Wednesday Pickups 5/2/12

It's that time once again, where I try to get my comic blogging back on track and inevitably fall back to not doing so within a few weeks. I don't expect this time to be any different, especially with nicer weather right around the corner, however with another batch of new titles dropping this week, and a few good usual suspects, I figured I'd give it a shot. So without further lame introing, comics from May 2nd, 2012.

Kicking things off this week we have Venom #17 from Marvel; written by Rick Remender & Cullen Bunn, with pencils by Kev Walker, inks by Terry Pallot, colors by Chris Sotomayor, and letters by Joe Caramanga. A prologue to the upcoming Savage Six story arc; this issue assembles the cast of villains looking to take down Flash Thompson, while he himself once again calls on the Venom suit to rid him of Crime Master's black mail once and for all. A nice, soft-start to "Savage Six" this issue delivers a good taste of what the book has been like so far and where it's going in the near future. Remender continues to write Flash through the ringer, both emotionally and physically, giving him only enough down time to see how far he has fallen. One could choose to view this as depressing, but I find it only makes the character that much more interesting as we see him try to be better (sometimes succeeding and often not.) On the art side, Kev Walker's pencils continue to grow on me. While they aren't quite as visceral as Tony Moore's, they offer a pretty good substitute with a unique sense of action layout. All in all, a pretty good issue and definitely a good jumping on point if you've been wondering what this Venom series is all about.

Also from Marvel this week is Age of Apocalypse #3; written by David Lapham, with art by Roberto De La Torre, colors by Lee Loughridge, and letters by Cory Petit. The X-Terminated continue their fight for humanity by trying to stop Beast from reviving some of this world's deadliest mutants, finding assistance in from some unlikely allies. Still not entirely in love with De La Torre's art but find my self really enjoying Loughridge's color palette, which is spot on for this dystopian world. On the narrative side, I'm digging Lapham's story but do think it could be jarring for those not familiar with the universe. Ultimately, I like the book but would probably recommend most readers wait for a trade collection to get a good taste of it instead of just sampling this title with any given issue.

Next up is a bloody, double feature from Image starting with Pigs #7; story by Nate Cosby & Ben McCool, art by Breno Tamura & Will Sliney, colors by Chris Sotomayor, and lettering & design by Rus Wooton. After their paid hit-man failed last issue, the sleeper cell takes matters into their own hands and breaks into prison to eliminate their target. Another good issue from Cosby, McCool, and crew; furthering the story enough to satiate our blood-lust while still dangling the mystery of what the cell is really up to right in front of us. To be honest I was a little worried momentum wouldn't carry over, as it's been a little while since the last issue was released, but now I'm finding that each issue of this book can really be enjoyed without the context of the others (although that context does make it so much better.) If you're up for a tale of intrigue, assassination, and possibly revenge definitely give Pigs a shot.

Rounding out the Image double feature is a brand new mini-series, Epic Kill #1 of 5. Created, written, and drawn by Raffaele Ienco, Epic Kill follows young Song as she begins begins her quest to find that man that holds all the secrets to her past. I would like to say this comic goes beyond the generic summary I just gave it, but it really doesn't. I don't want judge it too harshly based on this first issue, but Ienco's book looks and feels like a third rate action story that never approaches living up to it's name. Maybe it gets better in the other issues, but for now I would advise staying away from this book.

Going back to Marvel, we have Exiled one-shot (part 1 of 5, so not really a one-shot); Kieron Gillen, Dan Abnett, & Andy Lanning on writing duties, art by Carmine Di Giandomenico, colors by Andy Troy, and letters by Clayton Cowles. Evil creatures from Asgardian past escape hell, and end up on earth forcing a confrontation between the Norse gods and the New Mutants that leaves everyone confused. Not the easy introductory issue I was hoping for, coming from only reading New Mutants, but not exactly terrible either. So far this cross-over seems a lot more like pressure marketing than a compelling tale flowing naturally out of the two books, however it did interest me enough to want to pick up the Journey Into Mystery issues if only to find out what is actually going on. Art-wise it left less of an impression, as it neither wowed or disgusted me, leading me to hope for better in the remaining for parts but won't end up being too dissappoint if there isn't. Final verdict on this one, pass on it till it's collected unless you're already buying one or both of the comics titles it bleeds into this month (Journey Into Mystery and New Mutants.)

Last up and my favorite book this week is the flagship title of DC second wave of 52 books, Earth 2 #1; written by James Robinson, pencils by Nicola Scott, inks by Trevor Scott, colors by Alex Sinclair, and letters by Dezi Sienty. On a earth very much like our own (if our own was that of the regular DC earth) three iconic heroes wage a final battle for humanity's freedom ending in a tragic result, but one that will give birth to a new generation of heroes. To be honest, I wasn't to hot on this book going in and might not have picked it up if my local shop wasn't offering it for a dollar off, but man am I glad they did. While I stand by my thoughts on most of the  DC books (I've read and liked) no needing a reboot to tell their stories, this one absolutely did (sort of picking up the remains of JSA) and they knocked it out of the park! Robinson's sets the stage for what could be a great title with his story and Nicola Scott's art is looking way better than the last time I saw it in the pre-reboot Teen Titans series, probably somewhat due to the talents of Trevor Scott and Alex Sinclair. Definitely grabbing the next few issues of this to see if it keeps it's momentum, but I highly recommend grabbing this first issue and checking it out for yourself.

That's it for this week but next week is shaping up to be just as good with new Uncanny X-Force, Crossed, and Batman so be sure to head out and pick those up today.

Wednesday Pickups 7/20/11 & 7/27/11

I'm bundling the last two weeks together since I got caught up in some other thing. So, lets get right to it with the comics from the 20th.

Kicking things off, we have Uncanny X-Men #541. Tieing in with Marvel's summer event, Fear Itself, the X-Men are trying to stop the possessed Juggernaut who is working a scorched-earth path towards San Fransisco. While it's a scenario that's been done a dozen times before, Greg Land's art and Kieron Gillen's strategic take on the matter keep it interesting. It is also worth mention that this tie-in hasn't distracted from the direction the book has been going, as so often happens with these major events. Not a ground-breaking issue by any means, but sill a fun read.

From there, we cut out the adjective with X-Men #15. Wrapping up the "First to Last" arc, this issue features the final showdown between the X-Men and the Evolutionaries, who are trying to "save" them. A pretty good issue and arc, Christopher Yost's story has a classic feel while still managing to show how a lot of these characters have changed over the years. The combined artistic talents of Paco Medina and Dalibor Talajic, the former handling the current happenings with the latter covering the flashbacks, also work in a nice harmony to flush out the comic. I'm not sure what is happening with this book after the X-Men: Schism event, but if the same creator's stick around I will as well.

Departing Marvel and getting into Image, we have Hack/Slash #6. Starting the new arc, "Fame Monster", this issue features a slasher going after pop culture "celebrities", all the while treating Cassie to his vicious slayings by showing them in her dreams. Another great issue from Tim Seeley and Daniel Leister, with it's patented comedic-horror plots, fan service, and gory moments. If you've ever wanted to see some tan guys from Jersey get into a real situation, this one's for you.

The pick of the week this time is a special book you won't find on your local shop's shelf, Matinee Eclectica a special publication put out by Dirty Third Comics. I first heard of Matinee Eclectica through a wonderful crowd-funding site called Kickstarter, and have been looking forward to reading it ever since. The basis of the anthology is that all the stories are written by relative new-comer Ryan Schrodt, who partners with a different artist for each mini-tale. Generally when it comes to Anthology books, I find a lot to like and at least some parts that are dreadful. Matinee Eclectica breaks that pattern though, as I like every story and love quite a few of them. Schrodt really shows some writing chops in expertly handling all the major genres from super-heroes and sc-fi to western and horror tales. Just as impressive, is the combined talent of the artists assembled here. I don't want to start listing them all, as I would inevitably forget someone, but they are certainly creators I will be looking for more of in the future. Now, I'm not sure where you can get the book right now outside of con appearances, but I would start with contacting Mr. Schrodt through his completed Kickstarter campaign or the email given there. I, for one, can not wait to read more of his stuff in the future.

Let's keep rolling right into the books from the 27th.

First up this week is the lone DC universe book, Teen Titans #98. Begining the last story before the DC reboot, this issue features the return of Superboy Prime to the regular DCU, who is looking for revenge on Conner and the Titans. I'm kind of torn on this issue. It presents some interesting ideas but on the other hand they are all ones that I can't see being wrapped up in the two remaining issues of this title. The art however is pretty well done, with grittier pencils by Eduardo Pansica that fit the story's darker mood. Either way I'll be picking up the last couple issues and I'm crossing my fingers that they don't disappoint.

Next, we continue to catch up with the Inhumans in FF #7. Black Bolt returns to his people but he certainly doesn't come to bring them peace. Still not really enjoying this mini/fill-in story that has taken us away from what is happening with the Future Foundation. Hickman's writing is ok but Greg Tocchini's rougher art really does nothing for me. Next issue looks to be back on earth and hopefully Epting will be handling the art once again.

Rounding out my Marvel/non-X pickups, we have Venom #5. In this issue, Flash deals with his oldest foe, his father. At first I thought I wasn't going to like this one as it has starts off having an "after school special" kind of vibe to it, but by the end Remender makes it all worth while as he dives deeper into the mind of Flash Thompson. The kind of command he has over characters in his writing is unparalleled in the industry, and he makes each title more appealing than the last (something we will get back to with Uncanny X-Force later in this post.) Tony Moore and Tom Fowler, the two artists handling the issue, also contribute quite a bit as their touching panels hit just as hard as Remender's plots. This book is quickly becoming one of my favorite Marvel titles every month.

Heading over to Vertigo, we have American Vampire #17. Henry, Skinner, and the rest of their outfit escaped the cells, but it's straight from the frying pan and into the vampires running around on fire. Another fantastic issue from Scott Snyder and Rafael Albuquerque, filled with vampires (American and otherwise) and World War II action! This penultimate chapter of the "Ghost War" arc wraps up the perfect amount, leaving the most anticipated showdown for the final issue. Still really digging this book after a year and a half, and can't wait for more.

Going from buckets of blood to kegs of it, we have Crossed: Psychopath #4. Amanda and Rick see what "The Crossed" did to Darwin and Claire last issue, while Harold let's us see what happened to his first "love", Lori. David Lapham and Raulo Caceres continue to put out the sickest comic on the shelves, but its also one of the best done. The free reign Avatar Press gives Lapham constantly challenges his creativity for crazy story-telling, while Caceres art does wonders bringing the stories to life with fluid panel structure and mesmerizing, full-page spreads. Certainly not a title for everyone, but if you are a horror or gore fan you need to be reading it.

Closing out the week we have four X-books, starting with X-Men: Schism #2 of 5. The X-Men are on damage control, as the numerous countries that have activated Sentinels are falling victim to the robots. Meanwhile, the new Black King of the Hellfire club continues moving pieces into place before he overtly strikes as his mutant foes. This issue brought the mini-series down quite a bit, as the slow pace seems out of place in an event story and Frank Cho's art is not looking it's best. Additionally, Jason Aaron seems to be over-stating character's personalities and feelings to justify a predictable end that readers can see coming a mile away. There are still some things I like about the book, such as the new Hellfire Club direction, but I am really hoping the third issue brings some needed improvements.

From the X-Men as a collective, we head into the smaller groups starting with X-Men Legacy #252. The group begins searching Paris for Styx, Legion's most dangerous personality that got loose, but it doesn't go as well as they'd hoped. I am enjoying this story from Mike Carey, as he subtly makes these characters deal with their personal demons and left over feelings from "Age of X". The pencils by Khoi Pham don't really strike me strongly one way or another, but they do have their moments. Probably not a good point for some looking to get into the X-world but an enjoyable book anyways.

Taking second place this week is my favorite covert X-team in Uncanny X-Force #12. The Dark Angel Saga continues as X-Force teams up with the remaining Age of Apocalypse X-Men, while their individual leaders (Wolverine and Jean Grey respectively) ponder more than a friendly alliance. As I mentioned earlier with Venom, Remender has a flair for character development and this issue is no exception. That in addition to his over the top story and Mark Brooks pencils make this another fantastic comic. My sole complaint is the limited amount of panel time Dark Angel has been given, but that is more of the Angel fan in me speaking than a critique.

The top spot this week goes to Abnett and Lanning's New Mutants #28. Moonstar brings in a therapist to help her team deal with the personal problems their each going through. While this approach has been done before in comics, it hasn't been done with the speedy, no-punches pulled attitude this issue brings. Instead of having the characters confess all their problems in monolouges or thought bubbles, Abnett and Lanning choose to hit these not so merry mutants right in the face with them. Presenting a great pay off for those that have been reading for years, and a nice summary for those just joining in, this issue is a great read for any comic book fan and I definitely recommend checking it out.

That's it for this week, so go read some comics or at the very least complain on the interent about ones you don't like.