While I've really been digging the title lately I think this upcoming crossover gives me a nice opportunity take a break from the book, along with our next book.

Moving over to GLC's slightly older brother we have Green Lantern #62. Concluding The New Guardians arc, this issue finds Hal and his colorful buddies going toe to toe with Krona, the former guardian who accidentally created the anti-matter universe and is now after the Entities. Contrary to most of this arc, I really enjoyed this final issue. As usual, Doug Mahnke's art looks great and Geoff Johns writing showed some of the chops I first started liking him for, including an unexpected result for the battle and a tough choice for Hal Jordan. That said, the good here just doesn't out weight the "meh" I've been getting from the book lately. Going to take a break from this as well, both to check out some other stuff on the stands and to see if I really miss it that much.

Next up is one book that won't be leaving for the foreseeable future, Booster Gold #41 (now you can laugh at that bad future pun.) Rip decides it's time Booster pays his debt for stealing all the future tech that allowed him to be come a super hero but the Nazi he recently displaced from the forties has other plans. Really been enjoying this book and as previously mentioned, that shows no signs of stopping. Giffen, DeMatteis, Batista, and Perrotta make for wonderful writing and artistic duos that seem to bring new things to the table all the time. This issue illustrates exactly how far this character has come, as Booster treats the villain as a pest in the same manner major villains used to do to him. Maybe becoming a bit to big for his britches though, the ending comes as a bit of surprise to us and him, but trusting this creative team I known it has a purpose.

Rounding out the DC books this week is Brightest Day #20, the conclusion of Aquawar. Arthur and Jackson stand as the land's last defense from Black Manta, Siren, and her invading army of banished Atlantians; but they might not prove to be enough with out a helping hand from some friends. Art, as usual from Ivan Reis and Joe Prado, is great with the highlight being a two-page splash of Aquaman leading the local sea life on the charge. The story on the other hand, from Johns and Tomasi, might be showing the first signs of falling apart. Very similar to the end of Hawkman and Hawkgirl's story, Aquaman comes to a flat stopping point and seems to hint that every other character's will follow suit. It remains to be seen but if this is the case, the series end probably won't be up my alley.

Heading over to IDW, we have The Suicide Forest #3 of 4. Our two protagonists finally meet, and in the title location no less, as Ryoko and the other park rangers comes across Alan with forest spirits not far behind. Really enjoyed the pacing of this issue as it begins the final act of this supernatural horror comic in a rough and deadly fashion. Gabriel Hernandez art works perfectly with the setting, causing the reader to lose himself in the woods along with the characters and feel the cold darkness in the final panels. Can't wait to see how it all turns out next month, as in true to the medium we are left with quite the cliffhanger.

Moving along, to my favorite title from Archia, we have Cyclops #4 of 8. Pistoia and his soldiers are sent to the latest United Nations involved war theater. While on the surface Pistoia appears to be darker and less caring his internal conflict has reached a boiling point. This fantastic series keeps going with another great entry. While its been present all along, the most prominent feature of this issue is the strong use of panel structure. For the sex scene, it heightens the thrill while letting us in on a secret; when the men make a discovery in the forest, it simultaneously horrifies and provides the laugh track of the viewers at home; when Pistoia goes searching for answers; it illuminates the past with the flashlight beam while leaving the now in the dark. Definitely looking forward to the second half of the mini-series and where it goes.

Uptight #2, published by Fantagraphics and created by Jordan Crane, shows up with another set of short stories accompanied by a slick cover. In "Take Me Home" a young man is plagued by the memories of one fateful night, while "Before They Got Better" introduces us to a grandfather who's slowly losing his patience with family squabbles. Lastly, we get another installment of "Keeping Two" where the guy's imagination runs even wilder about the whereabouts of his girlfriend. Found myself enjoying this issue more than the first one. While the art retains the simple black and white style, especially the great use of shadow in "Take Me Home", I found the stories here more interesting and direct. Will make sure to grab #3 for next week.

Getting into Marvel's wares, we have Hawkeye: Blindspot #1 of 4. Since his trip to Russia, Hawkeye's aim has been a bit off, due to a nasty blow to the back of the head. Now the big brains have figured out his vision is deteriorating due to an inoperable pressure build up and if things weren't bad enough, villains from his past return looking for blood. Enjoying this story and re-telling of Clint's past so far. I think it definitley shows more focus than Widowmaker with just Jim McCann handling the writing, with the only questionable aspect being who he sets up as the major antagonist (however, I might be the only one that thinks that due to my lack of knowledge of the character.) The art holds its own as well, drawn by Paco Diaz and colored by Tomeu Morey, with little touches such as the faded newspaper look of the past or the enhanced vision goggles bright colors endearing it even more to me. If we can't have Hawkeye and Mockingbird back as a book, Blindspot is a pretty good replacement.

Pick of the week also comes from Marvel, Uncanny X-Force #5. Kicking off a new arc, Deathlok Nation, we get a bit more insight into the enigma that is Fantomex while the rest of team struggles over how their first mission ended. One of the best things about Rememder's writing on this book is he let's me enjoy every character, not just the ones I normally do. While I've never been a big fan of Deadpool, Rememder's Deadpool is a likable character and even more so for a great moment he has in this issue. That would be enough to keep me on the book but Esad Ribic's art rocks it just as much. From action packed battle scenes to the memorabilia filled Cavern-X (like a loving homage to the batcave), he keeps the viewer engaged and conveys just as much of the story as his writing partner. If every X-Book was as solid as this, Namor, and New Mutants I could easily see myself going back to the days of getting every one of them.

That's it for this week but if you like what you read make sure to stop by again, same time and place. As usual comments, critiques, and suggestions can be left below or sent to talesofthegeeklanterncorps@gmail.com Now, I'm off to get started on reading next week's books. Psychic prediction- Crossed: Psychopath #1 nabs the top spot. ;)

Wednesday Pickups 1/26/11

Another large stack of comics this week, so let's dive right into them:


Kicking things off (sorry I couldn't resist the easy set up) is Skull Kickers #5, the conclusion to its first arc One Thousand Opas and a Dead Body. Baldy and Shorty do battle with the demonic horde, which turns into battle with a giant ugly demon! Spectacular letters by Marshall Dillion and great pencils by Edwin Huang lead this title but Jim Zub's story isn't to shabby either. Keeping with the humorous and outrageous tone it's set so far, the book finishes it first arc in good fashion and even plants a seed or two for the future. Really looking forward to next issue, a collection of short stories about our two favorite warriors but put in the hands of other creators besides Zub and Huang.

Heading over to DC, we have Justice League: Generation Lost #18. Max Lord continues his experiments on the Blue Beetle while his new mind control minion, Power Girl, takes the rest of the league down a peg or two, seeing them Superman and crew turned evil. Another fantastic issue from writer Judd Winick, this time with pencils by Aaron Lopresti, that leaves us craving the next issue. Really enjoying how Winick opens each issue with a scene from the past that informs readers where these heroes are coming from but also relates to what their about to face. Still keeping my fingers crossed that this book turns into a regular monthly title after Brightest Day concludes.

Finishing the DC titles for the week is Teen Titans #91. Most of the titans face off against the genetically altered teens who took their school hostage while Ravager and Robin are left to deal with the remain student body that have been turned into mindless thugs. Solid issue by J.T. Krul (writer) and Nicola Scott (penciler) that wraps up their beginning story-line on the book nicely. Nothing too flashy or epic but good character development and interaction, something I have always enjoying Teen Titans books. Next up is a cross over with Red Robin which, being a huge fan of that book, I am really looking forward to.

Concluding the non-Marvel books is Vertigo's American Vampire #11. The two part The Way Out finishes up here as Pearl and Henry battle some bootlegging blood suckers while Hattie tracks them down for a not so friendly reunion. Not my favorite issue of the book but still a good one none the less. Mateus Santoluco's art keeps it visually interesting but isn't quite as dynamic as series regular Rafael Albuquerque. Scott Snyder's tale continues to be the best regular does of vampire around.

First up from a large selection Marvel books this week is Ultimate Avengers 3 #6. The finale of Blade Versus The Avengers is here, as the two stand together against an overwhelming force of vampires. While I voiced my doubts about this volume of the series, this issue brought it all together for me. The book straddles the line between over the top hilarity and groan-worthy cliches until this final issue where it sets its self firmly on the side of the former. I could sell this issue to you in one sentence, SPOILERS: Someone get stabbed with a plane! So if you skipped out on this series, make sure to correct that when it gets collected in TPB form.

Continuing with the avengers, but moving over the regular marvel universe, we have Secret Avengers #9. Steve Rodgers and crew cook up a plan to get Sharon Carter back from the Shadow Council but will they be able to do so without losing another member? The art by Mike Deodato and Will Conrad compliments Brubaker's shadow ops story well, filling tons of panel space with shadows but still conveying action convincingly. Not sure how the arc is going to wrap up next issue, but I am definitely looking forward to it.

Special addition this week, is the book most comic fans are talking about, Fantastic Four #587. Spread out and all in dangerous situations, one of the fantastic four members meets their end in the conclusion of the Three arc. Not going to say which member it is (in case you have somehow managed to avoid spoilers from major media services and the online comic-fan community) but I will say I enjoyed the issue. Been meaning to check out Jonathan Hickman's FF since it started but kept pushing it off and then never grabbed the trades. Definitely going to rectify that soon though, after seeing the quality of his writing on this book matched with Steve Epting's great art.

This brings us the the huge amount of mutant books this week (yeah, I might be a mutantholic), and we'll start them off with Age of X: Alpha one-shot. Written by Mike Carey (and with art from and army of talent) this book drops us in the world of Age of X and hits the ground running. Instead of taking the usual approach and showing how the world got this way, this first entry just gives us the back story of a few of the main mutants and promises to reveal over time why this world is different from the one we know. Digging the story so far and looking forward to more when it takes over some of the regular X titles in February.

Next up is Namor: The First Mutant #6 with a fantastic cover from Phil Noto. Starting a new arc titled Namor Goes to Hell well... Namor goes to hell or at least his own version of it while his allies work on trying to bring him back but end up getting a visit from one of Namor's oldest friends. Surprise surprise, another spectacular issue from Stuart Moore (writer) and Ariel Olivetti (artist.) These two just manage to get everything about the character and his surroundings/supporting cast right. It might be a little early to call it, but I think there run is my favorite out of any Namor title.

Getting into the team books we have X-Men #7. In their new initiative to make every one love mutants, Cyclops sends a team to New York to deal with a problem some might classify as street level. After the first arc, Curse of the Mutants, being barely satisfying and this new one, To Serve and Protect, not seeming to interesting I think I'm going to take a break from this book. While I love the Terry & Rachel Dodson covers, I never really liked Chris Bachalo's art (interior artist) and Victor Gischler's writing isn't helping either.

Rounding out the regular X-men books is Uncanny X-Men #532. Emma, Kitty, and Fantomex continue to deal with Sebastian Shaw; Angel's group tackles the Collective Man and Sublime's Designer X-Men; and everyone back on Utopia continues to suffer from the mutant flu. Featuring splendid art (both inside and out) by Greg Land, this issue brings the title back a little bit from the past few crowded and convoluted issues. While Matt Fraction and Kieron Gillen (the writers) still have a lot going on here, its improved a lot in presentation and pacing making for a more enjoyable read.

The penultimate book this week, missing the top spot just barely, is New Mutants #21, the conclusion to Rise of the New Mutants. General Ulysses has released the Elder Gods spelling doom for both Limbo and our world but Magick hasn't performed her last trick yet and may still have a shot at stopping them. This issue brings a fitting end to they story the Zeb Wells has been telling since the book started and manages to send us out on a bang but also with a few new story-lines hanging to be pulled on later. Not sure if Wells and partner in crime, artist Leonard Kirk will be returning to the book after Age of X but I certainly hope so as they have proved they can make it one of the best titles Marvel has to offer every month.

Pick of the week should come as no surprise since its been here a couple times already, Uncanny X-Force #4. The Apocalypse Solution concludes as Archangel and crew decide the final fate of Kidpocalypse. Another frakking awesome X-conclusion and another awesome issue from Rick Remender and Jerome Opena, this issue brings a perfect ending to this new groups first adventure with many more to come. I seriously can't recommend this book enough, both for its great story and art, and if you missed out on the single issues make sure to grab it when its collected in TPB.

And thus brings us to another thrilling conclusion of Masterpiece Myster... I mean Wednesday Pickups. Any comments, critiques, suggestions, or questions can be left below or sent to talesofthegeeklanterncorps@gmail.com . I know it's a little late this week but that was actually a test. Everyone should have been so busy checking out Multiplex (see the article below this one) that they shouldn't have had time to read this till now. Most of you passed, barely.

Wednesday Pickups 10/6/10

Really small stack this week but it is full of some awesome comics.


First up from Veritgo is American Vampire #7. I have already gushed about this book in previous posts and this issue maintains that level of deserved praise, so just pretend I wrote it all again. Something I don't think I have mentioned yet is how great this book is at blending vampire stories into a time period. In the first arcs it was early Hollywood and "The West" while the current story line takes a look at the beginnings of sin city and the Hoover Dam being built. Overall this book is just another perfect example of the work Vertigo puts out every month.

Next up is DC's Brightest Day #11. Art is still awesome and the narrowing down to two story-lines per comic, something that has been solidifying over the last few issues, has really helped the flow of the overall narrative. This issue brings us the return of a few familiar faces, which I am not really excited about but don't hate either so I am willing to see where it goes.

Heading over to Marvel, we kick their books off with Hawkeye & Mockingbird #5. It has been said many places but this comic just oozes fun and you should definitely be giving it a shot. In addition to the fun factor, David Lopez's art every issue has been great especially the action sequences. Again the books leaves us with a great cliff hanger anxiously awaiting next's month's installment.

Moving into my new books, with this one only getting picked up after flipping through it at the shop, we have Ultimate Thor #1. Never been a big Thor fan and Ultimate Marvel books haven't been great recently so this should have been an easy pass for me. At the shop though the cover caught my eye, which got me to flip through it, which got me to buy it, which resulted in me really enjoying it. The combination of Jonathan Hickman's story and Carlos Pacheco's art has a real epic and grand feel that fits the Norse god of thunder, especially the battle scenes. Definitely going to pick up the next issue, hoping they keep it up.

Lastly and pick of the week is Uncanny X-Force #1. I was little hesitant when I first read about this comic as I had really come to enjoy the previous X-Force team, have no love for Deadpool, and haven't read anything from Rick Remender or Jerome Opena. It was inevitable that I would pick it up though since I couldn't miss Archangel and Psylocke being back together in the same book (and bed coincidentally.) Long story short: I Love This Book! It holds on to that the feeling of X-Force but Remender and Opena also manage to put their own personal touch on it that makes it feel unique. Can't wait to see where they these two creators go with two of my favorite x-men and one of my favorite x-villains. So if you were holding back or didn't want to pick up another x-book, I implore you to give Uncanny X-Force a shot. They even manage to make Deadpool bearable.

Closing time once again and while you don't have to go home, you do have to go out to your local shop and pick up next week's comics since I do as well. See you back in here in 7 days or less or the next post is free.