Wednesday Pickups 5/2/12

It's that time once again, where I try to get my comic blogging back on track and inevitably fall back to not doing so within a few weeks. I don't expect this time to be any different, especially with nicer weather right around the corner, however with another batch of new titles dropping this week, and a few good usual suspects, I figured I'd give it a shot. So without further lame introing, comics from May 2nd, 2012.

Kicking things off this week we have Venom #17 from Marvel; written by Rick Remender & Cullen Bunn, with pencils by Kev Walker, inks by Terry Pallot, colors by Chris Sotomayor, and letters by Joe Caramanga. A prologue to the upcoming Savage Six story arc; this issue assembles the cast of villains looking to take down Flash Thompson, while he himself once again calls on the Venom suit to rid him of Crime Master's black mail once and for all. A nice, soft-start to "Savage Six" this issue delivers a good taste of what the book has been like so far and where it's going in the near future. Remender continues to write Flash through the ringer, both emotionally and physically, giving him only enough down time to see how far he has fallen. One could choose to view this as depressing, but I find it only makes the character that much more interesting as we see him try to be better (sometimes succeeding and often not.) On the art side, Kev Walker's pencils continue to grow on me. While they aren't quite as visceral as Tony Moore's, they offer a pretty good substitute with a unique sense of action layout. All in all, a pretty good issue and definitely a good jumping on point if you've been wondering what this Venom series is all about.

Also from Marvel this week is Age of Apocalypse #3; written by David Lapham, with art by Roberto De La Torre, colors by Lee Loughridge, and letters by Cory Petit. The X-Terminated continue their fight for humanity by trying to stop Beast from reviving some of this world's deadliest mutants, finding assistance in from some unlikely allies. Still not entirely in love with De La Torre's art but find my self really enjoying Loughridge's color palette, which is spot on for this dystopian world. On the narrative side, I'm digging Lapham's story but do think it could be jarring for those not familiar with the universe. Ultimately, I like the book but would probably recommend most readers wait for a trade collection to get a good taste of it instead of just sampling this title with any given issue.

Next up is a bloody, double feature from Image starting with Pigs #7; story by Nate Cosby & Ben McCool, art by Breno Tamura & Will Sliney, colors by Chris Sotomayor, and lettering & design by Rus Wooton. After their paid hit-man failed last issue, the sleeper cell takes matters into their own hands and breaks into prison to eliminate their target. Another good issue from Cosby, McCool, and crew; furthering the story enough to satiate our blood-lust while still dangling the mystery of what the cell is really up to right in front of us. To be honest I was a little worried momentum wouldn't carry over, as it's been a little while since the last issue was released, but now I'm finding that each issue of this book can really be enjoyed without the context of the others (although that context does make it so much better.) If you're up for a tale of intrigue, assassination, and possibly revenge definitely give Pigs a shot.

Rounding out the Image double feature is a brand new mini-series, Epic Kill #1 of 5. Created, written, and drawn by Raffaele Ienco, Epic Kill follows young Song as she begins begins her quest to find that man that holds all the secrets to her past. I would like to say this comic goes beyond the generic summary I just gave it, but it really doesn't. I don't want judge it too harshly based on this first issue, but Ienco's book looks and feels like a third rate action story that never approaches living up to it's name. Maybe it gets better in the other issues, but for now I would advise staying away from this book.

Going back to Marvel, we have Exiled one-shot (part 1 of 5, so not really a one-shot); Kieron Gillen, Dan Abnett, & Andy Lanning on writing duties, art by Carmine Di Giandomenico, colors by Andy Troy, and letters by Clayton Cowles. Evil creatures from Asgardian past escape hell, and end up on earth forcing a confrontation between the Norse gods and the New Mutants that leaves everyone confused. Not the easy introductory issue I was hoping for, coming from only reading New Mutants, but not exactly terrible either. So far this cross-over seems a lot more like pressure marketing than a compelling tale flowing naturally out of the two books, however it did interest me enough to want to pick up the Journey Into Mystery issues if only to find out what is actually going on. Art-wise it left less of an impression, as it neither wowed or disgusted me, leading me to hope for better in the remaining for parts but won't end up being too dissappoint if there isn't. Final verdict on this one, pass on it till it's collected unless you're already buying one or both of the comics titles it bleeds into this month (Journey Into Mystery and New Mutants.)

Last up and my favorite book this week is the flagship title of DC second wave of 52 books, Earth 2 #1; written by James Robinson, pencils by Nicola Scott, inks by Trevor Scott, colors by Alex Sinclair, and letters by Dezi Sienty. On a earth very much like our own (if our own was that of the regular DC earth) three iconic heroes wage a final battle for humanity's freedom ending in a tragic result, but one that will give birth to a new generation of heroes. To be honest, I wasn't to hot on this book going in and might not have picked it up if my local shop wasn't offering it for a dollar off, but man am I glad they did. While I stand by my thoughts on most of the  DC books (I've read and liked) no needing a reboot to tell their stories, this one absolutely did (sort of picking up the remains of JSA) and they knocked it out of the park! Robinson's sets the stage for what could be a great title with his story and Nicola Scott's art is looking way better than the last time I saw it in the pre-reboot Teen Titans series, probably somewhat due to the talents of Trevor Scott and Alex Sinclair. Definitely grabbing the next few issues of this to see if it keeps it's momentum, but I highly recommend grabbing this first issue and checking it out for yourself.

That's it for this week but next week is shaping up to be just as good with new Uncanny X-Force, Crossed, and Batman so be sure to head out and pick those up today.

Wednesday Pickups 9/14/11

Fresh September continues with four new titles this week, as well four regular favorites. So let's get right to it:

We start in the X-world, with Uncanny X-Force #15. The Dark Angel Saga blazes on as Fantomex, Deadpool, and Deathlok may be all that stand in the way of global genocide; God help us all. Another spectacular issue from my favorite on-going title, Rememder's characters remain well written, while Opena's art never ceases to amaze. Only a few issues left in this storyline, and while I can't wait to see how it all shakes out at the same time, I really don't want it to end.

Heading off world, we catch up with X-Men Legacy #255. Magneto, Frenzy, Gambit, and Rogue continue their search for Havok and Polaris, but they might be getting in over their heads. While I do enjoy Mike Carey's story here, and not just because it is the gateway for some of my favorite X-ers to return regularly to X-books, Steve Kurth's pencils aren't exactly my cup of tea. I generally find myself not a fan of artist's whose face drawings come out strange or misshapen, and Kurth is no exception. That said, his action sequences are alright and do make the downsides tolerable. Overall, I am looking forward to where this title is heading and hopefully an artist change in the near future.

From Marvel, we head over to DC's Vertigo line with The Unwritten #29. Tommy and Lizzie get closer to unraveling the mystery of his father's journal with neither of them liking what they find. This great and original series continues with another solid issue. While I don't want to get into too many specifics and give anything away, one of the final scenes in this issue gets into some Marshall McLuhan ideology and offers a brilliant critique on the way the comic book industry has been run at times. A must read for long-time comics fans as well as those just getting into the medium.

Last up from Vertigo this week is, the penultimate issue of American Vampire: Survival of the Fittest #4 of 5. Cash and Felicia's covers are blown, so let the slaughter of Nazi vampires begin. Really enjoying this mini from Scott Snyder (writer) and Sean Murphy (artist), but that should come as no surprise since I love both of their work. While I was worried from last issue that this mini would end up trying to explain too much of this vampire world, Snyder has succeed in telling just enough to not get to far away from the main series roots and leave some question unanswered. In addition to that, Murphy's art really shines this issue as he gets to draw a lot more action that we've seen so far. Looking forward to the final issue, as the end of this one sets it up for a bloody conclusion.

Kicking off the new titles is Pigs #1 from Image Comics. Mischief and murder have forced a second generation KGB sleeper cell based in Cuba into action, and America authorities are left trying to figure out what the hell is going on. Superb story concept and execution by Nate Cosby and Ben McCool on this first issue. They paced the action and drama quite well in addition to ending with a cliffhanger that makes the wait for the next issue unbearable. My only complaint so far is Breno Tamura's art is a little rough for my taste, but I could see myself warming up to it as the book goes on. Always happy to support something that tries to tell an interesting story, and this title is no exception.

Going back to Marvel, for the third installment in their relaunched Ultimate line, we have Ultimate Comics Spider-Man #1. In this first issue we meet Miles Morales, an average kid in New York, whose life is about to change forever in multiple ways. Stupendous start for Brian Michael Bendis (writer) and Sara Pichelli (artist)! This issue seems to have that perfect balance of being something original, with a new protagonist, and having the classic feel of a super hero origin story. I've been enjoying all the new titles from the Ultimate Comics line but so far this one is my favorite, although the last one to come in the one I'm most looking forward to.

Finishing out the week we have two of DC's new 52, and the first of those is Superboy #1. Scientists at a secret facility have combined the DNA of Superman and that of human to produce a clone with amazing abilities, but only time will tell if Superboy inherited his "father's" penchant for doing good. While I wasn't amazed by this first issue, I was surprised that I did like it and how well it was done. Written by Scott Lobdell and drawn by R. B. Silva, this first issue does a solid job of introducing the character and showing where he is coming from. One particular inclusion I liked, was that of Rose Wilson (aka Ravager pre-DC Reboot) who was beginning to be a romantic interest for him at the end of Teen Titans and might end up being one here, a nice nod to the readers that creator's haven't thrown everything out in the DCnU. I think the next issue will weight a little more on whether I will be picking this series up regularly, so I'm hoping for it to grab me a little more.

Last up, and barley edging out the new Spider-Man for pick of the week, is Red Lanterns #1 from DC Comics. Atrocitus and his blood thirsty red lanterns are back, but it seems their leader made have lost his taste for rage. Extremely impressive first issue from Peter Milligan and Ed Benes! While I was a little worried these characters wouldn't be able to hold their own title, Milligan has erased all doubt and Benes great art is just blood-red icing on the cake. I can't wait to see future issues getting to the core of these lantern's rage as is done for Atrocitus here and any additions Milligan makes the core. If you've grown a little tired of the event-centric Green Lantern books over the last few years, as I have, I think this book might be just what your looking for in the new DCU.

Another solid week of floppys in the books, and next week looks to continue the trend with a whole lot of appetising X-titles. See you back here in 7 days for some X-Men, X-Women, and maybe if we're lucky something X-rated.