Wednesday Pickups 5/9/12

Two weeks in row? How can it be so? Answer, lots and lots of blow. In all seriousness though, it is that time  again, where I examine the funny pages... I mean comic books of the previous week and help you navigate the ever vibrant shelves of your local comic shop. This week I'm looking at another slew of number #1s, two newer favorites, and... Uncanny X-Force (partly to challenge myself to think of new ways of saying "OMG I LUV THIS COMIC!" and partly because I know some of you slackers still aren't reading it.) So without further ado, let's get to it.

Our first book is the new title from Boom! Studios, Higher Earth #1; Created & written by Sam Humphries, art by Francesco Biagini, colors by Andrew Crossley, and letters by Ed Dukeshire. Dropped into a trash dump of a world (both in looks and how higher earths classify it) a mysterious stranger recruits one of the planet's lone inhabitants, a young woman named Heidi, for a secret mission involving planet hopping up the food chain. While I feel a lot of comparisons could be drawn between this and Marvel's recent Cable series, if for nothing else than the two main characters, this is an awesome first issue that really leaves me wanting more. Humphries and crew deliver a gritty, futuristic interstellar-adventure that is well done across the board! The story is intriguing and and well plotted; the art is eye-catching and flows so fluidly, and before I forget the best part is IT ONLY COSTS $1! Do yourself a favor and pick this book up, even if you don't like it that much you only wasted a buck so win-win. Not sure yet how I will continue with the book, whether in issues or waiting for a collected edition, but I can promise you I will be returning to Higher Earth soon.

Out next book comes from Avatar Press, Dan The Unharmable #1; Written by David Lapham, art by Rafael Ortiz, and colors done by Digikore Studios. Dan is a man with a plan; live as simple as possible, help out the occasional college coed, and oh yeah be invincible. I only moderately enjoyed the issue, but Lapham goes to one of his trademark moves and leaves us with a crazy ending that is going to make me return for more. Overall, the book shows glimpses of the work I love by him (namely Young Liars) such as it's  strange characters in "every day" settings and subtle jabs at established mindsets but at the same time it feels a bit more forced here. On the art side, Ortiz just kind of follows the Avatar party line (above average attention to detail, with as much blood and destruction as possible) but doesn't really do anything interesting with it and presents panels that feel so flat and isolated. Bottom line, I would only recommend it for those who've taken a ride with Lapham before and trust him to take you for a wild ride by the time it ends; for everyone else; I say wait and see how it all shakes out. As for myself, I have to give it at least few more issues based on  the aforementioned ending in this one and  trust in Lapham.

The final first issue of the week comes from Image, Mind The Gap #1; Written by Jim McCann, art by Rodin Esquejo & Sonia Oback, letters by Dave Lanphear, and production by Damien Lucchese. A phone call, an assault, the usual suspects, an unusual location, and an out of body experience introduce us the new "world" of Ellis Peterssen who has just entered a coma or possibly something more. Jim McCann, assisted by some beautiful artwork from Esquejo and Oback, invite us to solve (and enjoy) the mystery of who attacked Ellis Peterssen, and I for one am accepting the challenge. While there are a lot of mystery series out there, so many of which seem more formulaic than thrilling, this particular one enthralled me and had me thinking about it well after I set the issue down. My lone complaint so far is it does seem to be a bit heavy on the references, but that too could prove endearing over time. I won't say too much more about that now, but if everything goes to plan you will be hearing more from me about this book before it's second issue (oh a mystery inside a review of mystery comic, how meta.) For now, I really recommend giving it a shot if you enjoy losing your self in a whodunit from time to time and for those who don't, at least flip through it to check out the art.

From a damsel in distress to one causing her own fair share, we go to another Image book with mysteries, Fatale #5; Written by Ed Brubaker, art by Sean Phillips, and colors by Dave Stewart. The first arc of this series comes to a close as Hank, Jo, and Walter are thrown together one last time with not everyone making it out alive. I know I just ragged on mysteries in the last paragraph, but this is another one that really works for me mainly because the mystery seems so secondary to Brubaker's character's and the macabre story he is trying to tell. Complimenting it in perfect harmony is Phillips thick, shadowy art, that refuses to leap off the page but instead lures you into it's murky, occult world. Through five issues this has been one hell of a ride that's left me anxiously waiting for more and pondering just how deep this rabbit hole goes. While I wouldn't say it's a must read for everyone, if a mature and supernatural mystery sounds up your alley, you would be remiss not to give it a chance.

Heading over to Marvel we have your monthly dose of mutants with Uncanny X-Force #25; Written by Rick Remender, art by Mike McKone, color art by Dean White, letters by Cory Petit, with two back up stories written by Rick Remender and art done by Jerome Opena. A new arc begins as two members quit X-Force, leaving the other three in a bit of a pickle when their latest quarry knows they're coming. I knew I would enjoy where ever Remender took the story next as so far he's done no wrong in my eyes on this title, but I was a little apprehensive about how well McKone's artwork would fit in the book. I am thankful to report though, that White's colors more than helped to smooth the transition and present us with some of the best McKone art I've seen since his early Exiles stuff. As for the back-up stories, I'm usually not a huge fan of reprints in the back, especially when they add to the price but don't supplement the story. However, in this case I'm going to allow it, mainly because I can't help but love anything Opena creates. Final verdict: buy it unless you hate good comics! (But seriously, a good jumping on point if you've been waiting.)

Last up, and my favorite comic of the week, is Hell Yeah #3 from Image; Written by Joe Keatinge, illustrated by Andre Szymanowicz, lettered by Douglas E. Sherwood, and colored by Jason Lewis. Ben Day, our misanthropic protagonist, gets all the details on why super-ladies from another earth came looking for him; While back at his now demolished high school another group of universe hoppers comes looking for him with something more sinister in mind. I've been digging the first couple issues of the title, and #3 only makes me love it more as Szymanowicz finally gets to let loose with some great action panels. On the narrative side, Keatinge's story continues to be interesting and well paced, leaving us with another perfect cliff hanger. Seriously, out of all of Image's newest titles, this is easily my favorite! And to make matters even better, this issue starts up a fun, unrelated back up story (yes, I know I just bagged on those but this one doesn't jack up the price.) So please check out this title if you're a fan of mixing your hyper violence with your crazy, superhero worlds or you know, you just want to explore a story where superheroes make other entertainment obsolete in a medium some of the major companies seem to be pushing for that.

That's it for this week, but since it is currently a new Wednesday be sure to grab the new issues of The Secret History of D.B. Cooper, Saucer Country, and Red Hood and the Outlaws. Have any recommendations? Leave'em or tweet'em.

Wednesday Pickups 3/7/12

Attempt #207 to get my weekly comic reviews back on track, odds of success: 3720 to 1. So you're saying there's a chance?

First up this week chock-full of inaugural issues, 3 of them including this one coming from Image, is Fairest #1. Spinning out of the pages of Fables, this new ongoing seeks to tell the stories of the universe's fairer maidens but opens with the prince of thieves, Ali Baba, getting into some mischief. Featuring stunning artwork (with pencils by Phil Jimenez, inks by Andy Lanning, and colors by Andrew Dalhouse) and witty dialogue (Bill Willingham on writing duties) this issue is a fun read but might be a bit dense for the first of the series. I leave it at might, because while it seems that a lot of this story was previously set up in Fables, that could just Willingham dropping us a little further in and playing catch up somewhere down the line. Honestly, if you're reading Fables, I'm betting you'll be picking this up and you should since it has the makings of being a fun book. On the other hand, if your a little unfamiliar with the universe (such as myself, only having read the first Cinderella trade) I would recommend checking out Fables first or waiting for this to be collected and getting more of the story in one sitting.

Next up, also hailing from Image, is The Manhattan Projects #1. The Brothers Oppenheimers' lives had led them down very different paths, as one is recruited to the secret government think tank the comic gets it's title from the other suffers through a rather unsavory event. Jonathan Hickman writes a spectacular script to the start of this fictional account of the Manhattan Project, imagining it as dealing with anything supper powered or occult in World War II as well as developing nuclear weapons. Complimenting Hickman's all-encompassing plot, Nick Pitarra's detailed art tells just as much about the characters we meet, and Cris Peter's colors give them a life all their own. While I was a little skeptical going into the book, I immensely enjoyed this first issue and can't recommend it enough to fans of sci-fi and historical fiction. At the very least give it a flip through while browsing at your comic shop of choice, I promise you won't be disappointed.

Concluding this trio of Image first issues is Hell Yeah #1. Perpetual slacker Ben Day seemingly lives in a perfect world, where 20 years ago superheroes showed up and started it on the path towards utopia, that is until a group of super-chicks from another dimension come looking for him. While it may sound like a premise that's been done already, writer Joe Keatinge and illustrator Andre Szymanowicz have put their own spin on it that I can best describe as something of a cross between the movies Scott Pilgrim vs. The World and Rebel Without A Cause (or if you're looking for more of a comic comparison, it feels a bit like the first issue of The Strange Talent of Luther Strode.) While the book presents you with an antiquated rebellious teen, or so he seems at first glance, it also doesn't mind laughing at him and giving the reader a few laughs as well. The first issue might not have been enough to draw other readers in, but I'm thoroughly intrigued and will be picking up the next few issues to see where it goes.

Taking a break from this #1-a-thon, I decided to check out Avengers Academy #27; partly due to urging from John over at the Burnt Weiners Podcast and partly due to the Runaways making a guest appearance. In this part 1 of "War With The Runaways", Nico and gang show up looking for help in getting back their dino-member Old Lace, but their understandable problems with authority figures set them on a collision course with the Academy faculty. Yes, hero groups meeting to do battle is nothing new (actually, I'm pretty sure the Runaways did this just last year with the Young Avengers, which is neither here nor there) but I will give writer Christos Gage the benefit of the doubt with it as he at least manages to keep the personalities involved interesting. Art-wise though the book gets less leeway though, as more than a few panels just felt out of proportion to me and don't exactly leave me wanting to look at anymore. That said, I'm going to at least finish out this two part arc, and pay the title a bit more attention when looking at previews, especially now that I know it revived Juston Seyfret from the early 2000's Sentinel series.

Back to the first issue trend, but staying with Marvel, we have Age of Apocalypse #1. Humanity's hope of survival is dwindling fast with their only hope being the de-powered Jean Grey, Sabretooth, and The X-Terminated against Weapon Omega's (formerly this world's Wolverine) mutant domination. While I really enjoy this issue, knew I would like David Lapham's writing but ended up liking Roberto De La Torre's art more than I would have thought, I do think it might put up a barrier to new readers and those that might be jumping back in to the AOA since it's original creation so many years ago. The book expects a reader to be just a bit more familiar with what is going on than I would like in a first issue, similar to my complaint with Fairest #1 from earlier in this post. The good news here though, is that Lapham's writing style will be quick to erase that gap within a few issues, as I feel he often gentle adds a little bit of summary to his books as they go on. On the other hand, if you don't want to wait that long Uncanny X-Force #19.1 is a great introduction to this universe (which I reviewed only a handful of post ago, saying it should be called Age of Apocalypse #0 instead) and was only released in January so it should still be on your local shop's shelf. Definitely looking forward to more though, as I love me some Lapham and this universe really grew on me after being featured in Remender's Uncanny X-Force.

Saving the best for last, from DC comics we have Swamp Thing #7. Every thing Alec Holland has been going through in the first six issues comes to a head here as he must make his final decision on whether or not to once again become the Swamp Thing, that is if it isn't already too late. As usual Scott Snyder (writer) and Yanick Paquette knock it out of the park! Synder (as he has already proven with American Vampire and Severed) can balance themes just as well if not better than anyone else in the business, doing so in this book with the all demanding nature and the ever-present horror. As if that wasn't enough, his dialogue manages to take the characters a step beyond the page; shaping them not just by what they say, but how they say it. That right there is enough for a great book, but Paquette's art brings it up to the amazing ranking. His panel structure is so fluid and pencils so detailed that you just want to hang every page of this book on your wall, unless you have little ones it might give them nightmares. Also, just want to get in a quick mention of the job Nathan Fairbairn does with the colors on this issue; the reds. blacks, and greens all fit together so well not just with the art but with the major themes already being examined and coming up soon. Seriously if you're reading any DC books and this isn't one of them, your doing it wrong.

Well, that is it for this week. Basically a bunch of great books that you should be checking out and one of two that may be a little more niche. Looking forward to this coming week, there is another wave of #1s on the horizon as Saga, Crossed: Badlands, and the Secret History of D.B. Cooper all premiere; plus, as usual with me, a bunch of X-Men books drop that I will be sure to grab. Any thoughts/questions/suggestions, go ahead and leave those down below in the comments, and if not see you back here in 7*.

(*Intentionally left off the measurement for that 7 so I could take as long as I want to write next week's post mwhahahahaha! But seriously, it I'll try and keep it to 7 days.)