Wednesday Pickups 3/7/12

Attempt #207 to get my weekly comic reviews back on track, odds of success: 3720 to 1. So you're saying there's a chance?

First up this week chock-full of inaugural issues, 3 of them including this one coming from Image, is Fairest #1. Spinning out of the pages of Fables, this new ongoing seeks to tell the stories of the universe's fairer maidens but opens with the prince of thieves, Ali Baba, getting into some mischief. Featuring stunning artwork (with pencils by Phil Jimenez, inks by Andy Lanning, and colors by Andrew Dalhouse) and witty dialogue (Bill Willingham on writing duties) this issue is a fun read but might be a bit dense for the first of the series. I leave it at might, because while it seems that a lot of this story was previously set up in Fables, that could just Willingham dropping us a little further in and playing catch up somewhere down the line. Honestly, if you're reading Fables, I'm betting you'll be picking this up and you should since it has the makings of being a fun book. On the other hand, if your a little unfamiliar with the universe (such as myself, only having read the first Cinderella trade) I would recommend checking out Fables first or waiting for this to be collected and getting more of the story in one sitting.

Next up, also hailing from Image, is The Manhattan Projects #1. The Brothers Oppenheimers' lives had led them down very different paths, as one is recruited to the secret government think tank the comic gets it's title from the other suffers through a rather unsavory event. Jonathan Hickman writes a spectacular script to the start of this fictional account of the Manhattan Project, imagining it as dealing with anything supper powered or occult in World War II as well as developing nuclear weapons. Complimenting Hickman's all-encompassing plot, Nick Pitarra's detailed art tells just as much about the characters we meet, and Cris Peter's colors give them a life all their own. While I was a little skeptical going into the book, I immensely enjoyed this first issue and can't recommend it enough to fans of sci-fi and historical fiction. At the very least give it a flip through while browsing at your comic shop of choice, I promise you won't be disappointed.

Concluding this trio of Image first issues is Hell Yeah #1. Perpetual slacker Ben Day seemingly lives in a perfect world, where 20 years ago superheroes showed up and started it on the path towards utopia, that is until a group of super-chicks from another dimension come looking for him. While it may sound like a premise that's been done already, writer Joe Keatinge and illustrator Andre Szymanowicz have put their own spin on it that I can best describe as something of a cross between the movies Scott Pilgrim vs. The World and Rebel Without A Cause (or if you're looking for more of a comic comparison, it feels a bit like the first issue of The Strange Talent of Luther Strode.) While the book presents you with an antiquated rebellious teen, or so he seems at first glance, it also doesn't mind laughing at him and giving the reader a few laughs as well. The first issue might not have been enough to draw other readers in, but I'm thoroughly intrigued and will be picking up the next few issues to see where it goes.

Taking a break from this #1-a-thon, I decided to check out Avengers Academy #27; partly due to urging from John over at the Burnt Weiners Podcast and partly due to the Runaways making a guest appearance. In this part 1 of "War With The Runaways", Nico and gang show up looking for help in getting back their dino-member Old Lace, but their understandable problems with authority figures set them on a collision course with the Academy faculty. Yes, hero groups meeting to do battle is nothing new (actually, I'm pretty sure the Runaways did this just last year with the Young Avengers, which is neither here nor there) but I will give writer Christos Gage the benefit of the doubt with it as he at least manages to keep the personalities involved interesting. Art-wise though the book gets less leeway though, as more than a few panels just felt out of proportion to me and don't exactly leave me wanting to look at anymore. That said, I'm going to at least finish out this two part arc, and pay the title a bit more attention when looking at previews, especially now that I know it revived Juston Seyfret from the early 2000's Sentinel series.

Back to the first issue trend, but staying with Marvel, we have Age of Apocalypse #1. Humanity's hope of survival is dwindling fast with their only hope being the de-powered Jean Grey, Sabretooth, and The X-Terminated against Weapon Omega's (formerly this world's Wolverine) mutant domination. While I really enjoy this issue, knew I would like David Lapham's writing but ended up liking Roberto De La Torre's art more than I would have thought, I do think it might put up a barrier to new readers and those that might be jumping back in to the AOA since it's original creation so many years ago. The book expects a reader to be just a bit more familiar with what is going on than I would like in a first issue, similar to my complaint with Fairest #1 from earlier in this post. The good news here though, is that Lapham's writing style will be quick to erase that gap within a few issues, as I feel he often gentle adds a little bit of summary to his books as they go on. On the other hand, if you don't want to wait that long Uncanny X-Force #19.1 is a great introduction to this universe (which I reviewed only a handful of post ago, saying it should be called Age of Apocalypse #0 instead) and was only released in January so it should still be on your local shop's shelf. Definitely looking forward to more though, as I love me some Lapham and this universe really grew on me after being featured in Remender's Uncanny X-Force.

Saving the best for last, from DC comics we have Swamp Thing #7. Every thing Alec Holland has been going through in the first six issues comes to a head here as he must make his final decision on whether or not to once again become the Swamp Thing, that is if it isn't already too late. As usual Scott Snyder (writer) and Yanick Paquette knock it out of the park! Synder (as he has already proven with American Vampire and Severed) can balance themes just as well if not better than anyone else in the business, doing so in this book with the all demanding nature and the ever-present horror. As if that wasn't enough, his dialogue manages to take the characters a step beyond the page; shaping them not just by what they say, but how they say it. That right there is enough for a great book, but Paquette's art brings it up to the amazing ranking. His panel structure is so fluid and pencils so detailed that you just want to hang every page of this book on your wall, unless you have little ones it might give them nightmares. Also, just want to get in a quick mention of the job Nathan Fairbairn does with the colors on this issue; the reds. blacks, and greens all fit together so well not just with the art but with the major themes already being examined and coming up soon. Seriously if you're reading any DC books and this isn't one of them, your doing it wrong.

Well, that is it for this week. Basically a bunch of great books that you should be checking out and one of two that may be a little more niche. Looking forward to this coming week, there is another wave of #1s on the horizon as Saga, Crossed: Badlands, and the Secret History of D.B. Cooper all premiere; plus, as usual with me, a bunch of X-Men books drop that I will be sure to grab. Any thoughts/questions/suggestions, go ahead and leave those down below in the comments, and if not see you back here in 7*.

(*Intentionally left off the measurement for that 7 so I could take as long as I want to write next week's post mwhahahahaha! But seriously, it I'll try and keep it to 7 days.)

Wednesday Pickups 1/4/12

New year, new comics, new posting schedule (as in a little more often then every four months); so without further ado let's get right into the first batch of comics from 2012!

First up, Team Cyclops is making the world love and fear them in Uncanny X-Men #4. In a one-off tale, spinning out of Mr. Sinister's return, The Phalanx are back and still having problems "making friends." Not a ground breaking comic by any means, but it is always nice to get a one'n'done in sea of trade formatted titles.   Keiron Gillen weaves an interesting and humanizing story of a solitary phalanx (phalani?), which accompanied by Brandon Perterson's art and Justin Ponsor's thematic colors makes for an enjoyable read. I would love to see more of this kind of thing from the book, but the arc starting next issue doesn't sound too bad either as it is spinning out of the previous events from the next title here.

We once again head to the Age of Apocalypse with Uncanny X-Force #19.1. Phoenix and Sabretooth return to their home-world after helping out X-Force, and are immediately thrown back into the fire. Another solid writing effort from Remender, who has been knocking it out of the park lately, this time paired up with Billy Tan's softer and more dramatic art making for a compelling read. My only real complaint with this one is that it should have been Age of Apocalypse #0, as it leads directly into #1 of that series and offers no introduction to the current X-Force (the original goal of these .1 issues.) Still, I'm looking forward to more of this story and these characters when their title starts in March.

From the horrors of a post-apocalyptic world, we head to the horrors (and whores) of the werewolf world in Ferals #1. It seems strange beasts have descended upon the small Minnesota town of Cypress and they aren't too fond of it's human inhabitants. In true Avatar Press (and writer David Lapham) fashion, this book features blood and guts galore but also harbors some psychological under-currents that will keep readers coming back. Maybe not their best first issue, when compared to the likes of the Crossed minis and Caligula, but still definitely worth a look, if only to check out the various ways Gabriel Andrade decides to layout corpses in his art.

We continue this horror spree over into DC with Animal Man #5. Buddy Baker confronts the third hunter to save his family, but he might have just put them into more danger. Another fantastic issue from Jeff Lemire (writer) and Travel Foreman (primary artist) that not only raises the stakes in the series but sticks some beautifully grotesque art in ones mind that won't soon be forgotten. Definitely looking forward to more from this creative team in the coming months, especially when it starts officially crossing over with the next book here.

Concluding DC's horror, double feature for the week is Swamp Thing #5. Alec and Abby continue chasing her half brother, the soon to be avatar of The Rot, with disastrous results. As the similarities between this and Animal Man continue to grow, so does the quality in each of them. Scott Snyder is quickly becoming the top man in horror comics and Yanick Paquette's art (especially the fluid panel layering) makes almost every page worthy of a wall frame.  Hard to deny this the top spot of the week, but a well know noir team has snatched it out from under them.

My favorite comic of the week is Fatale #1 from Image Comics. The famous Criminal team of Ed Brubaker and Sean Phillips reunite to tell the tale of the fictional novel 'The Losing Side of Eternity' and the trouble it brings it's new owner. Interestingly enough, this is my foray into the teamed efforts of Brubaker and Phillips and I really enjoyed it. The former's knack for interesting yet mysterious dialogue and the latter's expressive and shadowy artwork work well in tandem, creating a murky world of beautiful women and troubled men. Looking forward to more as the first issue only gave the reader barest taste of the mythology, murder, and magic it advertises but sometimes a little goes along way.

That's all folks! Next week looks to be shaping up nicely with lots of Image titles and X-books to get to, so make sure you swing by your local comic shop and grab a few.

Wednesday Pickups 9/7/11

This week, I get my first taste of the new DC universe and a few regulars make an appearance. Lots of good things to say about this group, so let's get right to it:

Kicking things off this week, from Image Comics, is Hack/Slash #7. The Fame Monster story arc continues as Cassie discovers the identity of the slasher while Vlad has to return to his "Meat Man" roots to deal with a few of the slasher's lackeys. I have been enjoying most of this series so far, Daniel Leister's art was good as usual, but this particular issue felt a little dry. The humor-action combo I've come to expect on the book seemed pushed to the side for the old cliché of the villain revealing his master plan for multiple panels, which one could find appropriate in this book but to me just seemed boring. I'm hoping Tim Seeley rights the ship in the next few issues.

Moving over to Dark Horse Comics, we have Star Wars: Dark Times #2. Former Jedi Dass Jennir continues to traverse the desert moon of Prine, looking for civilization, while the crew of the Uhumele continue searching for him while getting acquainted with their new Jedi companion, Beyghor Sahdett. Admittedly, I was kind of hoping for more from Dark Times when it returned to store shelves. While Douglas Wheatley's art is stellar, and great for a Star Wars book, Randy Stradley's story feels predictable, slow, and just doesn't have that same galactic thrill of the former series. I will be giving it a few more issues to see if he turns it around, as for now though I wouldn't recommend anyone jumping on it.

A returning character that has retained his luster is Casanova, from ICON, who is back this week in Casanova: Avaritia #1. Everyone knows the the truth about Cass and his father (well, the guy who would be his father if he was from this dimension) has put him to the arduous task of cleaning up all the time-dimension anomalies caused by Newman Xeno kidnapping him in the first place. As I already mentioned, I am still in love with this series. Matt Fraction (writer), Gabriel Ba (current artist), and Fabio Moon (former and future artist) have created a world quite unlike anything else in comics today. The craziness of the art and story blend into a perfect storm that causes one to either love or hate the book, with not surprisingly many readers choosing the former. Usually I would suggest grabbing the first collection of the series to get a good grasp of the happenings, but I think this issue is actually a great jumping on point being a little more straightforward with the story than the book has been in the past. Get on this book one way or another and start having some nonsensical fun with your science fiction.

Filling out the second half of my comic stack this week is DC with four of their new/relaunched titles, first up is Action Comics #1. Sporting blue jeans and an arrogant attitude, this rebooted Superman has his sights set on the corporate fat-cats, who exploit the working man and operate outside the law but he soon finds this also puts him at odds with law enforcement. While I am digging the art in this first issue, penciled by Rags Morales, I'm not yet sure how I feel about the direction of this book. Instead of something new it feels like Grant Morrison (the writer) is just turning Superman into more of a public menace/vigilante ala Spider-Man or Batman. Going to pick up a few more issues to get a better grasp of it, and to get more of Luthor who was great in this first issue, but I hope it isn't just more of the same.

From Metropolis, we go global with Justice League International #1. The United Nations has decided it's time to get a few superheroes in their pocket, a group that can handle large threats but also answers to them. Lead by Booster Gold and composed of heroes from various nations, this team looks to save the world while having the authority to do so, that is if they figure out how to work together. Overall, I liked this first issue but not really as much as I was hoping to. The art is great, with pencils by Aaron Lopresti and inks by Matt Ryan, but the writing leaves something to be desired. A lot of Dan Jurgen's (the writer) dialogue feels forced or just out of place, some of them talk like they've known each other forever when this is supposed to be the first time they're meeting. I did enjoy some of the book though, especially Godiva and Booster Gold, so I'm hoping the writing evens out as we go along.

Bringing things back in a bit, we head to Louisiana to check in on Swamp Thing #1. Mysterious events occur in simultaneously throughout the planet and no one has any idea why. Superman decides to track down Dr. Alec Holland, the only man who might be able to understand these occurrences due to having the memories of the titular force of nature, and while Superman gets no answers Dr. Holland hasn't been totally truthful with him. Great first issue from Scott Snyder (writer) and Yanick Paquette (artist)! No real back story is required to get what is happening, and the natural/horror elements leave you wanting more. Can't wait to see where Snyder and Paquette take this book.

Animal trumps nature for pick of the week, as Animal Man #1 nabs the top spot. Buddy Baker has been out of the tights more and more these days. With having a family that is growing up, being an active animal activist, and enjoying some success as a Hollywood stunt-man turned actor, he rarely goes out on patrol, but that doesn't mean when a guy takes a hospital hostage he is going to sit on the side lines. I loved this first issue from Jeff Lemire (writer) and Travel Foreman (artist)! Instead of making Animal Man more like every other hero book on the stands, they focus on what makes him unique and base the entire book around it. Foreman's art excels equally in the domestic interior of Buddy's house and the trippy, exotic locales of his nightmare, leaving me salivating for whatever he draws up next. Easily my favorite book of the new DC Universe, so far, and I can only hope there is more coming that is just as excellent.

That is it for this week, next week should have a few more regular titles but I am sure some of the DC newness will slip in as well. Until then ponder what you would serve at a meal where both Animal Man and Swamp Things are in attendance, my guess is Spam.