Pimp My Cinema: A review of Sucker Punch

Living up to its simple name Sucker Punch, the latest film from director Zack Snyder, lulls you in with its gritty, stylized look and then makes off with your ten bucks about that many minutes into the film. Loosely throwing together a narrative of protagonist Babydoll's (played by Emily Browning) visions, the film explores her time in a mental institution through the mashed up fantasy worlds she imagines around her. Unlike his main character, Snyder's imagination sticks firmly to what he knows and goes back to his usual bag of tricks.

Slow-mo/bullet-time fight scenes, interesting looking characters (on the surface), and booming sound all make their expected appearances and take up a good portion of the film. Now these characteristics aren't inherently bad, but with the frequency Snyder uses them in his films it clearly shows a trading of substance in favor of creating his now brand name style. Not all markers of Snyderism are terrible though. Once again the viewer is treated to appealing visuals and an enjoyable soundtrack, with the mash up track of I Want It All/We Will Rock You being an example of what the film was going for, a combo that works.

Blending together elements of other genres; i.e. Steam-punk, zombies, dragons, samurai, robots, and assault weapons, Sucker Punch puts a bunch of "cool" things in one place and hopes for the best. The perfect analogy for the film is the former MTV show Pimp My Ride. On the show they would take a basic or tore up car and not only fix it up but add various odd ball elements that were meant to connect with the owner's taste, such as putting and aquarium in the car of someone who likes fish. Sure, it looks cool but it doesn't really make the car any better and one might argue even detracts from it with the extra attention such features would require. Sucker Punch is the same, in that all these elements look cool but don't really make the film work as a whole.

About now your probably thinking "but that's what they were going for, an over the top spectacle that doesn't need to make sense." On the contrary though, this film breaks up these action scenes with halfhearted dialogue and just enough self-empowering mantras to let you know they did try for some semi-balance of a complete film. Add to that its being marketed by the involved as some kind of feminine empowerment vehicle and you can't help but laugh at the absurdity and audacity of it all.

Before you write it off entirely though, it does have some redeeming qualities. The previously mentioned soundtrack and visual imagery are the for front of these. What can I say, it does look and sound cool. In addition, Oscar Isaac turns in quite a comical performance as Blue Jones, the de facto antagonist of the film. Outside of those few elements though, you're entering at your own risk.

Sucker Punch is a style over substance, action over story vehicle that I'm sure a lot of people will enjoy just not this reviewer. Overall, I give it two out of five stars though, as it had some moments and managed to stay out of Transformers 2 and The Last Air-bender territory. Check it out if you really can do with out a story in favor of coolness but otherwise look elsewhere for your film entertainment this weekend.

Wednesday Pickups 3/16/11

Eight books again this week because I forgot to grab T.H.U.N.D.E.R. Agents (and then after writing all this realized I missed another book which will be put in next week), which I'm starting to think I did subconsciously to make this a nice symmetrical group.

Starting off with DC, we have Brightest Day #22. Continuing it's string of character wrap up issues, BD #22 gives us the final showdown between Firestorm and Deathstorm. As usual the art is really good but the narrative just felt rushed compared to the others that have been ongoing here. There was one moving scene but the rest really felt like filler. That said, I am still looking forward to these last few issue of Brightest Day, if only just to see how all this white lantern hoopla ends up.

Continuing the DC double feature, we have Red Robin #21. Concluding The Rabbit Hole arc, Tim finds how Mikalek got the Uternet back online but taking it back might cost four innocent men their lives and minds. Despite the awkwardness of the Teen Titans cross over taking place during this arc, I really enjoyed how it ended up. Nicieza and To give us another action packed issue that still manages to build the characters involved. Pulling over time on this issue though, are Guy Major's colors that give it a really appealing and vibrant look.

Heading over to Vertigo, we have The Unwritten #23. Tommy's search for answers continues, this time from the inside of a whale with of some of literature's most famous whale prisoners keeping him company. Another great issue in this series, one that has yet to disappoint. Carey and Gross somehow always manage to answer a question not only with another question but with one that makes you reflect on the "answers" you've previously received. Almost as enjoyable as the issue itself, is the letters section in which Carey and Gross each discuss the departure of the book's editor Pornsak Pichetshote. A guiding force for the book since the beginning, his touch will definitley be missed as he moves on to other work.

From Image, we have Hack/Slash #2. Cassie and Vlad do battle with the revived Acid Angel while Cat Curio gets into a little scrape of her own back in Eminence, Indiana. More hot and sexy slasher action from Tim Seeley and Daniel Leister, this universe continues to be a fun read. Looking forward to more in the future and, eventually, digging in to the Vol. 1 omnibus I bought late last year.

Going back in the alphabet to Icon, we have Casanova: Gula #3. Zephyr Quinn kills her way to daddy dearest as we find out what Xeno's endgame with these assassinations is. Another great issue from Matt Fraction and Fabio Moon, featuring the former's confusing but enjoyable storyline and the latter's beautifully whimsical art. This series is just so crazy and out there that I consistently fail as trying to say why I like it, suffice to say that everyone should just go check it out. As usual, a contender for top book of the week but decided to go with something I will get to a bit later.

Moving into the home stretch with the Marvel books, we have Fear Itself Prologue: Book of the Skull One-Shot. In current times Sin, the daughter of Red Skull, is tracking down a magical book that her farther used in the World War II era; Meanwhile, in flashbacks, we see the Red Skull using said book and being tracked by the Invaders. I've been debating with myself as to whether I want to pick up a lot of Marvel's next big event, and I have to say this prologue didn't really sell me on it. While the art looked great (pencils by Scot Eaton, inks by Mark Morales, and colors by Sunny Gho) the premise and the road it starts to venture down just don't grab me. However, if you are more into the Norse Gods in the Marvel U you might like where it's heading quite a bit more. As for me, I think I might pick up some of the X-related tie ins (big surprise there) and leave the rest on the shelf.

Speaking of X-Books, next up is Uncanny X-Force #5.1. Taking a break for the current story line, this perfect introductory issue to the team (hence the .1) treats us to X-Force getting a little revenge on Lady Deathstrike and the Reavers for their previous encounters. While I don't think it was the right move to put this out in the middle of another storyline, it is a great one off issue none the less. Remender continues his spot on (or subtle changing) of the character's personalities while Rafel Albuquerque (an artist who has been mentioned a lot here in conjunction with American Vampire) lets the blood and bullets fly with his spectacular art. If you've been hearing all the hype about Uncanny X-Force and are looking to give it a try, this is the issue for you.

Last up, and honest shocker as pick of the week, is Iceman & Angel One-Shot from Marvel. Back in the younger days, as still X-Boys that are wet behind the ears, Bobby and Warren end up spending Spring Break in New York but, as we all know, the Marvel U New York is never a boring place. Written by Brian Clevinger with art by Juan Doe, this comic is the perfect combination of humorous lines and old school, monster fighting artwork. If your a fan of these two X-men at all (confession: I am huge one) or just like to enjoy a classic, funny adventure every once in a while give this issue a shot.

That is it for this week's books but I should have a post soon about some of the stuff I checked out at C2E2 last weekend, so be on the look out for that.

Wednesday Pickups 3/9/11

We've got eight books this week with a nice variety, only half are superhero ;)

Starting things off we have X-Men: Legacy #246, Chapter 3 of Age of X. Legacy (Rogue) remains on the lamb from her fellow mutants and isn't the only one asking questions. Another solid issue in this x-over as Mike Carey's story builds naturally while Clay Mann's pencil's add the perfect amount of grit and grim to this dystopian future/alternate present. Maybe a little dialogue heavy in some places that were unnecessary but other than that no complaints and looking forward to more.

Rounding out Marvel books this week is Hawkeye: Blindspot #2 of 4. Clint starts searching for leads on who killed his former mentor, Trick Shot, while reminiscing about his early days in the Avengers. A descent issue that features some awesome flashback art done by Nick Dragotta and Brad Simpson but the ending "surprise" reveal felt too cliche and formulaic. Hoping Jim McCann manages to use it in an interesting way for the second half of the mini-series but it certainly isn't working for me yet.

Speaking of comics that ended terribly, our first comic from DC this week is Justice League: Generation Lost #21. Each member of the team deals with the death of Blue Beetle in their own way as they decide if they will continue their hunt for Max Lord. I love 95% of this issue (for you nerds out there, this is an actuate percent since I liked 19 of the 20 pages.) Judd Winick nails these characters motivations, which doesn't surprise me as he has been doing it the whole series. What did surprise me was the final page reveal, which I really dislike and for much of the same reasons as I dislike the ending of Hawkeye this week. There are very few ways I can see Winick turning this into something enjoyable but I'm still holding out hope that it won't ruin the rest of the series for me.

Last DC book of the week is Booster Gold #42. Booster appears back in the present, apparently having served his time in future. It was no trip to Cleveland, however, as he tells Rip and Michelle about his disturbing adventure with his cell mate, the Perforated Man. Still enjoying these wacky time tales from Giffen and DeMatteis, even if this issue had a little less humor than usual. Looking forward to the fallout of what was revealed here especially as it relates to the partnership between Booster and Rip.

From Avatar Press we have Captain Swing and the Electrical Pirates of Cindery Island #3 of 4. The captured constable gets a little tour of the island but all hell breaks loose as Brock, the bow-street runner, discovers their location. While I still like the mini, the break between issues really killed any momentum it had going. When the last issue comes out I'll try to sit down and read them all at once, betting it has a lot better flow that way.

Heading over to Image's Shadowline brand we have Twenty-Seven #4 of 4. Will Garland meets up with the mysterious forces that set him on his current path and, surprise surprise they don't get along. Overall I enjoyed this mini series. Its art, done by Renzo Podesta, is consistently interesting while the story done by Charles Soule was oddly paced at some points but still fun to read. I know there is a second mini-series planned for the summer but I think I might pass on it as the ending here really didn't leave me looking for more.

Runner up this week comes from Th3rd World Studios, The Stuff of Legend Vol 2.: The Jungle Part 4. Concluding this arc Maxwell reveals his dark secret to the animal toys while Jester, Princess, and Harmony run into some old friends in the hunting grounds. Another fantastic issue from Mike Raicht, Brian Smith and Charles Paul Wilson III. Great art, engaging story, and unique characters (not just some Toy Story wannabees) make this a must read for me every time. Looking forward to the next volume, The Jester's Tale starting in the summer.

Pick of the week is once again a Vertigo Resurrected title, Finals #1 (a collection of the four issue Finals mini-series from 1999.) Written by Will Pfeifer with art by Jill Thompson, Finals tells the story of five seniors at Knox State University. All of them are working on their senior projects, and since KSU is known for pushing students harder than anywhere else each project is peculiar and more extreme than the last. This college tale of devolving men, out of control cults, and dead time travelers really did it for me as it nailed a lot college personalities (even ten years later) while still being fun and out there. Give a chance if you enjoy a good college romp or are digging the other Vertigo Resurrected books as much as I am.

That is it for this week. Next week should feature a fairly sizable stack but get ready to hear about all the awesome stuff I pick up at C2E2.

Wednesday Pickups 3/2/11

Not a huge week of books, but still some good ones mixed in with a bad one or two.

Starting things off we have Carbon Grey #1 of 3 from Image Comics. Blending the looks of steam punk and World War 1 Germany, this first issue introduces us to The Sisters Grey, former servants of the empire that have turned against it. For the most part I did like the art of the book; done by the team of Khari Evans, Kinsun Loh, and Hoang Nguyen it turns out sexy or bloody depending on the appropriate situation. The story on the other hand, I did not care to much for. It's predominately told through a convoluted narration that fails to stand on its own. I have a feeling it will read much better all at once, so I might wait and get the last two issues together or pick up a collected edition when it becomes available. For now, I would advise just skipping it.

Next is the issue number 4 of Uptight, created by Jordan Crane and published by Fantagraphics Books. Continuing the two stories of last issue, the drifting apart couple reach a conclusion while the children adventures with cat in tow fall deeper into the odd happenings at their school. Can't really say much more about this book that I haven't said already. Still really digging the stories and covers, but now begins the long wait for the next issue which judging by the dates on the previous ones could be more than a year!

From Radical Comics we get Earp: Saints for Sinners #2 of 5. Telling a little of the back story, this issue shows us how Josie and Wyatt first met as well as some of the initial problems the Earp boys got themselves into in sin city. Overall I didn't really enjoy this issue as much as the first one. The back story was tame and somewhat boring compared to the world we've already seen. Not sure if I'll continue the series just yet, but I really hope it gets back to form.

Heading over to DC we have Batman Beyond #3. Concluding The Heart of the Matter storyline, this issue features Batman and the Justice League battling this new Matter Master. The story wraps up nicely and Adam Beechen, the writer, even makes a point to show a little of how this book will differ from the show and that Terry has become a bit more of his own man. The pencils from Ryan Benjamin were good but did irk me in a few places. Also wanted to quickly mention the cool cover design from Dustin Nguyen, hope to see more of this on the book in the future. Looking forward to next issue which looks to feature every one's favorite spunky, confidant from the TV show, Max.

Rounding out DC, we have Brightest Day #21. Titled Mars Attacks this issue brings the Martian Manhunter's chapter to a close as he finally chooses between Earth and Mars. Really ended up enjoying this issue, even though some of the previous MM issues weren't my favorite. It also provides us with a little more insight as to what's happening to the people the ring is taking.Finally the art from Patrick Gleason, Ivan Reis, and Joe Prado is once again great, leaving me anxiously awaiting the final few issues.

My only Marvel book this week, and runner up, is Ultimate Captain America #3 of 4. Steve Rodgers goes through a little bit of re-education at the hands of Frank Simpson, but is it enough to break the original super soldier's steadfast resolve? Really loving this mini series from Jason Aaron (writer) and Ron Garney (artist). This issue lets us get a bit deeper into Simpson's mind as well as the politics he represents. Reading over it again, it plays a little like Heart of Darkness and it should be interesting to see how Captain America comes out of all this.

Last up and obvious pick of the week is Joe the Barbarian #8 of 8. Joe's adventures in the real world as well as those in his hallucinations come to a head this issue as he combats the darkness of two worlds. Been anxiously awaiting this issue for a while, and it definitely delivered. Great art from Sean Murphy while Grant Morrison delivers a simpler and more emotional finale which I was not expecting but did enjoy. Looking forward to re-reading it when I end up getting all the issues sorted into one place. If you skipped it in single issue form, make sure to grab the collection when it comes out as I really think everyone can find something in this book.

That wraps up this week. Comments, critiques, or suggestions for future reading can be left below. Now if you'll excuse me I have this week's comics waiting for me already and they are sure to be a fickle mistress.

Circle of Trust #7: A Film Unfinished (2010)

I'm interrupting your normal internet browsing tomfoolery for another look into the films distributed by Oscilloscope Laboratories. The latest entry in their growing catalog of modern classics, which I received through my Circle of Trust subscription, is director Yael Hersonski's A Film Unfinished.

Hersonski's directorial debut is a documentary telling the tale of a German film discovered shortly after World War II. Labeled "Ghetto" it was thought to be real footage of life in the Jewish ghetto of Warsaw during the war; thus it was treated as such for many years becoming a valuable resource for filmmakers looking to utilize archival footage. Year later though; through the discovery of outtakes, cut footage, personal journals, and eye witness testimony "Ghetto" is revealed to be one of the third reich's cleverest propaganda pieces hiding in plain sight. Blending the aforementioned documents together, Hersonski creates an interesting and heartfelt documentary that not only opens one's eyes to the some of the horrific footage shot under the Nazi regime (which we've seen in docs before) but gets one to truly question the original purpose and intent of all archival footage they've been exposed to.

Just presenting information like this would be enough to warrant a watch but the way in which it's presented keeps the viewer interested and enthralled. The viewer learns of the important discovery relatively early in the film and is even shown a few clips of the original footage altered to have particular people highlighted. These highlighted individuals clearly react contrary to what is being established by others in the scene and reveals that hints of its false nature were there the entire time. After this I couldn't help but looking for people doing the same through out the rest of the film, just one of the ways the director draws in your attention and assures it throughout. Intermittent in the film, we are shown survivors watching the footage who expound on what is actually going on, why people are reacting a certain way, and their memories of other ghetto prisoners. This becomes truly heart breaking though when we see them watching the missing footage, which includes Nazi soldiers disposing of bodies in the ghetto. This powerful imagery creates empathy even in our youngest and future generations that have been that are slowly becoming numb to such footage themselves. These feelings and thoughts also bleed in to the bonus features which do a tremendous job of supporting and expanding on the film.

In true Oscilloscope fashion, this DVD comes with great extra features. Instead of just adding to the film or going behind the scenes, the extra features on this disc seek to help one understand the subject matter as well as documentary and propaganda better. First up are two essays (one written and one video) by film scholars discussing the film and how it relates to what a documentary is/should be. Next is an interview with author and film researcher Adrian Wood, whose efforts helped discover the missing footage at the focal point of the film. Switching over to American film of the time, the DVD includes Death Mills (1945) a short film by Billy Wilder that gives ones of the first looks at concentration camps after being liberated. Last up, and this one requires using a computer, is a PDF study guide for teachers who might use the film as an aide and their students who seek to gain a deeper understanding of it.

Another spectacular entry into Oscilloscope's library, I give this film a four out of five stars. I don't think its right to say I really enjoy the film, but I do think it is well made and should be given a watch. As far as scoring the DVD I have to go with a four out of five again, as its bonus features and package design are welcome additions to my (or any) DVD collection. Below are a few links to help you get a hold of the film or learn more about it, and be sure to comment if you've seen it or do end up giving it a look.

-Enter to win a copy of A Film Unfinished from the folks at The Documentary Blog

-Add it to your Netflix queue

-Buy it from Oscilloscope Laboratories site

Wednesday Pickups 2/23/11

Lots of books this week so we're going to jump right into it:

 

  

First up from Image, we have Skull Kickers #6. Titled Four Tavern Tales, this issue gives us a few short stories about our favorite blundering, mid-evil mercenaries. I enjoyed this little break before the series goes into another arc in May. Despite being handled by a bunch of different talent, the characters maintained their patented humor I enjoy. Of course bringing this book up again forces me to mention Marshall Dillon, the letterer of the series, who's work really makes every issue worth my cash.

Next up is Uptight #3, from Fantagraphics. Staying true to form, we are presented with two new stories (the first chapter in a tale of a couple drifting apart and one about a child's adventures when kicked out of class) along with a great cover. So far, this is my favorite issue of the series with the two stories presenting a nice contrast in both art and style that really appeals to me. Looking forward to picking up the fourth issue at my local shop next week but I think that is the last one they have.

Heading over to DC we have Justice League: Generation Lost #20. After last issue's killer ending, this one splices in large chunks of Max Lord's past as the League looks to avenge their fallen comrade. Really liked Judd Winick's story that let us into the past of the "villain" but the art was not the best of the series. While nothing is final in comics, I really didn't except the book to take this turn of one of them dying and am looking forward to what it closes with in the home stretch.

Teen Titans #92 is our only other book from DC this week, finishing up the crossover with Red Robin. The team confronts Calculator prime causing bad blood on both sides to come to the surface. Overall, I didn't really enjoy this issue or the crossover. The dialogue felt a little hokey and hammed up while the art was fine in some places but terribly rough in others for no reason. I am interested to see how the resulting cast change effects the book though, even if I didn't particularly want it to happen.

Moving on to Marvel we have Secret Avengers #10. Eyes of the Dragon concludes as the team enacts their plan to rescue Shang Chi and take down the Shadow Council. Dig the art here, from Mike Deodato and Will Conrad, but the slow build from Ed Brubaker's story just didn't have a satisfactory pay off for me.We get a lot of action but little character development which is more of what I was looking for in the book. It's not a bad title but I feel like it might read better in trade form, so I might try that for the next arc.

Stepping into the Age of X we have the first two chapters of it, X-Men: Legacy #245 (ch.1) and New Mutants #22 (ch.2). In Legacy a familiar, yet different, group of mutants defend their citadel from human attackers but not everyone survives the encounter. I think this was a great beginning for this X-over between Legacy and New Mutants. At first I was a little annoyed by some of the less obvious characters not having their names properly shown but grew to love the detective work of finding out who they are. Really liking the world Mike Carey is creating here and the art of Clay Mann that is being used to fill it. Over in New Mutants, Legacy (the character) starts doing a little detective work of her own, trying to find out what their escaped prisoner was looking for outside Fortress X's defenses. Much like ch.1, I like the world Carey is building with his story, something of mystery for both the reader and Legacy. Unlike the first issue though, I was not to fond of Steve Kurth's pencils here but they weren't really deal breaking either. Overall, I'm sold on Age of X and am looking forward to next month's installments. Also, wanted to give Marvel and the X-editors a commendation for toning down the scope of this event. It is, at most, only 3 issues each month and that is something I wouldn't mind seeing more of in future events.

In the non-Age of X land, Uncanny X-Men continues it's Quarantine storyline with issue #533. Shaw and Frost get a bit physical while the only other X-Men not sick on Utopia crash Lobe's investor party. Just the opposite of Secret Avengers, the slow boil of this story line starts to pay off here and will most likely continue through the end of the arc. Fraction and Gillen's narrative seemed a bit over packed in the first couple issues but it is making for better resolution in these final ones. As usual, Greg Land's art gives us something pretty to look at and only adds to the appeal of this book.

Concluding Fantastic Four, we have the final issue #588 (although it will probably change back somewhere down the line.) The first part of the book presents a month of mourning for the remaining members of Marvel's first family, done without any dialogue, while the back-up feature has Spider-Man consoling Franklin Richards over what it's like to lose an uncle. While I really liked the Uncles story (written by Hickman with art by Mark Brooks), the main feature was just ok. Parts of it were enjoyable, while others felt forced or unnecessary especially in the art department. Don't think I'm going to be picking up the new FF series regularly but I might give #1 a shot.

From IDW we have Kill Shakespeare #9.  Hamlet, the prophesied Shadow King, comes face to face with the title bard. Another fantastic issue in this limited series! While not to much physically happened, Andy Belanger's art and panel structure looked great doing it. Conor McCreery and Anthony Del Col's introduction of Shakespeare and the part he will play in the rest of the series wets the appetite just as much and I look forward to the last few issues.

Vertigo brings us a one and done tale in the American Vampire universe in issue #12. Skinner Sweet takes in a road show which brings back fond memories of his time in the wild west. Not my favorite issue of the series, but still a fun one. Scott Synder's adds a little humanity and depth to Sweet without detracting from his blood thirsty persona. Danijel Zezelj's art was a descent fill in but I'm looking forward to getting Rafael Albuquerque back on interiors next issue, when our favorite blood suckers get involved in WWII.

Going from one bucket of blood to gallons of the stuff, we have Crossed: Psychopath #1. Meet Harold Lorre, one of the few humans left who hasn't Crossed, as he joins up with a group of survivors. The problem is, however, Harold is psychotic already (he is the title character, don't you know) and adept at hiding it. Being the big fan of the Crossed universe that I am, it should come as no surprise that I really enjoyed this book. The aspect that sets it apart from previous Crossed issues and other post apocalyptic works, is us seeing it from the mind of someone already deranged. David Lapham (the writer) knows how to keep the Crossed world new with fresh ideas and I can't wait to see what else he has in store for us in this crazy book.

Narrowly beating Crossed out for the top spot this week is Namor: The First Mutant #7. Continuing his voyage through Hell, Namor is losing his way but his allies (now including Doctor Doom) aren't about to let him go with out a fight. This book, and this issue in particular, manage to do everything right with a solo superhero title. Month in and month out Stuart Moore presents us with interesting stories that not only get to the core of who this character is but also build a supporting cast that is just as interesting. In perfect harmony, Ariel Olivetti's art visualizes this world and characters superbly while getting a little help in that department from Phil Noto's great covers. I said it earlier this week on twitter, but this is seriously the best mainstream title no one else is reading or at least not talking about if they are. So next time you're in your local shop, pick up an issue so we can keep this gem on the stands.

That is it for this week but as usual comments, critiques, and suggestions can be left below or sent to talesofthegeeklanterncorps@gmail.com Looks like I am going to have a short stack next week so I might grab something new to check out for the blog.

Wednesday Pickups 2/16/11

[Announcer's Voice]Coming in at nine books, zero trades, this stack packs quite a wallop with its floppy stock and chiseled right angles. Hailing from the slightly slushy streets of Chicago's south suburbs, this cartel of comics contains books new and old, bright and dark, DC and other, THE COMICS OF FEBRRUUUUUUARY SIXTEENTH, TWENTY ELEVENNNNN![/Announcer's Voice]


We start things off this week with Green Lantern Corps #57, the conclusion of The Weaponer storyline. The small group of Green Lanterns stand with The Weaponer and Thunders of Quard against Sinestro and his corps, but will it be enough or will the truce be broken and ignite another War? Guest staring Firestorm (on loan from Brightest Day) we get an answer, and all too quickly. With the slow build the arc has been utilizing, this final issue seems out of place wrapping everything up too nicely and not really justifying one character's major choice. Tyler Kirkham's pencils, brilliantly assisted by BATT's ink and Nei Ruffino's colors, looked spectacular but Tony Bedard's story seems like it was rush to conclusion (possibly for the crossover starting next month, War of the Green Lanterns.) While I've really been digging the title lately I think this upcoming crossover gives me a nice opportunity take a break from the book, along with our next book.

Moving over to GLC's slightly older brother we have Green Lantern #62. Concluding The New Guardians arc, this issue finds Hal and his colorful buddies going toe to toe with Krona, the former guardian who accidentally created the anti-matter universe and is now after the Entities. Contrary to most of this arc, I really enjoyed this final issue. As usual, Doug Mahnke's art looks great and Geoff Johns writing showed some of the chops I first started liking him for, including an unexpected result for the battle and a tough choice for Hal Jordan. That said, the good here just doesn't out weight the "meh" I've been getting from the book lately. Going to take a break from this as well, both to check out some other stuff on the stands and to see if I really miss it that much.

Next up is one book that won't be leaving for the foreseeable future, Booster Gold #41 (now you can laugh at that bad future pun.) Rip decides it's time Booster pays his debt for stealing all the future tech that allowed him to be come a super hero but the Nazi he recently displaced from the forties has other plans. Really been enjoying this book and as previously mentioned, that shows no signs of stopping. Giffen, DeMatteis, Batista, and Perrotta make for wonderful writing and artistic duos that seem to bring new things to the table all the time. This issue illustrates exactly how far this character has come, as Booster treats the villain as a pest in the same manner major villains used to do to him. Maybe becoming a bit to big for his britches though, the ending comes as a bit of surprise to us and him, but trusting this creative team I known it has a purpose.

Rounding out the DC books this week is Brightest Day #20, the conclusion of Aquawar. Arthur and Jackson stand as the land's last defense from Black Manta, Siren, and her invading army of banished Atlantians; but they might not prove to be enough with out a helping hand from some friends. Art, as usual from Ivan Reis and Joe Prado, is great with the highlight being a two-page splash of Aquaman leading the local sea life on the charge. The story on the other hand, from Johns and Tomasi, might be showing the first signs of falling apart. Very similar to the end of Hawkman and Hawkgirl's story, Aquaman comes to a flat stopping point and seems to hint that every other character's will follow suit. It remains to be seen but if this is the case, the series end probably won't be up my alley.

Heading over to IDW, we have The Suicide Forest #3 of 4. Our two protagonists finally meet, and in the title location no less, as Ryoko and the other park rangers comes across Alan with forest spirits not far behind. Really enjoyed the pacing of this issue as it begins the final act of this supernatural horror comic in a rough and deadly fashion. Gabriel Hernandez art works perfectly with the setting, causing the reader to lose himself in the woods along with the characters and feel the cold darkness in the final panels. Can't wait to see how it all turns out next month, as in true to the medium we are left with quite the cliffhanger.

Moving along, to my favorite title from Archia, we have Cyclops #4 of 8. Pistoia and his soldiers are sent to the latest United Nations involved war theater. While on the surface Pistoia appears to be darker and less caring his internal conflict has reached a boiling point. This fantastic series keeps going with another great entry. While its been present all along, the most prominent feature of this issue is the strong use of panel structure. For the sex scene, it heightens the thrill while letting us in on a secret; when the men make a discovery in the forest, it simultaneously horrifies and provides the laugh track of the viewers at home; when Pistoia goes searching for answers; it illuminates the past with the flashlight beam while leaving the now in the dark. Definitely looking forward to the second half of the mini-series and where it goes.

Uptight #2, published by Fantagraphics and created by Jordan Crane, shows up with another set of short stories accompanied by a slick cover. In "Take Me Home" a young man is plagued by the memories of one fateful night, while "Before They Got Better" introduces us to a grandfather who's slowly losing his patience with family squabbles. Lastly, we get another installment of "Keeping Two" where the guy's imagination runs even wilder about the whereabouts of his girlfriend. Found myself enjoying this issue more than the first one. While the art retains the simple black and white style, especially the great use of shadow in "Take Me Home", I found the stories here more interesting and direct. Will make sure to grab #3 for next week.

Getting into Marvel's wares, we have Hawkeye: Blindspot #1 of 4. Since his trip to Russia, Hawkeye's aim has been a bit off, due to a nasty blow to the back of the head. Now the big brains have figured out his vision is deteriorating due to an inoperable pressure build up and if things weren't bad enough, villains from his past return looking for blood. Enjoying this story and re-telling of Clint's past so far. I think it definitley shows more focus than Widowmaker with just Jim McCann handling the writing, with the only questionable aspect being who he sets up as the major antagonist (however, I might be the only one that thinks that due to my lack of knowledge of the character.) The art holds its own as well, drawn by Paco Diaz and colored by Tomeu Morey, with little touches such as the faded newspaper look of the past or the enhanced vision goggles bright colors endearing it even more to me. If we can't have Hawkeye and Mockingbird back as a book, Blindspot is a pretty good replacement.

Pick of the week also comes from Marvel, Uncanny X-Force #5. Kicking off a new arc, Deathlok Nation, we get a bit more insight into the enigma that is Fantomex while the rest of team struggles over how their first mission ended. One of the best things about Rememder's writing on this book is he let's me enjoy every character, not just the ones I normally do. While I've never been a big fan of Deadpool, Rememder's Deadpool is a likable character and even more so for a great moment he has in this issue. That would be enough to keep me on the book but Esad Ribic's art rocks it just as much. From action packed battle scenes to the memorabilia filled Cavern-X (like a loving homage to the batcave), he keeps the viewer engaged and conveys just as much of the story as his writing partner. If every X-Book was as solid as this, Namor, and New Mutants I could easily see myself going back to the days of getting every one of them.

That's it for this week but if you like what you read make sure to stop by again, same time and place. As usual comments, critiques, and suggestions can be left below or sent to talesofthegeeklanterncorps@gmail.com Now, I'm off to get started on reading next week's books. Psychic prediction- Crossed: Psychopath #1 nabs the top spot. ;)

Geek Lantern's Favorite Films of 2010

This is one post I have been promising for quite a while. Being the cinephile that I am, I really enjoy making a list of my favorite movies from the previous year. Not only does it help one's self to evaluate their "film year" but it's also a helpful tool in sharing the awesome films you enjoy with others. In recent years, I've tried to get it done by the end of the year to liken myself to every critic out there who release a top ten list; This year, however, I decided to give my self an extra month (which turned into a month and 3/4ths) to catch some films on DVD that never made a theater appearance around me (or I didn't know about it when they did.) As it turns out, this was extremely helpful as a few of the films on here were viewed in that time but I still managed to miss a few (I'm looking at you Somewhere and Blue Valentine.) So here are my favorite films that were released in 2010 starting with five honorable mentions (in alphabetical order) followed by the top ten. Also, for your added benefit I am linking all the movie titles to their IMDB page so you can check into them further if your interested.

The American

Despite being hated by many of my fellow Americans, I really enjoyed this Spy/Drama directed by Anton Corbijn. Abandoning many of the typical thriller elements associated with a "spy" film, we instead are treated to a dramatic tale of an aging agent who no longer has his heart in this line of work. That isn't to say the film contains no action scenes, as the ones it does have pretty thrilling, but they are built on a quite tension and not grandeur or explosions. Also worth mentioning is George Clooney's performance which is quite a bit more reserved than his usual fair perfectly fitting the role of the title character. Give this one a chance if your a fan of spy films, just don't go in expecting the James Bond or Jason Bourne.

One Too Many Mornings

One Too Many Mornings is a film I blogged about once before (you can find that here) and just barely made the front end time restrictions of this list premiering at last year's Sundance Film Festival. It has best been described as "a coming of age comedy about two guys who are way too old to be coming of age" and despite being a really well made dramedy, it has flow under the radar for most due to the lack of wide release in theaters. I think one of my favorite elements of the film (and possible selling point) is the way it blends its comedy naturally into the heart of its story, rather than injecting it with pop-culture references for cheap laughs like many modern comedies. Hopefully this quiet little indie film will make its way into the hands of all those slackers out there that will enjoy it just as much as I do.

Rare Exports

The first of three Oscilloscope Laboratories distributed films to make this list, Rare Exports is a Finnish gem that examines the "true" origins of Santa Claus. Filled with laughs and fun for most of the family (might want to keep the younger ones away) this is my favorite holiday film to come out in quite a while. Since its a little late to check it out for Christmas 2010 make sure you pick up a copy before December 25th this year, it's not out on DVD yet but should be in the next few months.

Restrepo

This is one that just barely made the list due to me delaying, as I watched it just last week. Restrepo is a war-documentary that follows one platoon's year-long tour in Afghanistan's deadliest valley. The thing that sets it apart from so many other war films or docs from the past few years is the directors' (Tim Hetherington and Sebastian Junger) not pushing any agenda and the candor with which the soldiers speak to the camera. No matter your political alignment or thoughts on the war, this is one film you should see if only to get some small idea of what our nation's front line troops go through.

The People vs. George Lucas

Another documentary that I really enjoyed, somewhat for its impartiality in a hot button geek issue but also for its high entertainment value; The People vs. George Lucas examines the relationship between the famed Star Wars creator and his fans in a post-prequels world. Consisting of interviews, fan footage from across the world, and maybe even a scene or two from Lucas' films this doc covers all its bases and will keep you laughing all the way through. The documentary will mostly be enjoyed by Star Wars fans world-wide, when it goes into wider release and maybe DVD this year, but non-star wars fans (do those exists?) might find it interesting to see the effect one man has had on generations now and how quick the winds of favor can change.

10) Toy Story 3

Have to admit, I passed on this one in theaters assuming it wouldn't be as good as most reviews were saying. I did, however, throw it in the netflix queue and was proved wrong when it eventually made its way to me. Toy Story 3 hits some emotional scenes out of the park while still managing to be a fun, family-friendly film. I'm not sure, since it's been a while since I watched the first one or The Incredibles, but this may be my favorite Pixar film. So if you made the same assumption I did originally, make sure to rectify that soon.

9) Buried

Almost every year I see one film that stands apart from other theater viewing experiences, Buried is that film this year. Telling the tale of a kidnapped and (suprise!) buried U.S. contractor in Iraq, played by Ryan Reynolds, this entire movie takes place in a coffin! While it may initially seem like a gimmick; Reynolds performance, great cinematography, and well done confined lighting keep your eyes glued to the screen for its entire 95 minute running time. You would be hard pressed to find Buried still in a theater but it came out on DVD about a month ago, so make sure to check it out next time your in the mood for a solid thriller.

8) Four Lions

In the vein of The Great Dictator, (writer/director) Chris Morris' Four Lions takes the most prominent world threat and mocks it hilariously. Not only does this film have the stones to broach a topic most filmmakers or studios wouldn't touch (a slap-stick comedy about suicide bombers) but it's also one of the funniest comedies I've seen in quite a while. You need to watch and laugh at this film, or the terrorists have already won!

7) Exit Through The Gift Shop

Exit Through The Gift Shop is a rare film that has so much to say, while at the same time you're still not entirely sure what it is. Examining the world of graffiti art and parlaying that into a critique of the business side of art, the film presents its self as a documentary but with the message its saying one wonders if mockumentary might fit it better in the end. Hopefully we never get a straight answer from those involved, which is entirely possible, leaving the viewer to make their own judgment. The only bad thing about the film, it's pretty much cause internet fiends everywhere to credit all street art to the film's mysterious director Banksy.

6) Monsters

Monsters would have probably been lower on this list if I had only seen it once but with each viewing I find some new shot or part of a scene that amazes me. Writer, director, and visual effects artist of the film Gareth Edwards presents the viewer with a fully realized world of alien monsters living at our border. Drawing many comparisons to District 9, from critics and fans alike, I feel that Monsters handles every thing from it's drama and effects to not force feeding the audience it's message a lot better (Note: I didn't like District 9 that much.) So if you are in the mood for a relationship drama with spectacular effects, make sure to check this film out. Afterward, be sure to give the bonus features on the Blu-ray or DVD a look, I was blown away by them.

5) Enter The Void

The first time I heard of this film was catching a glimpse of it's bright neon poster and from there, the rabbit hole just gets deeper. Director Gaspar Noe presents the viewer with a movie not quite like anything they've seen before with some very creative and purposeful cinematography. I'm hesitant to tell anyone too much about this film because going into it cold was such an awesome experience for me, but essentially it's the longest drug trip/spiritual experience you will ever see on film. I'm looking forward to checking out the longer, director's cut when I get a chance but for those of you ready to dive in now it's currently streaming on Netflix Instant.

4) Black Swan

A strikingly dark look at a quest for perfection; Darren Aronofsky's Black Swan not only mesmerizes through it well choreographed dancing and stylish scenery (as pictured above) but through it's protagonist's (Nina Sayers played by Natalie Portman) journey into stress-induced madness. While the film is definitely Oscar-bait, it strikes me as more original than most in that category and certainly a film I could find myself watching again and again. Definitely check this one out if you enjoyed Aronofsky's The Wrestler or Powel and Pressburger's The Red Shoes, a film it draws a lot of inspiration from.

3) Inception

The only surprise about this one being on my list is that it's not number one. Being a huge fan of Nolan and a lot of the cast, the bar was set pretty high for this one and it definitely went over it. From one fantastical dream world to the next, the film kept me engaged all the way through. Don't plan on going to in-depth here but if you want to read more of what I thought of it you can check out the my review here. I don't know many who haven't seen this yet but if you are one of those few you should correct that soon.

2) Scott Pilgrim vs. The World

A love letter to nerd culture, director Edgar Wright's Scott Pilgrim vs. The World may have underperformed at the box office but it has certainly turned into a classic/must own for lovers of comics and video games everywhere. Even if your not a fan of such things (in which case you're crazy), it stands as a well made comedy with sweet visual effects. I'm a fan of Wright's other work (Spaced, Shawn of the Dead, and Hot Fuzz) but this is by far my favorite, as it puts a big smile on my face every time I watch it.

1) Howl

Number one comes as a real surprise this year as it wasn't even on my radar until a few weeks before I saw it. While I have already gone in depth about my love for this film twice before on here (Review & Circle of Trust piece), I really can't say enough about in hopes that more people will check it out. Not only does this film spectacularly adapt Allen Ginsberg's famous poem Howl into animated sequences, it adds in a bio-pic flavor looking at his life and the obscenity trial that helped propel the poem into the masses. All of this comes together in a spectacular blend of documentary, animation, poetry, and wonderful acting from James Franco. I know I've said you should see all these films, but this is the one of the least seen that more really need to check out.

Ok, well that is it for my favorite films of 2010. Let me know your thoughts on the list or your own favorite below and thanks for reading this but now get off your butt and go watch one of these movies.

Wednesday Pickups 2/9/11

It's new comic book day again but can one truly appreciate new comics if they don't learn from the old ones? No, so as an invaluable service to you the reader here are last week's comics and what I thought of them.


First up this week is Widowmaker #4 of 4. This sordid-spy tale comes to a conclusion as Black Widow faces her ex-husband while Hawkeye, Mockingbird, and Fortune are left to deal with an active volcano and an army of nationalist ninjas. Did not care to much for this issue as both writing and art felt very bland which I mainly attribute to this creative team handling issues 2 and 4 while a different one handled 1 and 3. I am holding out some hope for the next Hawkeye mini (entitled Blind Spot) since I think it will have a steady creative team or at least only Jim McCann writing it. If you were going to pick this up in trade, I have to recommend passing on it as the book just never blends into one solid story.

Next up from Marvel is Ultimate Captain America #2. Steve wakes up after having his butt handed to him by Frank Simpson (aka Vietnam Era Captain America) last issue and doesn't exactly play by the rules when he's told to stay on the bench and let the black ops team handle Simpson. I really like how Jason Aaron handles Ult. Cap, writing him as more of an arrogant jerk than his regular universe counter part, giving him a unique flavor. Ron Garney's art goes well with it, presenting some strongly defined close ups but leaving it a little rougher for the action sequences. Looking forward to the rest of this mini and the different kind of Cap story it's telling.

Staying in the Ultimate Marvel U, we have Ultimate Avengers vs. New Ultimates #1 (its also under the Ultimate Death of Spider-Man event banner but since nothing in the book seems to be related to him I'll just leave that be.) The New Ultimates (with two new additions to the main team) stop a train supposedly carrying stolen super soldier information but what they find is something a bit darker. I've never been a huge fan of Lenil Yu's art but once again it manages to work on these ultimate characters, the grittiness of it complimenting the style of the world. Mark Millar's overall story has been building nicely since the first volume of Ultimate Avengers but to someone just picking up this issue it probably seems like an excuse for a hero vs hero fight. Definitely going to pick up the next issue but if I continue to just find it ok, I might try to drop the title before getting sucked into this arc.

Heading over to DC, we have Justice League: Generation Lost #19. Max continues to torture and experiment on Jaime (the Blue Beetle) while the rest of our band of outsiders finally tracks down his location. Another fantastic issue from writer Judd Winick, the way he is handling these character keeps me chomping at the bit for more every time. Not to be outdone though, Fernando Dagnino's art (and Dustin Nguyen's stylish cover) provide the book with some compelling and action packed visuals. Going to be interesting to see where the books moves from the ending of this issue.

Rounding out DC comics is Red Robin #20. Crossing over with Teen Titans, Tim fails to stop Catman from recovering Unternet access and has to call in the reinforcements when he discovers a world-wide network of Calculator androids. I enjoyed Marcus To's pencils, as always, with Guy Major's colors filling them out nicely. The story here, written by Fabian Nicieza, seems like it could really be handled in one title and doesn't need the crossover gimmick, but we will have to wait and see how it wraps up in J.T. Krul's Teen Titans.

Getting into the non-capes and tights books, we have Uptight #1 from Fantagraphics Books. Written and drawn by Jordan Crane, this anthology title features two stories (Below the Shade of Night and Keeping Two) dealing with the loss of loved ones. Overall, I enjoyed Crane's illustrated shorts. While I wasn't too crazy about the art the stories were interesting enough to keep me going and I really like the cover design. I think my local shop had the next few of Uptight so you might see those make an appearance here soon.

From Image we have Hack/Slash jumping from mini-series to full blown on-going with Hack/Slash #1. Cassie and Vlad have been tracking slashers without rest leading them to Louisiana and a meeting with an old friend while Cat Curio's investigation leads her to Emience, Indiana and the man who put her into a coma. Great start for the series, even for readers like myself who aren't caught up on all the prior Hack/Slash mini-series. As usual with a Hack/Slash book, we are treated to some great cheesecake art (this time done by Daniel Leister) and Tim Seeley's deadly yet funny universe. Hoping this series has a long run.

Moving over to Image's Shadowline department, we have Twenty-seven #3. Will Garland further explores what the magical box in his chest can do and meets up with a famous rocker to learn more about the 27 club. Still enjoying the story in this book (written by Charles Soule) and its take on the whole "9" thing but I can't say the same for the art of Renzo Podesta. Its alright but sometimes it's loose backgrounds and emotionless faces just distract me from really getting into the book. I know their is more comics to be set in this universe after the mini but I don't think I will be sticking around for them if their drawn by Podesta.

Taking to the high seas, we have The Unwritten #22. Tommy continues his search for Moby Dick but finds a different "monster" while Lizzie and Savoy begin playing parts in someone else's plans. Initially I thought there was a large gap missing between this and last issue until I realized I missed #21 (whoops). Still consistently great, like The Unwritten always has been, Mike Carey and Peter Gross world of "real" and powerful literature is among the top books on the stand. If you still haven't checked it out, you really should.

Pick of the week should be no surprise, Matt Fraction and Fabio Moon's Casanova: Gula #2. Zephy begins taking down her assigned targets very sexily, while the Casanova's crew continue their search for him. I've written a lot about this series in previous post so I won't rehash it all but I love pretty much everything about this book. The sci-fi/spy world, the oddball references, the multiple WTF moments, and the art done by Fabio Moon (or Gabriel Ba from the first volume) are all fantastic. Hopefully with the rising popularity of all three, this book will get into the hands of more fans soon enough.

That is it for this week. You know the usual routine; comments, criticisms, or suggestions can all be left below or set to talesofthegeeklanterncorp@gmail.com Now if you'll excuse, I am off to search for the illusive The Unwritten #21.

Circle of Trust #6: William S. Burroughs: A Man Within (2010)

It is time, once again, to check out the latest wares being peddled by the fine folks at Oscilloscope Laboratories. If you've somehow managed to not yet find out who they are and the awesome films they distribute I recommend the immediate correction of that by clicking the above link. This time I'm taking a look at the directorial debut of Yony Leyser, William S. Burroughs: A Man Within.

This documentary examines the life of one of the more controversial and revolutionary American novelists of the 20th century, William Burroughs. Billed as the godfather of such things at beatniks and punk rock, Burroughs is an interesting man to examine as his influence has spread in to so much of today's culture even though you might not recognize it right away. Leyser's doc presents a balanced portrait of the man though, as the personal and drug-related demons he struggled with all his life are talked about just as much as his literary and artistic accomplishments or vast influence.

In addition to balancing Burroughs life, Leyser provides a well-rounded film containing interviews, home video footage, and wire frame puppets scenes. It doesn't stray to far from typical, bio-documentary tropes but is still makes for an enjoyable film none the less. In typical Oscope fashion, the DVD comes packed with bonus features that will immerse you even further into the world of Burroughs. A Q&A with the director, a 50th anniversary celebration of Naked Lunch (Burroughs most famous book), extended home movies, and more shots of his physical art are just a few of the bonuses to check out.

Wrapping up, I personally give the film 3 out of 5 for being interesting and worthwhile but not particularly captivating; I am sure those more familiar with Burroughs work would probably enjoy it more than I did. The DVD however gets 4 out of 5, not only for its myriad of bonuses but for some pretty slick box art including two essays and the impressive cover pictured above. If your interested, below are a few helpful links to check out the film for yourself.

-Visit the film's official site, which has a list of upcoming screenings (both domestic and internationally)

-Follow the director and his film on Twitter

-Purchase it from Oscilloscope Laboratories

-Add it to your Netflix Queue

-Enter to win a copy of the DVD from Spinner.com

-Enter to win a copy of the DVD from The A.V. Club