Wednesday Pickups 7/20/11 & 7/27/11

I'm bundling the last two weeks together since I got caught up in some other thing. So, lets get right to it with the comics from the 20th.

Kicking things off, we have Uncanny X-Men #541. Tieing in with Marvel's summer event, Fear Itself, the X-Men are trying to stop the possessed Juggernaut who is working a scorched-earth path towards San Fransisco. While it's a scenario that's been done a dozen times before, Greg Land's art and Kieron Gillen's strategic take on the matter keep it interesting. It is also worth mention that this tie-in hasn't distracted from the direction the book has been going, as so often happens with these major events. Not a ground-breaking issue by any means, but sill a fun read.

From there, we cut out the adjective with X-Men #15. Wrapping up the "First to Last" arc, this issue features the final showdown between the X-Men and the Evolutionaries, who are trying to "save" them. A pretty good issue and arc, Christopher Yost's story has a classic feel while still managing to show how a lot of these characters have changed over the years. The combined artistic talents of Paco Medina and Dalibor Talajic, the former handling the current happenings with the latter covering the flashbacks, also work in a nice harmony to flush out the comic. I'm not sure what is happening with this book after the X-Men: Schism event, but if the same creator's stick around I will as well.

Departing Marvel and getting into Image, we have Hack/Slash #6. Starting the new arc, "Fame Monster", this issue features a slasher going after pop culture "celebrities", all the while treating Cassie to his vicious slayings by showing them in her dreams. Another great issue from Tim Seeley and Daniel Leister, with it's patented comedic-horror plots, fan service, and gory moments. If you've ever wanted to see some tan guys from Jersey get into a real situation, this one's for you.

The pick of the week this time is a special book you won't find on your local shop's shelf, Matinee Eclectica a special publication put out by Dirty Third Comics. I first heard of Matinee Eclectica through a wonderful crowd-funding site called Kickstarter, and have been looking forward to reading it ever since. The basis of the anthology is that all the stories are written by relative new-comer Ryan Schrodt, who partners with a different artist for each mini-tale. Generally when it comes to Anthology books, I find a lot to like and at least some parts that are dreadful. Matinee Eclectica breaks that pattern though, as I like every story and love quite a few of them. Schrodt really shows some writing chops in expertly handling all the major genres from super-heroes and sc-fi to western and horror tales. Just as impressive, is the combined talent of the artists assembled here. I don't want to start listing them all, as I would inevitably forget someone, but they are certainly creators I will be looking for more of in the future. Now, I'm not sure where you can get the book right now outside of con appearances, but I would start with contacting Mr. Schrodt through his completed Kickstarter campaign or the email given there. I, for one, can not wait to read more of his stuff in the future.

Let's keep rolling right into the books from the 27th.

First up this week is the lone DC universe book, Teen Titans #98. Begining the last story before the DC reboot, this issue features the return of Superboy Prime to the regular DCU, who is looking for revenge on Conner and the Titans. I'm kind of torn on this issue. It presents some interesting ideas but on the other hand they are all ones that I can't see being wrapped up in the two remaining issues of this title. The art however is pretty well done, with grittier pencils by Eduardo Pansica that fit the story's darker mood. Either way I'll be picking up the last couple issues and I'm crossing my fingers that they don't disappoint.

Next, we continue to catch up with the Inhumans in FF #7. Black Bolt returns to his people but he certainly doesn't come to bring them peace. Still not really enjoying this mini/fill-in story that has taken us away from what is happening with the Future Foundation. Hickman's writing is ok but Greg Tocchini's rougher art really does nothing for me. Next issue looks to be back on earth and hopefully Epting will be handling the art once again.

Rounding out my Marvel/non-X pickups, we have Venom #5. In this issue, Flash deals with his oldest foe, his father. At first I thought I wasn't going to like this one as it has starts off having an "after school special" kind of vibe to it, but by the end Remender makes it all worth while as he dives deeper into the mind of Flash Thompson. The kind of command he has over characters in his writing is unparalleled in the industry, and he makes each title more appealing than the last (something we will get back to with Uncanny X-Force later in this post.) Tony Moore and Tom Fowler, the two artists handling the issue, also contribute quite a bit as their touching panels hit just as hard as Remender's plots. This book is quickly becoming one of my favorite Marvel titles every month.

Heading over to Vertigo, we have American Vampire #17. Henry, Skinner, and the rest of their outfit escaped the cells, but it's straight from the frying pan and into the vampires running around on fire. Another fantastic issue from Scott Snyder and Rafael Albuquerque, filled with vampires (American and otherwise) and World War II action! This penultimate chapter of the "Ghost War" arc wraps up the perfect amount, leaving the most anticipated showdown for the final issue. Still really digging this book after a year and a half, and can't wait for more.

Going from buckets of blood to kegs of it, we have Crossed: Psychopath #4. Amanda and Rick see what "The Crossed" did to Darwin and Claire last issue, while Harold let's us see what happened to his first "love", Lori. David Lapham and Raulo Caceres continue to put out the sickest comic on the shelves, but its also one of the best done. The free reign Avatar Press gives Lapham constantly challenges his creativity for crazy story-telling, while Caceres art does wonders bringing the stories to life with fluid panel structure and mesmerizing, full-page spreads. Certainly not a title for everyone, but if you are a horror or gore fan you need to be reading it.

Closing out the week we have four X-books, starting with X-Men: Schism #2 of 5. The X-Men are on damage control, as the numerous countries that have activated Sentinels are falling victim to the robots. Meanwhile, the new Black King of the Hellfire club continues moving pieces into place before he overtly strikes as his mutant foes. This issue brought the mini-series down quite a bit, as the slow pace seems out of place in an event story and Frank Cho's art is not looking it's best. Additionally, Jason Aaron seems to be over-stating character's personalities and feelings to justify a predictable end that readers can see coming a mile away. There are still some things I like about the book, such as the new Hellfire Club direction, but I am really hoping the third issue brings some needed improvements.

From the X-Men as a collective, we head into the smaller groups starting with X-Men Legacy #252. The group begins searching Paris for Styx, Legion's most dangerous personality that got loose, but it doesn't go as well as they'd hoped. I am enjoying this story from Mike Carey, as he subtly makes these characters deal with their personal demons and left over feelings from "Age of X". The pencils by Khoi Pham don't really strike me strongly one way or another, but they do have their moments. Probably not a good point for some looking to get into the X-world but an enjoyable book anyways.

Taking second place this week is my favorite covert X-team in Uncanny X-Force #12. The Dark Angel Saga continues as X-Force teams up with the remaining Age of Apocalypse X-Men, while their individual leaders (Wolverine and Jean Grey respectively) ponder more than a friendly alliance. As I mentioned earlier with Venom, Remender has a flair for character development and this issue is no exception. That in addition to his over the top story and Mark Brooks pencils make this another fantastic comic. My sole complaint is the limited amount of panel time Dark Angel has been given, but that is more of the Angel fan in me speaking than a critique.

The top spot this week goes to Abnett and Lanning's New Mutants #28. Moonstar brings in a therapist to help her team deal with the personal problems their each going through. While this approach has been done before in comics, it hasn't been done with the speedy, no-punches pulled attitude this issue brings. Instead of having the characters confess all their problems in monolouges or thought bubbles, Abnett and Lanning choose to hit these not so merry mutants right in the face with them. Presenting a great pay off for those that have been reading for years, and a nice summary for those just joining in, this issue is a great read for any comic book fan and I definitely recommend checking it out.

That's it for this week, so go read some comics or at the very least complain on the interent about ones you don't like.

Wednesday Pickups 1/26/11

Another large stack of comics this week, so let's dive right into them:


Kicking things off (sorry I couldn't resist the easy set up) is Skull Kickers #5, the conclusion to its first arc One Thousand Opas and a Dead Body. Baldy and Shorty do battle with the demonic horde, which turns into battle with a giant ugly demon! Spectacular letters by Marshall Dillion and great pencils by Edwin Huang lead this title but Jim Zub's story isn't to shabby either. Keeping with the humorous and outrageous tone it's set so far, the book finishes it first arc in good fashion and even plants a seed or two for the future. Really looking forward to next issue, a collection of short stories about our two favorite warriors but put in the hands of other creators besides Zub and Huang.

Heading over to DC, we have Justice League: Generation Lost #18. Max Lord continues his experiments on the Blue Beetle while his new mind control minion, Power Girl, takes the rest of the league down a peg or two, seeing them Superman and crew turned evil. Another fantastic issue from writer Judd Winick, this time with pencils by Aaron Lopresti, that leaves us craving the next issue. Really enjoying how Winick opens each issue with a scene from the past that informs readers where these heroes are coming from but also relates to what their about to face. Still keeping my fingers crossed that this book turns into a regular monthly title after Brightest Day concludes.

Finishing the DC titles for the week is Teen Titans #91. Most of the titans face off against the genetically altered teens who took their school hostage while Ravager and Robin are left to deal with the remain student body that have been turned into mindless thugs. Solid issue by J.T. Krul (writer) and Nicola Scott (penciler) that wraps up their beginning story-line on the book nicely. Nothing too flashy or epic but good character development and interaction, something I have always enjoying Teen Titans books. Next up is a cross over with Red Robin which, being a huge fan of that book, I am really looking forward to.

Concluding the non-Marvel books is Vertigo's American Vampire #11. The two part The Way Out finishes up here as Pearl and Henry battle some bootlegging blood suckers while Hattie tracks them down for a not so friendly reunion. Not my favorite issue of the book but still a good one none the less. Mateus Santoluco's art keeps it visually interesting but isn't quite as dynamic as series regular Rafael Albuquerque. Scott Snyder's tale continues to be the best regular does of vampire around.

First up from a large selection Marvel books this week is Ultimate Avengers 3 #6. The finale of Blade Versus The Avengers is here, as the two stand together against an overwhelming force of vampires. While I voiced my doubts about this volume of the series, this issue brought it all together for me. The book straddles the line between over the top hilarity and groan-worthy cliches until this final issue where it sets its self firmly on the side of the former. I could sell this issue to you in one sentence, SPOILERS: Someone get stabbed with a plane! So if you skipped out on this series, make sure to correct that when it gets collected in TPB form.

Continuing with the avengers, but moving over the regular marvel universe, we have Secret Avengers #9. Steve Rodgers and crew cook up a plan to get Sharon Carter back from the Shadow Council but will they be able to do so without losing another member? The art by Mike Deodato and Will Conrad compliments Brubaker's shadow ops story well, filling tons of panel space with shadows but still conveying action convincingly. Not sure how the arc is going to wrap up next issue, but I am definitely looking forward to it.

Special addition this week, is the book most comic fans are talking about, Fantastic Four #587. Spread out and all in dangerous situations, one of the fantastic four members meets their end in the conclusion of the Three arc. Not going to say which member it is (in case you have somehow managed to avoid spoilers from major media services and the online comic-fan community) but I will say I enjoyed the issue. Been meaning to check out Jonathan Hickman's FF since it started but kept pushing it off and then never grabbed the trades. Definitely going to rectify that soon though, after seeing the quality of his writing on this book matched with Steve Epting's great art.

This brings us the the huge amount of mutant books this week (yeah, I might be a mutantholic), and we'll start them off with Age of X: Alpha one-shot. Written by Mike Carey (and with art from and army of talent) this book drops us in the world of Age of X and hits the ground running. Instead of taking the usual approach and showing how the world got this way, this first entry just gives us the back story of a few of the main mutants and promises to reveal over time why this world is different from the one we know. Digging the story so far and looking forward to more when it takes over some of the regular X titles in February.

Next up is Namor: The First Mutant #6 with a fantastic cover from Phil Noto. Starting a new arc titled Namor Goes to Hell well... Namor goes to hell or at least his own version of it while his allies work on trying to bring him back but end up getting a visit from one of Namor's oldest friends. Surprise surprise, another spectacular issue from Stuart Moore (writer) and Ariel Olivetti (artist.) These two just manage to get everything about the character and his surroundings/supporting cast right. It might be a little early to call it, but I think there run is my favorite out of any Namor title.

Getting into the team books we have X-Men #7. In their new initiative to make every one love mutants, Cyclops sends a team to New York to deal with a problem some might classify as street level. After the first arc, Curse of the Mutants, being barely satisfying and this new one, To Serve and Protect, not seeming to interesting I think I'm going to take a break from this book. While I love the Terry & Rachel Dodson covers, I never really liked Chris Bachalo's art (interior artist) and Victor Gischler's writing isn't helping either.

Rounding out the regular X-men books is Uncanny X-Men #532. Emma, Kitty, and Fantomex continue to deal with Sebastian Shaw; Angel's group tackles the Collective Man and Sublime's Designer X-Men; and everyone back on Utopia continues to suffer from the mutant flu. Featuring splendid art (both inside and out) by Greg Land, this issue brings the title back a little bit from the past few crowded and convoluted issues. While Matt Fraction and Kieron Gillen (the writers) still have a lot going on here, its improved a lot in presentation and pacing making for a more enjoyable read.

The penultimate book this week, missing the top spot just barely, is New Mutants #21, the conclusion to Rise of the New Mutants. General Ulysses has released the Elder Gods spelling doom for both Limbo and our world but Magick hasn't performed her last trick yet and may still have a shot at stopping them. This issue brings a fitting end to they story the Zeb Wells has been telling since the book started and manages to send us out on a bang but also with a few new story-lines hanging to be pulled on later. Not sure if Wells and partner in crime, artist Leonard Kirk will be returning to the book after Age of X but I certainly hope so as they have proved they can make it one of the best titles Marvel has to offer every month.

Pick of the week should come as no surprise since its been here a couple times already, Uncanny X-Force #4. The Apocalypse Solution concludes as Archangel and crew decide the final fate of Kidpocalypse. Another frakking awesome X-conclusion and another awesome issue from Rick Remender and Jerome Opena, this issue brings a perfect ending to this new groups first adventure with many more to come. I seriously can't recommend this book enough, both for its great story and art, and if you missed out on the single issues make sure to grab it when its collected in TPB.

And thus brings us to another thrilling conclusion of Masterpiece Myster... I mean Wednesday Pickups. Any comments, critiques, suggestions, or questions can be left below or sent to talesofthegeeklanterncorps@gmail.com . I know it's a little late this week but that was actually a test. Everyone should have been so busy checking out Multiplex (see the article below this one) that they shouldn't have had time to read this till now. Most of you passed, barely.

Wednesday Pickups 10/13/10

Ton of books this week, as you can see below, so let's get right into it.


We start off this week with Oni Press' Frenemy of the State #3. While not the greatest title out, its still a pretty fun book. The topic of under cover agents has been done to death but this title breaths some fresh life into it with its clever "pop princess" dialogue and the unique ways our protagonist maintains her cover.

Next up is Bongo Comics' Comic Book Guy: The Comic Book #4 of 5. Not much to say about the book really. The art the same as the television show, neither better nor worse, and the story/humor have been in a steady decline since the first issue. It still has some funny moments but overall not worth the price of admission. Due to my collecting illness I will probably pick up the last issue when it comes out but I really recommend passing on it if your not already invested.

Kicking off a swarm of DC books we have Justice Society of America 80-page giant 2010. Overall an awesome one-shot of short stories. Didn't care to much for the tale of two Wildcats or Liberty Belle's story but the rest were great, with Christian Weir and Nunzio DeFilippis' Cyclone story being my favorite. Art from everyone was fantastic but I especially enjoyed Mateus Santolouco's Dr. Fate work (except for his velociraptor-like Power Girl.) A must check out for any JSA fan (especially of these characters) even if you have gotten away from the regular books recently like I have.

Up next is another DC one shot, Untold Tales of Blackest Night and I for one wasn't nearly as impressed with this one. While the art was good just like it was consistently through Blackest Night, but most of the stories just felt like scrapped ideas from it. Really enjoyed Ethan Van Sciver's Karu-Sil's story and the actual deleted scenes from Blackest Night, but the rest just left me unimpressed. If you want more of Blackest Night I can recommend it as your only current source but if you felt satisfied with the story there is nothing absolutely necessary here.

Rounding out these DC one-shots we have Bruce Wayne: The Road Home, Red Robin. I was pretty hesitant about picking this up, mainly because I thought this series of The Road Home one-shots would leave you feel like you were missing something if you only picked up one. I am really glad to say, that is no the case. While it ties in elements from both the other Road Home books and the Red Robin monthly title, it also tells an accessible stand alone story of Tim and Bruce testing each other. If you have ever been a fan of this particular duo, definitely recommend picking it up as it gives a nice perspective on where each of them is now.

Getting into the regular DC titles we have Green Lantern # 58. Solid issue, Doug Mahnke's art kills it as usual while Geoff Johns' story continually growing. Really enjoying Atrocitus getting to flex his vocal cords and his quoting of "The Dark Knight" film.

Heading over to another Brightest Day tie-in we have Justice League: Generation Lost #11. Another series that continues to pump out great issues. Featuring the Metal Men, this one turns into a hero vs. hero slobber knocker, which may seem a like a tired plot but is both fun and funny here. Quickly becoming one of my favorite super hero books that I hope continues for quite a while.

The perfect compliment to the last book in both characters and style is up next, Booster Gold #37. Giffen, DeMatteis, and company continuing tales of the greatest hero you've never heard off never cease to entertain an amuse me. Featuring a sexy prison break, Blue Beetle being eaten, and Booster solving the problem he got into from time traveling by traveling forward in time; this issue delivers another helping of awesome.

Moving over to the my only Marvel book this week, unless you count the Icon imprint, X-Men #4. Have to start off by talking about the gorgeous cover by Adi Granov. His portrait of vampire Wolverine is affective and bone chilling. On the matter of the actual comic, it is good but nothing spectacular. I enjoyed Paco Medina's art but find the story to be predictable while aiming for just the opposite, never been a big fan of that. I could end up eating my words if the story drastically changes but I doubt it.

Getting back into one-shots, this time from Image, we have Hack/Slash: Murder Messiah Annual. Per the norm for Hack/Slash, the cover and art are fantastically gory and sexy. The story was also really good but might probably isn't the best for any one to join in on or new comers to the universe such as myself. While I enjoyed it and just wanted to known more about these characters, I could see someone having the reverse reaction and totally losing interest in the book. Hopefully going to track down some early volumes of this book soon.

The almost but not quite pick of the week is The Unwritten #18. Just when we have figured out most of what is going on in The Unwritten, Mike Carey and Peter Gross open up a whole new and delightful can of worms. Spectacular art and story as always with yet another engrossing cover. Can't recommend this book enough, so if your still not checking it out rectify that immediately.

Lastly, just barely beating out The Unwritten, is Casanova #4 from Icon. What more can I say about this book that haven't in previous posts? Amazing art from Gabriel Ba, a Silly/Sci-Fi/Spy story by Matt Fraction, and even special features via an interview at the end of every issue. While I know not everyone will like this book, I am enjoying the hell out of it!

Well that is it for this week, and since this is going up late I can already tell you there are some great comics for next week. See you back here in six days (going to try to get this on a normal schedule of every Wednesday.)