Tales of the Geek Lantern Corps

Wednesday Pickups 1/11/12

2012-01-24T23:54:00.000-06:00

Lots of good books this week (so many that I left off of the usuals like Unwritten), so let's get right to it:

First up this week comes from Image and is one of their newer titles, The Last of the Greats #4. The Last - A super alien whose siblings were all killed by humanity - deals with the starling realization from last issue that there is a "daughter" of The Greats and that he is now a father/mother while our protagonist Beaumont suffers for his oh so human choices. It's hard to talk too much about this issue without giving away it's ending, suffice to say it something I really didn't see coming but isn't exactly out of left field either when you think about the book's themes. Joshua Hale Fialkov continues to write a interesting story about power and instincts, while Brent Peeples; Nick Nix; and Eddy Swan (Penciler; Inker; and Colorist, respectively) present gentle artwork that isn't afraid to switch to violent on a moment's notice. Definitely recommend checking this out if you are looking for a book that deviates from the normal super-hero fare.

Moving over to Dark Horse Comics, we have Orchid #4. Lord Wolfe, self designated ruler of civilization, tells the tale of his beast-controlling general who he is about to sic on Simon and Orchid. While I liked the first issue, since then the book has been going down hill and this will be the last one I pick up. The world Tom Morello created for the book is interesting and has potential, but I just think the story he is telling with it is getting shallow and boring. This coupled with Scott Hepburn's art leaves me more disappointed that satisfied after reading it, so probably a book your going to want to pass on.

Going back to Image, we have the debut issue of Joshua Luna's new book, Whispers #1. Sam Webber is a man who spends a bit too much time in his own head, but that is about to change as he's just discovered he can leave his body while sleeping and effect the lives of people he knows. I was a little skeptical about how Joshua's work would be solo - most of his previous work has been collaborations with his brother Jonathan - but I have to say I really liked this first issue. Josh's art has a distinctly rougher feel, that works for the title and his story feels human with just a dash of weirdness to keep it interesting. If you've enjoyed the brothers' previous works - Ultra, The Girls, The Sword - I recommend giving this a shot.

Heading over to Marvel, we have X-Men Legacy #260.1 kicking off an east coast X-Men triple feature. Rouge's group settles into their new role at the Jean Grey School For Higher Learning with a friendly game of football and some unexpected grounds-keeping. Christos Gage and David Baldeon (writer and penciler) turn in a perfect .1 issue, that not only manages to introduce us to the regular cast (both new and old) but tell a self-contained story that establishes the book's tone. If only Marvel would make sure every .1 were held to this standard, I would get behind this initiative. Definitely check this one out, even if your not an X-Men fan it's worth a read.

Venturing off the school grounds, we catch up with Madrox and crew in X-Factor #230. The group continues to mourn for Jamie - who unbeknownst to them is bouncing around alternate dimensions - as Wolverine shows up to help them in more ways that one. Only my second issue back reading X-Factor, but it's already commanding a regular spot on my pull list with Peter David's comedic writing and the cohesive art of Emanuela Lupacchino, Guillermo Ortego, and Matt Milla (penciler, inker, and colorist.) Looking forward to more great times from this crew, especially with their newly added characters - aka my main reason for returning to the title. A must buy if you want more than a few laughs from you funny books.

Heading back to Westchester County, and surprising even me as pick of the week, is Wolverine and the X-Men #4. The school gets a couple new students, straight over from Uncanny X-Force, and receives a guest lecture from Deathlok. While I stayed away from the book for the first few issues, based on the art and the bad taste the writer's last X-Men tale (Schism) left in my mouth, I decided to give this a shot with the new characters additions, and man am I glad I did. Feeling like a blend between Morrison's New X-Men and Kyle & Yost's New X-Men, Jason Aaron has written something in this book for every one. Mutants both young and old struggling to deal with their powers and the world in general may be the oldest synopsis for any X-Men book but why fix what isn't broken. While it could be viewed as a step backward from the previous years, the book setting it's self up as something so similar to books from almost ten years ago, I now see it more as giving readers an option for their mainstream X-Men consumption. You can follow the heavy hitters and action packed adventures of Team Cyclops in Uncanny X-Men, get back to the roots of young mutants learning to deal with the world in this title, or pick up both if your like me and can never seem to get enough X-Men. So check this one out if your craving that mutant education of yesteryear, as it also makes for a great introductory issue.

That's it for this week and since I "may" already be working on next week's reviews, I'll just leave it at that.

Killing by Numbers: A Review of Suzanne Collins' "The Hunger Games"

2012-01-16T13:14:00.001-06:00

12 colonies; 1 capitol; 24 tributes; 1 survivor; 0 trust; 0 safety; Suzanne Collins' The Hunger Games is a simple story that adds up to more enjoyment than one would expect from it's parts. Told from the point of view of tough, young heroine Katniss Everdeen; the book follows her as she becomes the latest sacrifice to the upper echelon of society and is forced to compete in it's dark, deadly battle-royal for teenagers, The Hunger Games.

While one might immediately think these are themes (and maybe even a plot if you've read Battle Royale) I've seen done over and over again; the old, rich and powerful persecuting the young, poor and working class; the real question becomes does Collins' book bring anything new to the table? The answer is not much, but those new elements do make the book quite a compelling read.

The first component that helps to set the book apart is the gender of it's protagonist. Yes while a girl as the lead character isn't exactly new, it is quite under used in futuristic-adventure reads such as this one. Further more, it's rare for such a character to read as an actual girl not just a bro with boobs, of course that maybe a healthy by-product of the writer's gender. The other aspect that separates this book in the vast field of dystopian futures, is it's effective and deliberate pacing. From the slow, introspective chapters waiting for the games to begin; to the fast, action packed ones in the arena, Collins' has a great command of timing that keeps the reader thoroughly invested. There are many books that will have the reader suffer through long segments or try to condense interesting sequences into minor footnotes, but The Hunger Games manages to navigate those waters successfully and comes out as quite a more enjoyable read for it. Of course, along with these positives the book does has some draw backs.

The worst trait (or perhaps best trait when looking for commercial success) of the book is the plainness of Collins' writing style. When reading I like to find some formative challenge to embrace, whether it has an interesting narrative structure or unique vocabulary choices, but nothing of the sort appears in The Hunger Games. While this is not a horrendous or unforgivable flaw, and some might not see it as one at all, it does leave me wanting something more from a writer. Perhaps the more important problem to most readers, is a one-dimensional cast outside the major players and the world not being fully realized as a result. While this is certainly a headache in a lot of stories, and I do think it at least warrants mentioning, I found it quite easy to dismiss while reading. With the novel all being told from a single character's point of view it is seems a little more feasible for other characters to become one-note asides giving us some knowledge about the world rather main characters in their own stories. Since this is a series though, it's definitely a problem that I hope fades out in future books.

All in all, I found The Hunger Games a gratifying read and definitely recommend giving it a shot if you were intrigued by the trailer for the upcoming film adaptation (like I was) or enjoy a darkened world with young protagonists (like the later Harry Potter books.) Can't wait to see how this series continues, which has propelled the other two books in the trilogy straight to my "to read" pile, and how it performs on the big screen later this year.

Wednesday Pickups 1/4/12

2012-01-11T14:12:00.000-06:00

New year, new comics, new posting schedule (as in a little more often then every four months); so without further ado let's get right into the first batch of comics from 2012!

First up, Team Cyclops is making the world love and fear them in Uncanny X-Men #4. In a one-off tale, spinning out of Mr. Sinister's return, The Phalanx are back and still having problems "making friends." Not a ground breaking comic by any means, but it is always nice to get a one'n'done in sea of trade formatted titles. Keiron Gillen weaves an interesting and humanizing story of a solitary phalanx (phalani?), which accompanied by Brandon Perterson's art and Justin Ponsor's thematic colors makes for an enjoyable read. I would love to see more of this kind of thing from the book, but the arc starting next issue doesn't sound too bad either as it is spinning out of the previous events from the next title here.

We once again head to the Age of Apocalypse with Uncanny X-Force #19.1. Phoenix and Sabretooth return to their home-world after helping out X-Force, and are immediately thrown back into the fire. Another solid writing effort from Remender, who has been knocking it out of the park lately, this time paired up with Billy Tan's softer and more dramatic art making for a compelling read. My only real complaint with this one is that it should have been Age of Apocalypse #0, as it leads directly into #1 of that series and offers no introduction to the current X-Force (the original goal of these .1 issues.) Still, I'm looking forward to more of this story and these characters when their title starts in March.

From the horrors of a post-apocalyptic world, we head to the horrors (and whores) of the werewolf world in Ferals #1. It seems strange beasts have descended upon the small Minnesota town of Cypress and they aren't too fond of it's human inhabitants. In true Avatar Press (and writer David Lapham) fashion, this book features blood and guts galore but also harbors some psychological under-currents that will keep readers coming back. Maybe not their best first issue, when compared to the likes of the Crossed minis and Caligula, but still definitely worth a look, if only to check out the various ways Gabriel Andrade decides to layout corpses in his art.

We continue this horror spree over into DC with Animal Man #5. Buddy Baker confronts the third hunter to save his family, but he might have just put them into more danger. Another fantastic issue from Jeff Lemire (writer) and Travel Foreman (primary artist) that not only raises the stakes in the series but sticks some beautifully grotesque art in ones mind that won't soon be forgotten. Definitely looking forward to more from this creative team in the coming months, especially when it starts officially crossing over with the next book here.

Concluding DC's horror, double feature for the week is Swamp Thing #5. Alec and Abby continue chasing her half brother, the soon to be avatar of The Rot, with disastrous results. As the similarities between this and Animal Man continue to grow, so does the quality in each of them. Scott Snyder is quickly becoming the top man in horror comics and Yanick Paquette's art (especially the fluid panel layering) makes almost every page worthy of a wall frame. Hard to deny this the top spot of the week, but a well know noir team has snatched it out from under them.

My favorite comic of the week is Fatale #1 from Image Comics. The famous Criminal team of Ed Brubaker and Sean Phillips reunite to tell the tale of the fictional novel 'The Losing Side of Eternity' and the trouble it brings it's new owner. Interestingly enough, this is my foray into the teamed efforts of Brubaker and Phillips and I really enjoyed it. The former's knack for interesting yet mysterious dialogue and the latter's expressive and shadowy artwork work well in tandem, creating a murky world of beautiful women and troubled men. Looking forward to more as the first issue only gave the reader barest taste of the mythology, murder, and magic it advertises but sometimes a little goes along way.

That's all folks! Next week looks to be shaping up nicely with lots of Image titles and X-books to get to, so make sure you swing by your local comic shop and grab a few.

Wednesday Pickups 9/14/11

2011-09-21T12:15:00.000-05:00

Fresh September continues with four new titles this week, as well four regular favorites. So let's get right to it:

We start in the X-world, with Uncanny X-Force #15. The Dark Angel Saga blazes on as Fantomex, Deadpool, and Deathlok may be all that stand in the way of global genocide; God help us all. Another spectacular issue from my favorite on-going title, Rememder's characters remain well written, while Opena's art never ceases to amaze. Only a few issues left in this storyline, and while I can't wait to see how it all shakes out at the same time, I really don't want it to end.

Heading off world, we catch up with X-Men Legacy #255. Magneto, Frenzy, Gambit, and Rogue continue their search for Havok and Polaris, but they might be getting in over their heads. While I do enjoy Mike Carey's story here, and not just because it is the gateway for some of my favorite X-ers to return regularly to X-books, Steve Kurth's pencils aren't exactly my cup of tea. I generally find myself not a fan of artist's whose face drawings come out strange or misshapen, and Kurth is no exception. That said, his action sequences are alright and do make the downsides tolerable. Overall, I am looking forward to where this title is heading and hopefully an artist change in the near future.

From Marvel, we head over to DC's Vertigo line with The Unwritten #29. Tommy and Lizzie get closer to unraveling the mystery of his father's journal with neither of them liking what they find. This great and original series continues with another solid issue. While I don't want to get into too many specifics and give anything away, one of the final scenes in this issue gets into some Marshall McLuhan ideology and offers a brilliant critique on the way the comic book industry has been run at times. A must read for long-time comics fans as well as those just getting into the medium.

Last up from Vertigo this week is, the penultimate issue of American Vampire: Survival of the Fittest #4 of 5. Cash and Felicia's covers are blown, so let the slaughter of Nazi vampires begin. Really enjoying this mini from Scott Snyder (writer) and Sean Murphy (artist), but that should come as no surprise since I love both of their work. While I was worried from last issue that this mini would end up trying to explain too much of this vampire world, Snyder has succeed in telling just enough to not get to far away from the main series roots and leave some question unanswered. In addition to that, Murphy's art really shines this issue as he gets to draw a lot more action that we've seen so far. Looking forward to the final issue, as the end of this one sets it up for a bloody conclusion.

Kicking off the new titles is Pigs #1 from Image Comics. Mischief and murder have forced a second generation KGB sleeper cell based in Cuba into action, and America authorities are left trying to figure out what the hell is going on. Superb story concept and execution by Nate Cosby and Ben McCool on this first issue. They paced the action and drama quite well in addition to ending with a cliffhanger that makes the wait for the next issue unbearable. My only complaint so far is Breno Tamura's art is a little rough for my taste, but I could see myself warming up to it as the book goes on. Always happy to support something that tries to tell an interesting story, and this title is no exception.

Going back to Marvel, for the third installment in their relaunched Ultimate line, we have Ultimate Comics Spider-Man #1. In this first issue we meet Miles Morales, an average kid in New York, whose life is about to change forever in multiple ways. Stupendous start for Brian Michael Bendis (writer) and Sara Pichelli (artist)! This issue seems to have that perfect balance of being something original, with a new protagonist, and having the classic feel of a super hero origin story. I've been enjoying all the new titles from the Ultimate Comics line but so far this one is my favorite, although the last one to come in the one I'm most looking forward to.

Finishing out the week we have two of DC's new 52, and the first of those is Superboy #1. Scientists at a secret facility have combined the DNA of Superman and that of human to produce a clone with amazing abilities, but only time will tell if Superboy inherited his "father's" penchant for doing good. While I wasn't amazed by this first issue, I was surprised that I did like it and how well it was done. Written by Scott Lobdell and drawn by R. B. Silva, this first issue does a solid job of introducing the character and showing where he is coming from. One particular inclusion I liked, was that of Rose Wilson (aka Ravager pre-DC Reboot) who was beginning to be a romantic interest for him at the end of Teen Titans and might end up being one here, a nice nod to the readers that creator's haven't thrown everything out in the DCnU. I think the next issue will weight a little more on whether I will be picking this series up regularly, so I'm hoping for it to grab me a little more.

Last up, and barley edging out the new Spider-Man for pick of the week, is Red Lanterns #1 from DC Comics. Atrocitus and his blood thirsty red lanterns are back, but it seems their leader made have lost his taste for rage. Extremely impressive first issue from Peter Milligan and Ed Benes! While I was a little worried these characters wouldn't be able to hold their own title, Milligan has erased all doubt and Benes great art is just blood-red icing on the cake. I can't wait to see future issues getting to the core of these lantern's rage as is done for Atrocitus here and any additions Milligan makes the core. If you've grown a little tired of the event-centric Green Lantern books over the last few years, as I have, I think this book might be just what your looking for in the new DCU.

Another solid week of floppys in the books, and next week looks to continue the trend with a whole lot of appetising X-titles. See you back here in 7 days for some X-Men, X-Women, and maybe if we're lucky something X-rated.

Wednesday Pickups 9/7/11

2011-09-14T17:53:00.000-05:00

This week, I get my first taste of the new DC universe and a few regulars make an appearance. Lots of good things to say about this group, so let's get right to it:

Kicking things off this week, from Image Comics, is Hack/Slash #7. The Fame Monster story arc continues as Cassie discovers the identity of the slasher while Vlad has to return to his "Meat Man" roots to deal with a few of the slasher's lackeys. I have been enjoying most of this series so far, Daniel Leister's art was good as usual, but this particular issue felt a little dry. The humor-action combo I've come to expect on the book seemed pushed to the side for the old cliché of the villain revealing his master plan for multiple panels, which one could find appropriate in this book but to me just seemed boring. I'm hoping Tim Seeley rights the ship in the next few issues.

Moving over to Dark Horse Comics, we have Star Wars: Dark Times #2. Former Jedi Dass Jennir continues to traverse the desert moon of Prine, looking for civilization, while the crew of the Uhumele continue searching for him while getting acquainted with their new Jedi companion, Beyghor Sahdett. Admittedly, I was kind of hoping for more from Dark Times when it returned to store shelves. While Douglas Wheatley's art is stellar, and great for a Star Wars book, Randy Stradley's story feels predictable, slow, and just doesn't have that same galactic thrill of the former series. I will be giving it a few more issues to see if he turns it around, as for now though I wouldn't recommend anyone jumping on it.

A returning character that has retained his luster is Casanova, from ICON, who is back this week in Casanova: Avaritia #1. Everyone knows the the truth about Cass and his father (well, the guy who would be his father if he was from this dimension) has put him to the arduous task of cleaning up all the time-dimension anomalies caused by Newman Xeno kidnapping him in the first place. As I already mentioned, I am still in love with this series. Matt Fraction (writer), Gabriel Ba (current artist), and Fabio Moon (former and future artist) have created a world quite unlike anything else in comics today. The craziness of the art and story blend into a perfect storm that causes one to either love or hate the book, with not surprisingly many readers choosing the former. Usually I would suggest grabbing the first collection of the series to get a good grasp of the happenings, but I think this issue is actually a great jumping on point being a little more straightforward with the story than the book has been in the past. Get on this book one way or another and start having some nonsensical fun with your science fiction.

Filling out the second half of my comic stack this week is DC with four of their new/relaunched titles, first up is Action Comics #1. Sporting blue jeans and an arrogant attitude, this rebooted Superman has his sights set on the corporate fat-cats, who exploit the working man and operate outside the law but he soon finds this also puts him at odds with law enforcement. While I am digging the art in this first issue, penciled by Rags Morales, I'm not yet sure how I feel about the direction of this book. Instead of something new it feels like Grant Morrison (the writer) is just turning Superman into more of a public menace/vigilante ala Spider-Man or Batman. Going to pick up a few more issues to get a better grasp of it, and to get more of Luthor who was great in this first issue, but I hope it isn't just more of the same.

From Metropolis, we go global with Justice League International #1. The United Nations has decided it's time to get a few superheroes in their pocket, a group that can handle large threats but also answers to them. Lead by Booster Gold and composed of heroes from various nations, this team looks to save the world while having the authority to do so, that is if they figure out how to work together. Overall, I liked this first issue but not really as much as I was hoping to. The art is great, with pencils by Aaron Lopresti and inks by Matt Ryan, but the writing leaves something to be desired. A lot of Dan Jurgen's (the writer) dialogue feels forced or just out of place, some of them talk like they've known each other forever when this is supposed to be the first time they're meeting. I did enjoy some of the book though, especially Godiva and Booster Gold, so I'm hoping the writing evens out as we go along.

Bringing things back in a bit, we head to Louisiana to check in on Swamp Thing #1. Mysterious events occur in simultaneously throughout the planet and no one has any idea why. Superman decides to track down Dr. Alec Holland, the only man who might be able to understand these occurrences due to having the memories of the titular force of nature, and while Superman gets no answers Dr. Holland hasn't been totally truthful with him. Great first issue from Scott Snyder (writer) and Yanick Paquette (artist)! No real back story is required to get what is happening, and the natural/horror elements leave you wanting more. Can't wait to see where Snyder and Paquette take this book.

Animal trumps nature for pick of the week, as Animal Man #1 nabs the top spot. Buddy Baker has been out of the tights more and more these days. With having a family that is growing up, being an active animal activist, and enjoying some success as a Hollywood stunt-man turned actor, he rarely goes out on patrol, but that doesn't mean when a guy takes a hospital hostage he is going to sit on the side lines. I loved this first issue from Jeff Lemire (writer) and Travel Foreman (artist)! Instead of making Animal Man more like every other hero book on the stands, they focus on what makes him unique and base the entire book around it. Foreman's art excels equally in the domestic interior of Buddy's house and the trippy, exotic locales of his nightmare, leaving me salivating for whatever he draws up next. Easily my favorite book of the new DC Universe, so far, and I can only hope there is more coming that is just as excellent.

That is it for this week, next week should have a few more regular titles but I am sure some of the DC newness will slip in as well. Until then ponder what you would serve at a meal where both Animal Man and Swamp Things are in attendance, my guess is Spam.

Wednesday Pickups 8/31/11

2011-09-07T11:50:00.000-05:00

While I skipped out on most of August, I figured this small, final week would be a good place to get back on track. So without further ado, here are two new titles (neither the main topic of this week for most, JL#1) and a usual suspect as pick of the week.

First up is The Rinse #1, the latest title from Boom Studios. Jeff Sinclair is a cleaner, of sorts, who instead of working with water and soap, prefers burners and as little paper trail as possible. It has worked out pretty well so far, but his newest client might be biting off more than both of them can chew. I enjoyed this first issue, especially being a deal you can't pass up at $1. Marc Laming's art carries the right amount of grit and grim for a crime tale, while Darrin Moore's varied colors keep it from being just another noir-wannabe on the shelves. Gary Phillips story didn't grab me quite as much as I would have liked it to, but I think others will find it right up their alley. All in all, I won't be picking it up regularly but I could see myself grabbing a collection of it somewhere down the line.

Moving over to Marvel, we have Ultimate Comics Hawkeye #1 of 4. Continuing straight out of last week's Ultimate Comics The Ultimates #1, we see what is happening with every one's favorite archer on his "business" trip to Bangkok. While this first issue eats up a lot of it's space with exposition, I still found it a fun read and think it will end up being a good mini-series. Hickman has found a nice balance for this mini (at least based on the first issue of each title) that doesn't make it mandatory to read The Ultimates to know what is going on and vice versa. My only complaint so far with his story is any character could be exchanged for Hawkeye, I am hoping in future issues his character becomes more relevant than just being the action star of the book. Pencils are done by Rafa Sandoval, whose character faces aren't the greatest but are made up for with everything else. Not a must read, by any means, but if you are a fan of the character and the political world The Ultimates sometimes touches on, you will probably enjoy it.

Saving the best for last, we have Uncanny X-Force #14. The Dark Angel saga heats up, as the titular character is awaiting his former teammates return from the Age of Apocalypse with his own horsemen, and is about to usher in the Age of Archangel. I've written many times on how great this book is and how well Remender writes these characters (which still remain true in this, it's 14th issue) but far too often I have just glossed over Jerome Opena's art. Yeah, I've said "it's great and I love it" but I don't usually get into specifics. The special attribute the makes a lot of Opena's art on this book, and the issue specifically, amazing is that it doesn't need the dialogue. Don't get me wrong, I thoroughly enjoy Rememder's writing (as mentioned just sentences ago) but this book could be enjoyed just looking at the pictures. The characters faces and movements are so precise and articulate, conveying exactly what their feeling or thinking, that they give credence to that old saying "a picture is worth a thousand words", even if in this case that picture is a drawing. So now that I have successfully geekgasmed over this book for the 14th time, you need to do yourself a favor and pick it up so you can do the same.

That is it for this short week, but next week looks to be quite a full one as I dig into some of the DCnU books. Be on the look out for that as well as my attempt to catch up with my stack of Oscilloscope Labs films.

Wednesday Pickups 7/20/11 & 7/27/11

2011-08-04T14:12:00.000-05:00

I'm bundling the last two weeks together since I got caught up in some other thing. So, lets get right to it with the comics from the 20th.

Kicking things off, we have Uncanny X-Men #541. Tieing in with Marvel's summer event, Fear Itself, the X-Men are trying to stop the possessed Juggernaut who is working a scorched-earth path towards San Fransisco. While it's a scenario that's been done a dozen times before, Greg Land's art and Kieron Gillen's strategic take on the matter keep it interesting. It is also worth mention that this tie-in hasn't distracted from the direction the book has been going, as so often happens with these major events. Not a ground-breaking issue by any means, but sill a fun read.

From there, we cut out the adjective with X-Men #15. Wrapping up the "First to Last" arc, this issue features the final showdown between the X-Men and the Evolutionaries, who are trying to "save" them. A pretty good issue and arc, Christopher Yost's story has a classic feel while still managing to show how a lot of these characters have changed over the years. The combined artistic talents of Paco Medina and Dalibor Talajic, the former handling the current happenings with the latter covering the flashbacks, also work in a nice harmony to flush out the comic. I'm not sure what is happening with this book after the X-Men: Schism event, but if the same creator's stick around I will as well.

Departing Marvel and getting into Image, we have Hack/Slash #6. Starting the new arc, "Fame Monster", this issue features a slasher going after pop culture "celebrities", all the while treating Cassie to his vicious slayings by showing them in her dreams. Another great issue from Tim Seeley and Daniel Leister, with it's patented comedic-horror plots, fan service, and gory moments. If you've ever wanted to see some tan guys from Jersey get into a real situation, this one's for you.

The pick of the week this time is a special book you won't find on your local shop's shelf, Matinee Eclectica a special publication put out by Dirty Third Comics. I first heard of Matinee Eclectica through a wonderful crowd-funding site called Kickstarter, and have been looking forward to reading it ever since. The basis of the anthology is that all the stories are written by relative new-comer Ryan Schrodt, who partners with a different artist for each mini-tale. Generally when it comes to Anthology books, I find a lot to like and at least some parts that are dreadful. Matinee Eclectica breaks that pattern though, as I like every story and love quite a few of them. Schrodt really shows some writing chops in expertly handling all the major genres from super-heroes and sc-fi to western and horror tales. Just as impressive, is the combined talent of the artists assembled here. I don't want to start listing them all, as I would inevitably forget someone, but they are certainly creators I will be looking for more of in the future. Now, I'm not sure where you can get the book right now outside of con appearances, but I would start with contacting Mr. Schrodt through his completed Kickstarter campaign or the email given there. I, for one, can not wait to read more of his stuff in the future.

Let's keep rolling right into the books from the 27th.

First up this week is the lone DC universe book, Teen Titans #98. Begining the last story before the DC reboot, this issue features the return of Superboy Prime to the regular DCU, who is looking for revenge on Conner and the Titans. I'm kind of torn on this issue. It presents some interesting ideas but on the other hand they are all ones that I can't see being wrapped up in the two remaining issues of this title. The art however is pretty well done, with grittier pencils by Eduardo Pansica that fit the story's darker mood. Either way I'll be picking up the last couple issues and I'm crossing my fingers that they don't disappoint.

Next, we continue to catch up with the Inhumans in FF #7. Black Bolt returns to his people but he certainly doesn't come to bring them peace. Still not really enjoying this mini/fill-in story that has taken us away from what is happening with the Future Foundation. Hickman's writing is ok but Greg Tocchini's rougher art really does nothing for me. Next issue looks to be back on earth and hopefully Epting will be handling the art once again.

Rounding out my Marvel/non-X pickups, we have Venom #5. In this issue, Flash deals with his oldest foe, his father. At first I thought I wasn't going to like this one as it has starts off having an "after school special" kind of vibe to it, but by the end Remender makes it all worth while as he dives deeper into the mind of Flash Thompson. The kind of command he has over characters in his writing is unparalleled in the industry, and he makes each title more appealing than the last (something we will get back to with Uncanny X-Force later in this post.) Tony Moore and Tom Fowler, the two artists handling the issue, also contribute quite a bit as their touching panels hit just as hard as Remender's plots. This book is quickly becoming one of my favorite Marvel titles every month.

Heading over to Vertigo, we have American Vampire #17. Henry, Skinner, and the rest of their outfit escaped the cells, but it's straight from the frying pan and into the vampires running around on fire. Another fantastic issue from Scott Snyder and Rafael Albuquerque, filled with vampires (American and otherwise) and World War II action! This penultimate chapter of the "Ghost War" arc wraps up the perfect amount, leaving the most anticipated showdown for the final issue. Still really digging this book after a year and a half, and can't wait for more.

Going from buckets of blood to kegs of it, we have Crossed: Psychopath #4. Amanda and Rick see what "The Crossed" did to Darwin and Claire last issue, while Harold let's us see what happened to his first "love", Lori. David Lapham and Raulo Caceres continue to put out the sickest comic on the shelves, but its also one of the best done. The free reign Avatar Press gives Lapham constantly challenges his creativity for crazy story-telling, while Caceres art does wonders bringing the stories to life with fluid panel structure and mesmerizing, full-page spreads. Certainly not a title for everyone, but if you are a horror or gore fan you need to be reading it.

Closing out the week we have four X-books, starting with X-Men: Schism #2 of 5. The X-Men are on damage control, as the numerous countries that have activated Sentinels are falling victim to the robots. Meanwhile, the new Black King of the Hellfire club continues moving pieces into place before he overtly strikes as his mutant foes. This issue brought the mini-series down quite a bit, as the slow pace seems out of place in an event story and Frank Cho's art is not looking it's best. Additionally, Jason Aaron seems to be over-stating character's personalities and feelings to justify a predictable end that readers can see coming a mile away. There are still some things I like about the book, such as the new Hellfire Club direction, but I am really hoping the third issue brings some needed improvements.

From the X-Men as a collective, we head into the smaller groups starting with X-Men Legacy #252. The group begins searching Paris for Styx, Legion's most dangerous personality that got loose, but it doesn't go as well as they'd hoped. I am enjoying this story from Mike Carey, as he subtly makes these characters deal with their personal demons and left over feelings from "Age of X". The pencils by Khoi Pham don't really strike me strongly one way or another, but they do have their moments. Probably not a good point for some looking to get into the X-world but an enjoyable book anyways.

Taking second place this week is my favorite covert X-team in Uncanny X-Force #12. The Dark Angel Saga continues as X-Force teams up with the remaining Age of Apocalypse X-Men, while their individual leaders (Wolverine and Jean Grey respectively) ponder more than a friendly alliance. As I mentioned earlier with Venom, Remender has a flair for character development and this issue is no exception. That in addition to his over the top story and Mark Brooks pencils make this another fantastic comic. My sole complaint is the limited amount of panel time Dark Angel has been given, but that is more of the Angel fan in me speaking than a critique.

The top spot this week goes to Abnett and Lanning's New Mutants #28. Moonstar brings in a therapist to help her team deal with the personal problems their each going through. While this approach has been done before in comics, it hasn't been done with the speedy, no-punches pulled attitude this issue brings. Instead of having the characters confess all their problems in monolouges or thought bubbles, Abnett and Lanning choose to hit these not so merry mutants right in the face with them. Presenting a great pay off for those that have been reading for years, and a nice summary for those just joining in, this issue is a great read for any comic book fan and I definitely recommend checking it out.

That's it for this week, so go read some comics or at the very least complain on the interent about ones you don't like.

Wednesday Pickups 7/13/11

2011-07-20T11:51:00.000-05:00

Comics Blog RISE!

Kicking things off this week we have Marvel's merry mutants in New Mutants #27. Concluding the new creative team's (Dan Abnett & Andy Lanning on writing duties partnered up with Leandro Fernandez's art) first arc, this issue sees Moonstar's crew in an all out brawl with Sugar Man and his mutated henchmen. So far I am reallying digging the new direction Abnett & Lanning are taking the New Mutants, making them the clean up crew for all the threats to mutantkind the X-Men have let escape in the past. They have a strong sense of where the characters are coming from, which was a major concern for me due to my love of the first two years of this title, and are laying some interesting ground work for the future. Fernandez art, on the other hand, is not a strong selling point of the title. It lacks a certain amount of definition and complexity for my taste, leaving the book looking a bit cartoonish in heavy contrast to the threats their tackling. So if your looking for a good Mutant story and can tolerate sub-par art, check it out. If art comes first in your mind, you might want to take a pass.

NeXt up is the premiere mutant event of the summer, X-Men: Schism #1 of 5. Cyclops and Wolverine travel to an international arms control conference to petition a global ban on the mutant-hunting sentinels, but an old acquaintance shows up to give a different mutant perspective. Pretty good first issue, in my opinion, as Jason Aaron's story has got me hooked and waiting to see where he takes it.In contrast to that though, Carlos Pacheco's art isn't exactly my favorite, but it still proves to be serviceable and entertaining. While I'm not the biggest fan of one story having so many artists (each issue being done by a different one), I think Aaron's story is going to worth putting up with it.

Finishing up the Marvel books this week is FF #6. Departing from the friendly confines of Earth, this issue gives us a history lesson on the Kree and Inhumans, tellling us how their destinies have become intertwined. Staying with the trend of other Marvel books this week, I liked the story but not so much the art. Hickman has been weaving an interesting tale going back to his time on Fantastic Four, and while this breaks from the current happenings of the Future Foundation figuring out how to defeat the alternate Reeds, it is enjoyable none the less. New (or possibly fill in) artist Greg Tocchini's art is alright, but feels a little rough and out of place in the sci-fi/spacey locales of this issue. Hopefully Steve Epting's pencils return soon, as their a much better fit.

Heading over to DC, we have Red Robin #25. Tim enlists an old ally in the final stages of the assassination tournament, but will she help him or claim victory herself? Another great issue from Fabian Nicieza and Marcus To, which just makes it that much sadder that this book won't be continuing in the DCnU. Hopefully Red Robin will make an appearance in there some where, but I will miss Nicieza and To behind the creative forces behind him.

Checking in with Flashpoint, we have Booster Gold #46. Booster's battle with Doomsday rages on and what chance does he have with no help coming? Another comic I am going to miss when DCnU rears it's ugly head, Booster Gold has been pretty stellar over it's run, and Dan Jurgens (the current writer) will be missed on the character. While this is a Flashpoint tie-in it can really just be read on it's own like another Booster story, so don't let that stop you from checking it out before its gone.

Rounding out the DC books is Teen Titans #97. The titans battle with Rankor concludes, leaving a few lasting effects on the team. While J.T. Krul and Nicola Scott's run hasn't been the worst, it has been dragging a bit as of late. The action and character moments have begun to feel more like filler than worthwhile entertainment. Interestingly enough, this is one of the few DC books I am reading that will be relaunched in the DCnU and I am interested to see what a new team can do with a different cast.

Just barley getting beat out by another Vertigo book, this week's runner up is The Unwritten #27. Tom Taylor, now with his father's journals in tow, begins looking into an early super hero comic that might be more powerful than it's Supermanesque protagonist. Continuing their awesome series, Mike Carey and Peter Gross keep this comic fresh and unique never letting it slide to just another book in one's pull list. I'm know most comic fans I talk to are already as hooked into this series as I am, but if your not this issue also makes for a good jumping on point.

Last up, and taking the top spot is American Vampire: Survival of the Fittest #2 of 5. Our two vampire hunting protagonists experience a rough landing, thankfully there are plenty of Nazis on hand to make them feel quite welcome. I love Sean Murphy's art on pretty much anything, and it works so well in Scott Synder's world of blood suckers! Can't wait for the next issue, and all I have to say to get you to read it is "Nazi Vampires".

That's it for this week. Next week there won't be too many comics I'm picking up but maybe I will get around to reviewing a book without pictures, or my back log of Oscilloscope films. Until then, try to keep your jealousy of people going to San Diego Comic Con in check by reminding yourself those people are probably packed wall to wall and are lying about how much fun it is.

New Mutants, New Era, New Take: A review of X-Men: First Class

2011-06-03T16:56:00.000-05:00

Coming to theaters everywhere today, with it's fifth film in the comic-adapted franchise, is X-Men: First Class. After the last two installments, X-Men: The Last Stand and X-Men Origins: Wolverine, being met with jeers from fanboys and critics alike, director Matthew Vaughn and producer Bryan Signer look to right this sinking ship with a tale of the X-Men's not so humble beginings.

Going back to the early 1960s, we are introduced to the idealist and womanizing Charles Xavier (played by James McAvoy) and the revenge-driven Erik Lehnsherr (the man who would become Magneto; played by Michael Fassbender); both looking to leave different marks on a world that is oblivious to their existence. This soon changes, however, as the United States government discovers the plans of Sebastian Shaw and his mutant group, The Hellfire Club, who are attempting to ignite the Cold War for personal gain. Looking to fight fire with fire, Charles and Erik are recruited by the U.S. government, along a group of younger of mutants, to prevent such a disaster.

Melding the mutants, fantastical powers, and themes of the X-Men comic books with the aesthetics and plots of an early James Bond film breathes new life into this dying franchise and possibly comic book films in general. Walking a tight line between globe-trotting, special effects thriller and campy, outcast-empowering feature, the film represents the general tone of the X-Men pretty well. Yes, their troubled kids that are ostracized by "normal" people, but at the same time they also get to experience awesome powers and events that those same "normal" people would love to get in on. Most fans will get hung up on this character looking different or that character's nationality not being "right" (as I often find myself doing), but one has to remember these films are more about capturing the mood of an X-Men comic, not the details. It is in this aspect that this film succeeds where most of the others really have not, but that isn't to say this is the only thing the film does right.

Besides the aforementioned look and feel the film gets right, it has a number of other positives going for it. The dynamic relationship between McAvoy and Fassbender is at the forefront of these, as it supremely enriches the film. Not only do both deliver very good performances, but those performances come together and play off each other in the impending clash of ideology brilliantly. Also turning in a wonderful performance is Kevin Bacon, as Sebastian Shaw, presenting himself in a much more controlled manner than I'm used to seeing. Lastly, a good majority of the make-up and special effects also help the film succeed, as seeing Banshee fly or Mystique transform looks better than ever. Fully examining the film though, it does also have it's fair share of flaws.

The most prominent of these flaws is the special effects used for Emma Frost, January Jones' character. One could say that I just don't like how it is done, which is true, but the real problem is that this single effect keeps the audience from being fully captivated. Also holding the film back, are the some of the dry, female performances. As was expected, January Jones is the most guilty in this area but surprisingly, Jennifer Lawrence is not to far behind her. Since I've seen the kind of performance Lawrence can give, check out Winter's Bone if you haven't already, I'm betting the script and direction play a large part in this problem. Speaking of the script, it is also the last major problem of the film. While a motto like "Mutant and Proud" may draw a nice parallel to real-world equality issues, in the film it feels like a bad catchphrase the scriptwriters' would not let go.

All in all though, I really enjoyed X-Men: First Class and give it 4 out of 5 stars. While it may not have all the details or continuity one is looking for in the X-Men franchise, it does offer a great adaptation of it from comic to film. So if the last two films scared you off, consider coming back and giving this one a chance. It's a fun, summer blockbuster that captures the heart of the X-Men universe even though it chooses to fudge some of the "numbers."

Circle of Trust #8: The Paranoids (2008)

2011-05-10T10:46:00.000-05:00

It's been quite a while since I last posted, let alone done an entry in my Circle of Trust series, but in the interest of not letting a good excuse go to waste I'll blame it all on learning a bad habit from the main character of the film I'm looking at today. For first time readers or those who may have forgotten, in these posts I examine the awesome films distributed by Oscilloscope Laboratories that I receive as a member of their Circle of Trust. Continuing their track record of great films, this time Oscilloscope brings us a quirky little film out of Argentina; Gabriel Medina's The Paranoids.

Instead of focusing on a group of paranoid individuals, as you might expect from the title, The Paranoids focuses on the life of Luciano Guana. An odd, twenty-something, slacker who has who has fallen into a bit of rut with his writing, Guana spends his time making ends meat performing at children's parties in an alien costume and getting high. To make matters worse he is extremely paranoid of everything, hence the title, from catching diseases to appearing stupid to others. While his life could have continued like this for quite a while, it begins to spin out of control when he reunites with an old "friend" who has become successful and his beautiful girlfriend.

While a bit of The Paranoids premise may sound tired, with dozens of slacker-centered films coming out every year, it breaks the mold in a number of areas. First and foremost, is the characters. Difficult, unique, and yet somehow realistic; the writing and actors meld together nicely making the film enchanting but also visceral. Trading clever lines for real dialogue and blank stares for nuanced expressions and movements, writer-director Medina gets exactly what he's looking for on the screen both from his actors and his words. This brings us to the film's next strength, it's precise vision. Each shot feels meticulously crafted and each set is carefully lit and arranged. Normally this would give the film a plastic, fake look but it is done to such a degree that it looks and feels just right. One of the characters even calls attention to it early on, but you can't help agreeing with it.

Part of these meticulous sets is the strong presence of symbolism the film has that I enjoyed. It may seems a bit heavy handed in parts, such as using a boxing video game to portray the obvious conflict, but is quite elegant in other areas and leaves you something to find with each new viewing. Saving perhaps its best strength for last, The Paranoids also boasts a killer soundtrack. Utilizing club beats, soft instrumentals, and rock it gets a bit of everything while still maintaining a nice, cohesive sound. In fact, the trailer even gives a perfect sampling of it.

All in all, The Paranoids is a good film and I give it 4 out of 5 stars. The DVD gets the same score, as it features some awesome visuals (such as the cover shown at the top of the post) and the soundtrack in it's entirety instead of traditional features. Not going to leave you much time between this and my next CoT entry (as I already have it in hand) but be sure to check out The Paranoids soon, maybe even click here to add it to your netflix queue.

Pimp My Cinema: A review of Sucker Punch

2011-03-25T04:27:00.000-05:00

Living up to its simple name Sucker Punch, the latest film from director Zack Snyder, lulls you in with its gritty, stylized look and then makes off with your ten bucks about that many minutes into the film. Loosely throwing together a narrative of protagonist Babydoll's (played by Emily Browning) visions, the film explores her time in a mental institution through the mashed up fantasy worlds she imagines around her. Unlike his main character, Snyder's imagination sticks firmly to what he knows and goes back to his usual bag of tricks.

Slow-mo/bullet-time fight scenes, interesting looking characters (on the surface), and booming sound all make their expected appearances and take up a good portion of the film. Now these characteristics aren't inherently bad, but with the frequency Snyder uses them in his films it clearly shows a trading of substance in favor of creating his now brand name style. Not all markers of Snyderism are terrible though. Once again the viewer is treated to appealing visuals and an enjoyable soundtrack, with the mash up track of I Want It All/We Will Rock You being an example of what the film was going for, a combo that works.

Blending together elements of other genres; i.e. Steam-punk, zombies, dragons, samurai, robots, and assault weapons, Sucker Punch puts a bunch of "cool" things in one place and hopes for the best. The perfect analogy for the film is the former MTV show Pimp My Ride. On the show they would take a basic or tore up car and not only fix it up but add various odd ball elements that were meant to connect with the owner's taste, such as putting and aquarium in the car of someone who likes fish. Sure, it looks cool but it doesn't really make the car any better and one might argue even detracts from it with the extra attention such features would require. Sucker Punch is the same, in that all these elements look cool but don't really make the film work as a whole.

About now your probably thinking "but that's what they were going for, an over the top spectacle that doesn't need to make sense." On the contrary though, this film breaks up these action scenes with halfhearted dialogue and just enough self-empowering mantras to let you know they did try for some semi-balance of a complete film. Add to that its being marketed by the involved as some kind of feminine empowerment vehicle and you can't help but laugh at the absurdity and audacity of it all.

Before you write it off entirely though, it does have some redeeming qualities. The previously mentioned soundtrack and visual imagery are the for front of these. What can I say, it does look and sound cool. In addition, Oscar Isaac turns in quite a comical performance as Blue Jones, the de facto antagonist of the film. Outside of those few elements though, you're entering at your own risk.

Sucker Punch is a style over substance, action over story vehicle that I'm sure a lot of people will enjoy just not this reviewer. Overall, I give it two out of five stars though, as it had some moments and managed to stay out of Transformers 2 and The Last Air-bender territory. Check it out if you really can do with out a story in favor of coolness but otherwise look elsewhere for your film entertainment this weekend.

Wednesday Pickups 3/16/11

2011-03-23T14:20:00.000-05:00

Eight books again this week because I forgot to grab T.H.U.N.D.E.R. Agents (and then after writing all this realized I missed another book which will be put in next week), which I'm starting to think I did subconsciously to make this a nice symmetrical group.

Starting off with DC, we have Brightest Day #22. Continuing it's string of character wrap up issues, BD #22 gives us the final showdown between Firestorm and Deathstorm. As usual the art is really good but the narrative just felt rushed compared to the others that have been ongoing here. There was one moving scene but the rest really felt like filler. That said, I am still looking forward to these last few issue of Brightest Day, if only just to see how all this white lantern hoopla ends up.

Continuing the DC double feature, we have Red Robin #21. Concluding The Rabbit Hole arc, Tim finds how Mikalek got the Uternet back online but taking it back might cost four innocent men their lives and minds. Despite the awkwardness of the Teen Titans cross over taking place during this arc, I really enjoyed how it ended up. Nicieza and To give us another action packed issue that still manages to build the characters involved. Pulling over time on this issue though, are Guy Major's colors that give it a really appealing and vibrant look.

Heading over to Vertigo, we have The Unwritten #23. Tommy's search for answers continues, this time from the inside of a whale with of some of literature's most famous whale prisoners keeping him company. Another great issue in this series, one that has yet to disappoint. Carey and Gross somehow always manage to answer a question not only with another question but with one that makes you reflect on the "answers" you've previously received. Almost as enjoyable as the issue itself, is the letters section in which Carey and Gross each discuss the departure of the book's editor Pornsak Pichetshote. A guiding force for the book since the beginning, his touch will definitley be missed as he moves on to other work.

From Image, we have Hack/Slash #2. Cassie and Vlad do battle with the revived Acid Angel while Cat Curio gets into a little scrape of her own back in Eminence, Indiana. More hot and sexy slasher action from Tim Seeley and Daniel Leister, this universe continues to be a fun read. Looking forward to more in the future and, eventually, digging in to the Vol. 1 omnibus I bought late last year.

Going back in the alphabet to Icon, we have Casanova: Gula #3. Zephyr Quinn kills her way to daddy dearest as we find out what Xeno's endgame with these assassinations is. Another great issue from Matt Fraction and Fabio Moon, featuring the former's confusing but enjoyable storyline and the latter's beautifully whimsical art. This series is just so crazy and out there that I consistently fail as trying to say why I like it, suffice to say that everyone should just go check it out. As usual, a contender for top book of the week but decided to go with something I will get to a bit later.

Moving into the home stretch with the Marvel books, we have Fear Itself Prologue: Book of the Skull One-Shot. In current times Sin, the daughter of Red Skull, is tracking down a magical book that her farther used in the World War II era; Meanwhile, in flashbacks, we see the Red Skull using said book and being tracked by the Invaders. I've been debating with myself as to whether I want to pick up a lot of Marvel's next big event, and I have to say this prologue didn't really sell me on it. While the art looked great (pencils by Scot Eaton, inks by Mark Morales, and colors by Sunny Gho) the premise and the road it starts to venture down just don't grab me. However, if you are more into the Norse Gods in the Marvel U you might like where it's heading quite a bit more. As for me, I think I might pick up some of the X-related tie ins (big surprise there) and leave the rest on the shelf.

Speaking of X-Books, next up is Uncanny X-Force #5.1. Taking a break for the current story line, this perfect introductory issue to the team (hence the .1) treats us to X-Force getting a little revenge on Lady Deathstrike and the Reavers for their previous encounters. While I don't think it was the right move to put this out in the middle of another storyline, it is a great one off issue none the less. Remender continues his spot on (or subtle changing) of the character's personalities while Rafel Albuquerque (an artist who has been mentioned a lot here in conjunction with American Vampire) lets the blood and bullets fly with his spectacular art. If you've been hearing all the hype about Uncanny X-Force and are looking to give it a try, this is the issue for you.

Last up, and honest shocker as pick of the week, is Iceman & Angel One-Shot from Marvel. Back in the younger days, as still X-Boys that are wet behind the ears, Bobby and Warren end up spending Spring Break in New York but, as we all know, the Marvel U New York is never a boring place. Written by Brian Clevinger with art by Juan Doe, this comic is the perfect combination of humorous lines and old school, monster fighting artwork. If your a fan of these two X-men at all (confession: I am huge one) or just like to enjoy a classic, funny adventure every once in a while give this issue a shot.

That is it for this week's books but I should have a post soon about some of the stuff I checked out at C2E2 last weekend, so be on the look out for that.

Wednesday Pickups 3/9/11

2011-03-16T18:34:00.001-05:00

We've got eight books this week with a nice variety, only half are superhero ;)

Starting things off we have X-Men: Legacy #246, Chapter 3 of Age of X. Legacy (Rogue) remains on the lamb from her fellow mutants and isn't the only one asking questions. Another solid issue in this x-over as Mike Carey's story builds naturally while Clay Mann's pencil's add the perfect amount of grit and grim to this dystopian future/alternate present. Maybe a little dialogue heavy in some places that were unnecessary but other than that no complaints and looking forward to more.

Rounding out Marvel books this week is Hawkeye: Blindspot #2 of 4. Clint starts searching for leads on who killed his former mentor, Trick Shot, while reminiscing about his early days in the Avengers. A descent issue that features some awesome flashback art done by Nick Dragotta and Brad Simpson but the ending "surprise" reveal felt too cliche and formulaic. Hoping Jim McCann manages to use it in an interesting way for the second half of the mini-series but it certainly isn't working for me yet.

Speaking of comics that ended terribly, our first comic from DC this week is Justice League: Generation Lost #21. Each member of the team deals with the death of Blue Beetle in their own way as they decide if they will continue their hunt for Max Lord. I love 95% of this issue (for you nerds out there, this is an actuate percent since I liked 19 of the 20 pages.) Judd Winick nails these characters motivations, which doesn't surprise me as he has been doing it the whole series. What did surprise me was the final page reveal, which I really dislike and for much of the same reasons as I dislike the ending of Hawkeye this week. There are very few ways I can see Winick turning this into something enjoyable but I'm still holding out hope that it won't ruin the rest of the series for me.

Last DC book of the week is Booster Gold #42. Booster appears back in the present, apparently having served his time in future. It was no trip to Cleveland, however, as he tells Rip and Michelle about his disturbing adventure with his cell mate, the Perforated Man. Still enjoying these wacky time tales from Giffen and DeMatteis, even if this issue had a little less humor than usual. Looking forward to the fallout of what was revealed here especially as it relates to the partnership between Booster and Rip.

From Avatar Press we have Captain Swing and the Electrical Pirates of Cindery Island #3 of 4. The captured constable gets a little tour of the island but all hell breaks loose as Brock, the bow-street runner, discovers their location. While I still like the mini, the break between issues really killed any momentum it had going. When the last issue comes out I'll try to sit down and read them all at once, betting it has a lot better flow that way.

Heading over to Image's Shadowline brand we have Twenty-Seven #4 of 4. Will Garland meets up with the mysterious forces that set him on his current path and, surprise surprise they don't get along. Overall I enjoyed this mini series. Its art, done by Renzo Podesta, is consistently interesting while the story done by Charles Soule was oddly paced at some points but still fun to read. I know there is a second mini-series planned for the summer but I think I might pass on it as the ending here really didn't leave me looking for more.

Runner up this week comes from Th3rd World Studios, The Stuff of Legend Vol 2.: The Jungle Part 4. Concluding this arc Maxwell reveals his dark secret to the animal toys while Jester, Princess, and Harmony run into some old friends in the hunting grounds. Another fantastic issue from Mike Raicht, Brian Smith and Charles Paul Wilson III. Great art, engaging story, and unique characters (not just some Toy Story wannabees) make this a must read for me every time. Looking forward to the next volume, The Jester's Tale starting in the summer.

Pick of the week is once again a Vertigo Resurrected title, Finals #1 (a collection of the four issue Finals mini-series from 1999.) Written by Will Pfeifer with art by Jill Thompson, Finals tells the story of five seniors at Knox State University. All of them are working on their senior projects, and since KSU is known for pushing students harder than anywhere else each project is peculiar and more extreme than the last. This college tale of devolving men, out of control cults, and dead time travelers really did it for me as it nailed a lot college personalities (even ten years later) while still being fun and out there. Give a chance if you enjoy a good college romp or are digging the other Vertigo Resurrected books as much as I am.

That is it for this week. Next week should feature a fairly sizable stack but get ready to hear about all the awesome stuff I pick up at C2E2.

Wednesday Pickups 3/2/11

2011-03-10T01:18:00.000-06:00

Not a huge week of books, but still some good ones mixed in with a bad one or two.

Starting things off we have Carbon Grey #1 of 3 from Image Comics. Blending the looks of steam punk and World War 1 Germany, this first issue introduces us to The Sisters Grey, former servants of the empire that have turned against it. For the most part I did like the art of the book; done by the team of Khari Evans, Kinsun Loh, and Hoang Nguyen it turns out sexy or bloody depending on the appropriate situation. The story on the other hand, I did not care to much for. It's predominately told through a convoluted narration that fails to stand on its own. I have a feeling it will read much better all at once, so I might wait and get the last two issues together or pick up a collected edition when it becomes available. For now, I would advise just skipping it.

Next is the issue number 4 of Uptight, created by Jordan Crane and published by Fantagraphics Books. Continuing the two stories of last issue, the drifting apart couple reach a conclusion while the children adventures with cat in tow fall deeper into the odd happenings at their school. Can't really say much more about this book that I haven't said already. Still really digging the stories and covers, but now begins the long wait for the next issue which judging by the dates on the previous ones could be more than a year!

From Radical Comics we get Earp: Saints for Sinners #2 of 5. Telling a little of the back story, this issue shows us how Josie and Wyatt first met as well as some of the initial problems the Earp boys got themselves into in sin city. Overall I didn't really enjoy this issue as much as the first one. The back story was tame and somewhat boring compared to the world we've already seen. Not sure if I'll continue the series just yet, but I really hope it gets back to form.

Heading over to DC we have Batman Beyond #3. Concluding The Heart of the Matter storyline, this issue features Batman and the Justice League battling this new Matter Master. The story wraps up nicely and Adam Beechen, the writer, even makes a point to show a little of how this book will differ from the show and that Terry has become a bit more of his own man. The pencils from Ryan Benjamin were good but did irk me in a few places. Also wanted to quickly mention the cool cover design from Dustin Nguyen, hope to see more of this on the book in the future. Looking forward to next issue which looks to feature every one's favorite spunky, confidant from the TV show, Max.

Rounding out DC, we have Brightest Day #21. Titled Mars Attacks this issue brings the Martian Manhunter's chapter to a close as he finally chooses between Earth and Mars. Really ended up enjoying this issue, even though some of the previous MM issues weren't my favorite. It also provides us with a little more insight as to what's happening to the people the ring is taking.Finally the art from Patrick Gleason, Ivan Reis, and Joe Prado is once again great, leaving me anxiously awaiting the final few issues.

My only Marvel book this week, and runner up, is Ultimate Captain America #3 of 4. Steve Rodgers goes through a little bit of re-education at the hands of Frank Simpson, but is it enough to break the original super soldier's steadfast resolve? Really loving this mini series from Jason Aaron (writer) and Ron Garney (artist). This issue lets us get a bit deeper into Simpson's mind as well as the politics he represents. Reading over it again, it plays a little like Heart of Darkness and it should be interesting to see how Captain America comes out of all this.

Last up and obvious pick of the week is Joe the Barbarian #8 of 8. Joe's adventures in the real world as well as those in his hallucinations come to a head this issue as he combats the darkness of two worlds. Been anxiously awaiting this issue for a while, and it definitely delivered. Great art from Sean Murphy while Grant Morrison delivers a simpler and more emotional finale which I was not expecting but did enjoy. Looking forward to re-reading it when I end up getting all the issues sorted into one place. If you skipped it in single issue form, make sure to grab the collection when it comes out as I really think everyone can find something in this book.

That wraps up this week. Comments, critiques, or suggestions for future reading can be left below. Now if you'll excuse me I have this week's comics waiting for me already and they are sure to be a fickle mistress.

Circle of Trust #7: A Film Unfinished (2010)

2011-03-08T16:26:00.000-06:00

I'm interrupting your normal internet browsing tomfoolery for another look into the films distributed by Oscilloscope Laboratories. The latest entry in their growing catalog of modern classics, which I received through my Circle of Trust subscription, is director Yael Hersonski's A Film Unfinished.

Hersonski's directorial debut is a documentary telling the tale of a German film discovered shortly after World War II. Labeled "Ghetto" it was thought to be real footage of life in the Jewish ghetto of Warsaw during the war; thus it was treated as such for many years becoming a valuable resource for filmmakers looking to utilize archival footage. Year later though; through the discovery of outtakes, cut footage, personal journals, and eye witness testimony "Ghetto" is revealed to be one of the third reich's cleverest propaganda pieces hiding in plain sight. Blending the aforementioned documents together, Hersonski creates an interesting and heartfelt documentary that not only opens one's eyes to the some of the horrific footage shot under the Nazi regime (which we've seen in docs before) but gets one to truly question the original purpose and intent of all archival footage they've been exposed to.

Just presenting information like this would be enough to warrant a watch but the way in which it's presented keeps the viewer interested and enthralled. The viewer learns of the important discovery relatively early in the film and is even shown a few clips of the original footage altered to have particular people highlighted. These highlighted individuals clearly react contrary to what is being established by others in the scene and reveals that hints of its false nature were there the entire time. After this I couldn't help but looking for people doing the same through out the rest of the film, just one of the ways the director draws in your attention and assures it throughout. Intermittent in the film, we are shown survivors watching the footage who expound on what is actually going on, why people are reacting a certain way, and their memories of other ghetto prisoners. This becomes truly heart breaking though when we see them watching the missing footage, which includes Nazi soldiers disposing of bodies in the ghetto. This powerful imagery creates empathy even in our youngest and future generations that have been that are slowly becoming numb to such footage themselves. These feelings and thoughts also bleed in to the bonus features which do a tremendous job of supporting and expanding on the film.

In true Oscilloscope fashion, this DVD comes with great extra features. Instead of just adding to the film or going behind the scenes, the extra features on this disc seek to help one understand the subject matter as well as documentary and propaganda better. First up are two essays (one written and one video) by film scholars discussing the film and how it relates to what a documentary is/should be. Next is an interview with author and film researcher Adrian Wood, whose efforts helped discover the missing footage at the focal point of the film. Switching over to American film of the time, the DVD includes Death Mills (1945) a short film by Billy Wilder that gives ones of the first looks at concentration camps after being liberated. Last up, and this one requires using a computer, is a PDF study guide for teachers who might use the film as an aide and their students who seek to gain a deeper understanding of it.

Another spectacular entry into Oscilloscope's library, I give this film a four out of five stars. I don't think its right to say I really enjoy the film, but I do think it is well made and should be given a watch. As far as scoring the DVD I have to go with a four out of five again, as its bonus features and package design are welcome additions to my (or any) DVD collection. Below are a few links to help you get a hold of the film or learn more about it, and be sure to comment if you've seen it or do end up giving it a look.

-Enter to win a copy of A Film Unfinished from the folks at The Documentary Blog

-Add it to your Netflix queue

-Buy it from Oscilloscope Laboratories site

Wednesday Pickups 2/23/11

2011-03-02T17:28:00.000-06:00

Lots of books this week so we're going to jump right into it:

First up from Image, we have Skull Kickers #6. Titled Four Tavern Tales, this issue gives us a few short stories about our favorite blundering, mid-evil mercenaries. I enjoyed this little break before the series goes into another arc in May. Despite being handled by a bunch of different talent, the characters maintained their patented humor I enjoy. Of course bringing this book up again forces me to mention Marshall Dillon, the letterer of the series, who's work really makes every issue worth my cash.

Next up is Uptight #3, from Fantagraphics. Staying true to form, we are presented with two new stories (the first chapter in a tale of a couple drifting apart and one about a child's adventures when kicked out of class) along with a great cover. So far, this is my favorite issue of the series with the two stories presenting a nice contrast in both art and style that really appeals to me. Looking forward to picking up the fourth issue at my local shop next week but I think that is the last one they have.

Heading over to DC we have Justice League: Generation Lost #20. After last issue's killer ending, this one splices in large chunks of Max Lord's past as the League looks to avenge their fallen comrade. Really liked Judd Winick's story that let us into the past of the "villain" but the art was not the best of the series. While nothing is final in comics, I really didn't except the book to take this turn of one of them dying and am looking forward to what it closes with in the home stretch.

Teen Titans #92 is our only other book from DC this week, finishing up the crossover with Red Robin. The team confronts Calculator prime causing bad blood on both sides to come to the surface. Overall, I didn't really enjoy this issue or the crossover. The dialogue felt a little hokey and hammed up while the art was fine in some places but terribly rough in others for no reason. I am interested to see how the resulting cast change effects the book though, even if I didn't particularly want it to happen.

Moving on to Marvel we have Secret Avengers #10. Eyes of the Dragon concludes as the team enacts their plan to rescue Shang Chi and take down the Shadow Council. Dig the art here, from Mike Deodato and Will Conrad, but the slow build from Ed Brubaker's story just didn't have a satisfactory pay off for me.We get a lot of action but little character development which is more of what I was looking for in the book. It's not a bad title but I feel like it might read better in trade form, so I might try that for the next arc.

Stepping into the Age of X we have the first two chapters of it, X-Men: Legacy #245 (ch.1) and New Mutants #22 (ch.2). In Legacy a familiar, yet different, group of mutants defend their citadel from human attackers but not everyone survives the encounter. I think this was a great beginning for this X-over between Legacy and New Mutants. At first I was a little annoyed by some of the less obvious characters not having their names properly shown but grew to love the detective work of finding out who they are. Really liking the world Mike Carey is creating here and the art of Clay Mann that is being used to fill it. Over in New Mutants, Legacy (the character) starts doing a little detective work of her own, trying to find out what their escaped prisoner was looking for outside Fortress X's defenses. Much like ch.1, I like the world Carey is building with his story, something of mystery for both the reader and Legacy. Unlike the first issue though, I was not to fond of Steve Kurth's pencils here but they weren't really deal breaking either. Overall, I'm sold on Age of X and am looking forward to next month's installments. Also, wanted to give Marvel and the X-editors a commendation for toning down the scope of this event. It is, at most, only 3 issues each month and that is something I wouldn't mind seeing more of in future events.

In the non-Age of X land, Uncanny X-Men continues it's Quarantine storyline with issue #533. Shaw and Frost get a bit physical while the only other X-Men not sick on Utopia crash Lobe's investor party. Just the opposite of Secret Avengers, the slow boil of this story line starts to pay off here and will most likely continue through the end of the arc. Fraction and Gillen's narrative seemed a bit over packed in the first couple issues but it is making for better resolution in these final ones. As usual, Greg Land's art gives us something pretty to look at and only adds to the appeal of this book.

Concluding Fantastic Four, we have the final issue #588 (although it will probably change back somewhere down the line.) The first part of the book presents a month of mourning for the remaining members of Marvel's first family, done without any dialogue, while the back-up feature has Spider-Man consoling Franklin Richards over what it's like to lose an uncle. While I really liked the Uncles story (written by Hickman with art by Mark Brooks), the main feature was just ok. Parts of it were enjoyable, while others felt forced or unnecessary especially in the art department. Don't think I'm going to be picking up the new FF series regularly but I might give #1 a shot.

From IDW we have Kill Shakespeare #9. Hamlet, the prophesied Shadow King, comes face to face with the title bard. Another fantastic issue in this limited series! While not to much physically happened, Andy Belanger's art and panel structure looked great doing it. Conor McCreery and Anthony Del Col's introduction of Shakespeare and the part he will play in the rest of the series wets the appetite just as much and I look forward to the last few issues.

Vertigo brings us a one and done tale in the American Vampire universe in issue #12. Skinner Sweet takes in a road show which brings back fond memories of his time in the wild west. Not my favorite issue of the series, but still a fun one. Scott Synder's adds a little humanity and depth to Sweet without detracting from his blood thirsty persona. Danijel Zezelj's art was a descent fill in but I'm looking forward to getting Rafael Albuquerque back on interiors next issue, when our favorite blood suckers get involved in WWII.

Going from one bucket of blood to gallons of the stuff, we have Crossed: Psychopath #1. Meet Harold Lorre, one of the few humans left who hasn't Crossed, as he joins up with a group of survivors. The problem is, however, Harold is psychotic already (he is the title character, don't you know) and adept at hiding it. Being the big fan of the Crossed universe that I am, it should come as no surprise that I really enjoyed this book. The aspect that sets it apart from previous Crossed issues and other post apocalyptic works, is us seeing it from the mind of someone already deranged. David Lapham (the writer) knows how to keep the Crossed world new with fresh ideas and I can't wait to see what else he has in store for us in this crazy book.

Narrowly beating Crossed out for the top spot this week is Namor: The First Mutant #7. Continuing his voyage through Hell, Namor is losing his way but his allies (now including Doctor Doom) aren't about to let him go with out a fight. This book, and this issue in particular, manage to do everything right with a solo superhero title. Month in and month out Stuart Moore presents us with interesting stories that not only get to the core of who this character is but also build a supporting cast that is just as interesting. In perfect harmony, Ariel Olivetti's art visualizes this world and characters superbly while getting a little help in that department from Phil Noto's great covers. I said it earlier this week on twitter, but this is seriously the best mainstream title no one else is reading or at least not talking about if they are. So next time you're in your local shop, pick up an issue so we can keep this gem on the stands.

That is it for this week but as usual comments, critiques, and suggestions can be left below or sent to talesofthegeeklanterncorps@gmail.com Looks like I am going to have a short stack next week so I might grab something new to check out for the blog.

Wednesday Pickups 2/16/11

2011-02-23T17:00:00.001-06:00

[Announcer's Voice]Coming in at nine books, zero trades, this stack packs quite a wallop with its floppy stock and chiseled right angles. Hailing from the slightly slushy streets of Chicago's south suburbs, this cartel of comics contains books new and old, bright and dark, DC and other, THE COMICS OF FEBRRUUUUUUARY SIXTEENTH, TWENTY ELEVENNNNN![/Announcer's Voice]

We start things off this week with Green Lantern Corps #57, the conclusion of The Weaponer storyline. The small group of Green Lanterns stand with The Weaponer and Thunders of Quard against Sinestro and his corps, but will it be enough or will the truce be broken and ignite another War? Guest staring Firestorm (on loan from Brightest Day) we get an answer, and all too quickly. With the slow build the arc has been utilizing, this final issue seems out of place wrapping everything up too nicely and not really justifying one character's major choice. Tyler Kirkham's pencils, brilliantly assisted by BATT's ink and Nei Ruffino's colors, looked spectacular but Tony Bedard's story seems like it was rush to conclusion (possibly for the crossover starting next month, War of the Green Lanterns.) While I've really been digging the title lately I think this upcoming crossover gives me a nice opportunity take a break from the book, along with our next book.

Moving over to GLC's slightly older brother we have Green Lantern #62. Concluding The New Guardians arc, this issue finds Hal and his colorful buddies going toe to toe with Krona, the former guardian who accidentally created the anti-matter universe and is now after the Entities. Contrary to most of this arc, I really enjoyed this final issue. As usual, Doug Mahnke's art looks great and Geoff Johns writing showed some of the chops I first started liking him for, including an unexpected result for the battle and a tough choice for Hal Jordan. That said, the good here just doesn't out weight the "meh" I've been getting from the book lately. Going to take a break from this as well, both to check out some other stuff on the stands and to see if I really miss it that much.

Next up is one book that won't be leaving for the foreseeable future, Booster Gold #41 (now you can laugh at that bad future pun.) Rip decides it's time Booster pays his debt for stealing all the future tech that allowed him to be come a super hero but the Nazi he recently displaced from the forties has other plans. Really been enjoying this book and as previously mentioned, that shows no signs of stopping. Giffen, DeMatteis, Batista, and Perrotta make for wonderful writing and artistic duos that seem to bring new things to the table all the time. This issue illustrates exactly how far this character has come, as Booster treats the villain as a pest in the same manner major villains used to do to him. Maybe becoming a bit to big for his britches though, the ending comes as a bit of surprise to us and him, but trusting this creative team I known it has a purpose.

Rounding out the DC books this week is Brightest Day #20, the conclusion of Aquawar. Arthur and Jackson stand as the land's last defense from Black Manta, Siren, and her invading army of banished Atlantians; but they might not prove to be enough with out a helping hand from some friends. Art, as usual from Ivan Reis and Joe Prado, is great with the highlight being a two-page splash of Aquaman leading the local sea life on the charge. The story on the other hand, from Johns and Tomasi, might be showing the first signs of falling apart. Very similar to the end of Hawkman and Hawkgirl's story, Aquaman comes to a flat stopping point and seems to hint that every other character's will follow suit. It remains to be seen but if this is the case, the series end probably won't be up my alley.

Heading over to IDW, we have The Suicide Forest #3 of 4. Our two protagonists finally meet, and in the title location no less, as Ryoko and the other park rangers comes across Alan with forest spirits not far behind. Really enjoyed the pacing of this issue as it begins the final act of this supernatural horror comic in a rough and deadly fashion. Gabriel Hernandez art works perfectly with the setting, causing the reader to lose himself in the woods along with the characters and feel the cold darkness in the final panels. Can't wait to see how it all turns out next month, as in true to the medium we are left with quite the cliffhanger.

Moving along, to my favorite title from Archia, we have Cyclops #4 of 8. Pistoia and his soldiers are sent to the latest United Nations involved war theater. While on the surface Pistoia appears to be darker and less caring his internal conflict has reached a boiling point. This fantastic series keeps going with another great entry. While its been present all along, the most prominent feature of this issue is the strong use of panel structure. For the sex scene, it heightens the thrill while letting us in on a secret; when the men make a discovery in the forest, it simultaneously horrifies and provides the laugh track of the viewers at home; when Pistoia goes searching for answers; it illuminates the past with the flashlight beam while leaving the now in the dark. Definitely looking forward to the second half of the mini-series and where it goes.

Uptight #2, published by Fantagraphics and created by Jordan Crane, shows up with another set of short stories accompanied by a slick cover. In "Take Me Home" a young man is plagued by the memories of one fateful night, while "Before They Got Better" introduces us to a grandfather who's slowly losing his patience with family squabbles. Lastly, we get another installment of "Keeping Two" where the guy's imagination runs even wilder about the whereabouts of his girlfriend. Found myself enjoying this issue more than the first one. While the art retains the simple black and white style, especially the great use of shadow in "Take Me Home", I found the stories here more interesting and direct. Will make sure to grab #3 for next week.

Getting into Marvel's wares, we have Hawkeye: Blindspot #1 of 4. Since his trip to Russia, Hawkeye's aim has been a bit off, due to a nasty blow to the back of the head. Now the big brains have figured out his vision is deteriorating due to an inoperable pressure build up and if things weren't bad enough, villains from his past return looking for blood. Enjoying this story and re-telling of Clint's past so far. I think it definitley shows more focus than Widowmaker with just Jim McCann handling the writing, with the only questionable aspect being who he sets up as the major antagonist (however, I might be the only one that thinks that due to my lack of knowledge of the character.) The art holds its own as well, drawn by Paco Diaz and colored by Tomeu Morey, with little touches such as the faded newspaper look of the past or the enhanced vision goggles bright colors endearing it even more to me. If we can't have Hawkeye and Mockingbird back as a book, Blindspot is a pretty good replacement.

Pick of the week also comes from Marvel, Uncanny X-Force #5. Kicking off a new arc, Deathlok Nation, we get a bit more insight into the enigma that is Fantomex while the rest of team struggles over how their first mission ended. One of the best things about Rememder's writing on this book is he let's me enjoy every character, not just the ones I normally do. While I've never been a big fan of Deadpool, Rememder's Deadpool is a likable character and even more so for a great moment he has in this issue. That would be enough to keep me on the book but Esad Ribic's art rocks it just as much. From action packed battle scenes to the memorabilia filled Cavern-X (like a loving homage to the batcave), he keeps the viewer engaged and conveys just as much of the story as his writing partner. If every X-Book was as solid as this, Namor, and New Mutants I could easily see myself going back to the days of getting every one of them.

That's it for this week but if you like what you read make sure to stop by again, same time and place. As usual comments, critiques, and suggestions can be left below or sent to talesofthegeeklanterncorps@gmail.com Now, I'm off to get started on reading next week's books. Psychic prediction- Crossed: Psychopath #1 nabs the top spot. ;)

Geek Lantern's Favorite Films of 2010

2011-02-21T14:00:00.004-06:00

This is one post I have been promising for quite a while. Being the cinephile that I am, I really enjoy making a list of my favorite movies from the previous year. Not only does it help one's self to evaluate their "film year" but it's also a helpful tool in sharing the awesome films you enjoy with others. In recent years, I've tried to get it done by the end of the year to liken myself to every critic out there who release a top ten list; This year, however, I decided to give my self an extra month (which turned into a month and 3/4ths) to catch some films on DVD that never made a theater appearance around me (or I didn't know about it when they did.) As it turns out, this was extremely helpful as a few of the films on here were viewed in that time but I still managed to miss a few (I'm looking at you Somewhere and Blue Valentine.) So here are my favorite films that were released in 2010 starting with five honorable mentions (in alphabetical order) followed by the top ten. Also, for your added benefit I am linking all the movie titles to their IMDB page so you can check into them further if your interested.

The American

Despite being hated by many of my fellow Americans, I really enjoyed this Spy/Drama directed by Anton Corbijn. Abandoning many of the typical thriller elements associated with a "spy" film, we instead are treated to a dramatic tale of an aging agent who no longer has his heart in this line of work. That isn't to say the film contains no action scenes, as the ones it does have pretty thrilling, but they are built on a quite tension and not grandeur or explosions. Also worth mentioning is George Clooney's performance which is quite a bit more reserved than his usual fair perfectly fitting the role of the title character. Give this one a chance if your a fan of spy films, just don't go in expecting the James Bond or Jason Bourne.

One Too Many Mornings

One Too Many Mornings is a film I blogged about once before (you can find that here) and just barely made the front end time restrictions of this list premiering at last year's Sundance Film Festival. It has best been described as "a coming of age comedy about two guys who are way too old to be coming of age" and despite being a really well made dramedy, it has flow under the radar for most due to the lack of wide release in theaters. I think one of my favorite elements of the film (and possible selling point) is the way it blends its comedy naturally into the heart of its story, rather than injecting it with pop-culture references for cheap laughs like many modern comedies. Hopefully this quiet little indie film will make its way into the hands of all those slackers out there that will enjoy it just as much as I do.

Rare Exports

The first of three Oscilloscope Laboratories distributed films to make this list, Rare Exports is a Finnish gem that examines the "true" origins of Santa Claus. Filled with laughs and fun for most of the family (might want to keep the younger ones away) this is my favorite holiday film to come out in quite a while. Since its a little late to check it out for Christmas 2010 make sure you pick up a copy before December 25th this year, it's not out on DVD yet but should be in the next few months.

Restrepo

This is one that just barely made the list due to me delaying, as I watched it just last week. Restrepo is a war-documentary that follows one platoon's year-long tour in Afghanistan's deadliest valley. The thing that sets it apart from so many other war films or docs from the past few years is the directors' (Tim Hetherington and Sebastian Junger) not pushing any agenda and the candor with which the soldiers speak to the camera. No matter your political alignment or thoughts on the war, this is one film you should see if only to get some small idea of what our nation's front line troops go through.

The People vs. George Lucas

Another documentary that I really enjoyed, somewhat for its impartiality in a hot button geek issue but also for its high entertainment value; The People vs. George Lucas examines the relationship between the famed Star Wars creator and his fans in a post-prequels world. Consisting of interviews, fan footage from across the world, and maybe even a scene or two from Lucas' films this doc covers all its bases and will keep you laughing all the way through. The documentary will mostly be enjoyed by Star Wars fans world-wide, when it goes into wider release and maybe DVD this year, but non-star wars fans (do those exists?) might find it interesting to see the effect one man has had on generations now and how quick the winds of favor can change.

10) Toy Story 3

Have to admit, I passed on this one in theaters assuming it wouldn't be as good as most reviews were saying. I did, however, throw it in the netflix queue and was proved wrong when it eventually made its way to me. Toy Story 3 hits some emotional scenes out of the park while still managing to be a fun, family-friendly film. I'm not sure, since it's been a while since I watched the first one or The Incredibles, but this may be my favorite Pixar film. So if you made the same assumption I did originally, make sure to rectify that soon.

9) Buried

Almost every year I see one film that stands apart from other theater viewing experiences, Buried is that film this year. Telling the tale of a kidnapped and (suprise!) buried U.S. contractor in Iraq, played by Ryan Reynolds, this entire movie takes place in a coffin! While it may initially seem like a gimmick; Reynolds performance, great cinematography, and well done confined lighting keep your eyes glued to the screen for its entire 95 minute running time. You would be hard pressed to find Buried still in a theater but it came out on DVD about a month ago, so make sure to check it out next time your in the mood for a solid thriller.

8) Four Lions

In the vein of The Great Dictator, (writer/director) Chris Morris' Four Lions takes the most prominent world threat and mocks it hilariously. Not only does this film have the stones to broach a topic most filmmakers or studios wouldn't touch (a slap-stick comedy about suicide bombers) but it's also one of the funniest comedies I've seen in quite a while. You need to watch and laugh at this film, or the terrorists have already won!

7) Exit Through The Gift Shop

Exit Through The Gift Shop is a rare film that has so much to say, while at the same time you're still not entirely sure what it is. Examining the world of graffiti art and parlaying that into a critique of the business side of art, the film presents its self as a documentary but with the message its saying one wonders if mockumentary might fit it better in the end. Hopefully we never get a straight answer from those involved, which is entirely possible, leaving the viewer to make their own judgment. The only bad thing about the film, it's pretty much cause internet fiends everywhere to credit all street art to the film's mysterious director Banksy.

6) Monsters

Monsters would have probably been lower on this list if I had only seen it once but with each viewing I find some new shot or part of a scene that amazes me. Writer, director, and visual effects artist of the film Gareth Edwards presents the viewer with a fully realized world of alien monsters living at our border. Drawing many comparisons to District 9, from critics and fans alike, I feel that Monsters handles every thing from it's drama and effects to not force feeding the audience it's message a lot better (Note: I didn't like District 9 that much.) So if you are in the mood for a relationship drama with spectacular effects, make sure to check this film out. Afterward, be sure to give the bonus features on the Blu-ray or DVD a look, I was blown away by them.

5) Enter The Void

The first time I heard of this film was catching a glimpse of it's bright neon poster and from there, the rabbit hole just gets deeper. Director Gaspar Noe presents the viewer with a movie not quite like anything they've seen before with some very creative and purposeful cinematography. I'm hesitant to tell anyone too much about this film because going into it cold was such an awesome experience for me, but essentially it's the longest drug trip/spiritual experience you will ever see on film. I'm looking forward to checking out the longer, director's cut when I get a chance but for those of you ready to dive in now it's currently streaming on Netflix Instant.

4) Black Swan

A strikingly dark look at a quest for perfection; Darren Aronofsky's Black Swan not only mesmerizes through it well choreographed dancing and stylish scenery (as pictured above) but through it's protagonist's (Nina Sayers played by Natalie Portman) journey into stress-induced madness. While the film is definitely Oscar-bait, it strikes me as more original than most in that category and certainly a film I could find myself watching again and again. Definitely check this one out if you enjoyed Aronofsky's The Wrestler or Powel and Pressburger's The Red Shoes, a film it draws a lot of inspiration from.

3) Inception

The only surprise about this one being on my list is that it's not number one. Being a huge fan of Nolan and a lot of the cast, the bar was set pretty high for this one and it definitely went over it. From one fantastical dream world to the next, the film kept me engaged all the way through. Don't plan on going to in-depth here but if you want to read more of what I thought of it you can check out the my review here. I don't know many who haven't seen this yet but if you are one of those few you should correct that soon.

2) Scott Pilgrim vs. The World

A love letter to nerd culture, director Edgar Wright's Scott Pilgrim vs. The World may have underperformed at the box office but it has certainly turned into a classic/must own for lovers of comics and video games everywhere. Even if your not a fan of such things (in which case you're crazy), it stands as a well made comedy with sweet visual effects. I'm a fan of Wright's other work (Spaced, Shawn of the Dead, and Hot Fuzz) but this is by far my favorite, as it puts a big smile on my face every time I watch it.

1) Howl

Number one comes as a real surprise this year as it wasn't even on my radar until a few weeks before I saw it. While I have already gone in depth about my love for this film twice before on here (Review & Circle of Trust piece), I really can't say enough about in hopes that more people will check it out. Not only does this film spectacularly adapt Allen Ginsberg's famous poem Howl into animated sequences, it adds in a bio-pic flavor looking at his life and the obscenity trial that helped propel the poem into the masses. All of this comes together in a spectacular blend of documentary, animation, poetry, and wonderful acting from James Franco. I know I've said you should see all these films, but this is the one of the least seen that more really need to check out.

Ok, well that is it for my favorite films of 2010. Let me know your thoughts on the list or your own favorite below and thanks for reading this but now get off your butt and go watch one of these movies.

Wednesday Pickups 2/9/11

2011-02-16T13:00:00.002-06:00

It's new comic book day again but can one truly appreciate new comics if they don't learn from the old ones? No, so as an invaluable service to you the reader here are last week's comics and what I thought of them.

First up this week is Widowmaker #4 of 4. This sordid-spy tale comes to a conclusion as Black Widow faces her ex-husband while Hawkeye, Mockingbird, and Fortune are left to deal with an active volcano and an army of nationalist ninjas. Did not care to much for this issue as both writing and art felt very bland which I mainly attribute to this creative team handling issues 2 and 4 while a different one handled 1 and 3. I am holding out some hope for the next Hawkeye mini (entitled Blind Spot) since I think it will have a steady creative team or at least only Jim McCann writing it. If you were going to pick this up in trade, I have to recommend passing on it as the book just never blends into one solid story.

Next up from Marvel is Ultimate Captain America #2. Steve wakes up after having his butt handed to him by Frank Simpson (aka Vietnam Era Captain America) last issue and doesn't exactly play by the rules when he's told to stay on the bench and let the black ops team handle Simpson. I really like how Jason Aaron handles Ult. Cap, writing him as more of an arrogant jerk than his regular universe counter part, giving him a unique flavor. Ron Garney's art goes well with it, presenting some strongly defined close ups but leaving it a little rougher for the action sequences. Looking forward to the rest of this mini and the different kind of Cap story it's telling.

Staying in the Ultimate Marvel U, we have Ultimate Avengers vs. New Ultimates #1 (its also under the Ultimate Death of Spider-Man event banner but since nothing in the book seems to be related to him I'll just leave that be.) The New Ultimates (with two new additions to the main team) stop a train supposedly carrying stolen super soldier information but what they find is something a bit darker. I've never been a huge fan of Lenil Yu's art but once again it manages to work on these ultimate characters, the grittiness of it complimenting the style of the world. Mark Millar's overall story has been building nicely since the first volume of Ultimate Avengers but to someone just picking up this issue it probably seems like an excuse for a hero vs hero fight. Definitely going to pick up the next issue but if I continue to just find it ok, I might try to drop the title before getting sucked into this arc.

Heading over to DC, we have Justice League: Generation Lost #19. Max continues to torture and experiment on Jaime (the Blue Beetle) while the rest of our band of outsiders finally tracks down his location. Another fantastic issue from writer Judd Winick, the way he is handling these character keeps me chomping at the bit for more every time. Not to be outdone though, Fernando Dagnino's art (and Dustin Nguyen's stylish cover) provide the book with some compelling and action packed visuals. Going to be interesting to see where the books moves from the ending of this issue.

Rounding out DC comics is Red Robin #20. Crossing over with Teen Titans, Tim fails to stop Catman from recovering Unternet access and has to call in the reinforcements when he discovers a world-wide network of Calculator androids. I enjoyed Marcus To's pencils, as always, with Guy Major's colors filling them out nicely. The story here, written by Fabian Nicieza, seems like it could really be handled in one title and doesn't need the crossover gimmick, but we will have to wait and see how it wraps up in J.T. Krul's Teen Titans.

Getting into the non-capes and tights books, we have Uptight #1 from Fantagraphics Books. Written and drawn by Jordan Crane, this anthology title features two stories (Below the Shade of Night and Keeping Two) dealing with the loss of loved ones. Overall, I enjoyed Crane's illustrated shorts. While I wasn't too crazy about the art the stories were interesting enough to keep me going and I really like the cover design. I think my local shop had the next few of Uptight so you might see those make an appearance here soon.

From Image we have Hack/Slash jumping from mini-series to full blown on-going with Hack/Slash #1. Cassie and Vlad have been tracking slashers without rest leading them to Louisiana and a meeting with an old friend while Cat Curio's investigation leads her to Emience, Indiana and the man who put her into a coma. Great start for the series, even for readers like myself who aren't caught up on all the prior Hack/Slash mini-series. As usual with a Hack/Slash book, we are treated to some great cheesecake art (this time done by Daniel Leister) and Tim Seeley's deadly yet funny universe. Hoping this series has a long run.

Moving over to Image's Shadowline department, we have Twenty-seven #3. Will Garland further explores what the magical box in his chest can do and meets up with a famous rocker to learn more about the 27 club. Still enjoying the story in this book (written by Charles Soule) and its take on the whole "9" thing but I can't say the same for the art of Renzo Podesta. Its alright but sometimes it's loose backgrounds and emotionless faces just distract me from really getting into the book. I know their is more comics to be set in this universe after the mini but I don't think I will be sticking around for them if their drawn by Podesta.

Taking to the high seas, we have The Unwritten #22. Tommy continues his search for Moby Dick but finds a different "monster" while Lizzie and Savoy begin playing parts in someone else's plans. Initially I thought there was a large gap missing between this and last issue until I realized I missed #21 (whoops). Still consistently great, like The Unwritten always has been, Mike Carey and Peter Gross world of "real" and powerful literature is among the top books on the stand. If you still haven't checked it out, you really should.

Pick of the week should be no surprise, Matt Fraction and Fabio Moon's Casanova: Gula #2. Zephy begins taking down her assigned targets very sexily, while the Casanova's crew continue their search for him. I've written a lot about this series in previous post so I won't rehash it all but I love pretty much everything about this book. The sci-fi/spy world, the oddball references, the multiple WTF moments, and the art done by Fabio Moon (or Gabriel Ba from the first volume) are all fantastic. Hopefully with the rising popularity of all three, this book will get into the hands of more fans soon enough.

That is it for this week. You know the usual routine; comments, criticisms, or suggestions can all be left below or set to talesofthegeeklanterncorp@gmail.com Now if you'll excuse, I am off to search for the illusive The Unwritten #21.

Circle of Trust #6: William S. Burroughs: A Man Within (2010)

2011-02-15T09:45:00.003-06:00

It is time, once again, to check out the latest wares being peddled by the fine folks at Oscilloscope Laboratories. If you've somehow managed to not yet find out who they are and the awesome films they distribute I recommend the immediate correction of that by clicking the above link. This time I'm taking a look at the directorial debut of Yony Leyser, William S. Burroughs: A Man Within.

This documentary examines the life of one of the more controversial and revolutionary American novelists of the 20th century, William Burroughs. Billed as the godfather of such things at beatniks and punk rock, Burroughs is an interesting man to examine as his influence has spread in to so much of today's culture even though you might not recognize it right away. Leyser's doc presents a balanced portrait of the man though, as the personal and drug-related demons he struggled with all his life are talked about just as much as his literary and artistic accomplishments or vast influence.

In addition to balancing Burroughs life, Leyser provides a well-rounded film containing interviews, home video footage, and wire frame puppets scenes. It doesn't stray to far from typical, bio-documentary tropes but is still makes for an enjoyable film none the less. In typical Oscope fashion, the DVD comes packed with bonus features that will immerse you even further into the world of Burroughs. A Q&A with the director, a 50th anniversary celebration of Naked Lunch (Burroughs most famous book), extended home movies, and more shots of his physical art are just a few of the bonuses to check out.

Wrapping up, I personally give the film 3 out of 5 for being interesting and worthwhile but not particularly captivating; I am sure those more familiar with Burroughs work would probably enjoy it more than I did. The DVD however gets 4 out of 5, not only for its myriad of bonuses but for some pretty slick box art including two essays and the impressive cover pictured above. If your interested, below are a few helpful links to check out the film for yourself.

-Visit the film's official site, which has a list of upcoming screenings (both domestic and internationally)

-Follow the director and his film on Twitter

-Purchase it from Oscilloscope Laboratories

-Add it to your Netflix Queue

-Enter to win a copy of the DVD from Spinner.com

-Enter to win a copy of the DVD from The A.V. Club

Wednesday Pickups 2/2/11

2011-02-09T01:30:00.000-06:00

Not a huge amount of books this week but still some worth writing home about or at least writing from home about:

First up is IDW's hundred penny press edition (yes, that means it cost $1) of Zombie vs. Robots. It's brainless automaton vs. brainless automaton in a battle royale for... well, it's something to do when they're not killing humans. Created by Chris Ryall and Ashley Wood, this excerpt from the collected edition gives us the humorous beginning of this non-traditional feud. I love giving something new a try for one buck, especially something as good as this. Wood's art awesomely depicts these strange beings with a unique sense of grit that brings them to un-life and off the page. Looking forward to checking out the TPB of it when I get the chance.

Next book comes from Archaia, Cyclops #3 of 8. Doug Pistoia has become a household name through out the entire world as the nightly broadcasts of his military exploits sky rocket in ratings but has our hero lost sight of why he signed up in the first place? Another solid issue from Matz and Luc Jacamon as we get deeper into this world of ratings "super" soldiers and U.N. military contracts. Seriously, give this series a shot if you haven't already. You may just be surprised at how much you enjoy its full art and engaging narrative.

The last non-superhero book of the week comes from Avatar Press, the finale to Crossed: Family Values. Things seem to have quieted down a bit for Addy and her group of survivors but David Lapham and Javier Barreno send us out on a bag as there is one, last family reunion between the children and their Crossed mother. I've said it when reviewing every issue, but I love this mini-series! Always manages to give you something your not expecting, ups the ante on traditional zombie apocalypse tale, and gets back to their core of critiquing humanity at its best and worst. It's also by far the most adult rated title on the stand, so if you can't handle gore or sexual acts steer clear. If you can, make sure to grab this up when it gets collected.

Heading over to DC, we have Batman Beyond #2. In classic Bruce fashion, he convinces Terry to take down the Justice League before they can even argue against his plan of action while this new Matter Master holds his family and other Gotham residents hostage. Even though the superheroes fighting each other has become cliche in comics its always fun to see a Batman take down all those heroes who are supposedly more powerful than him, which Adam Beechen (writer) and Ryan Benjamin (penciler) handle expertly. This series perfectly captures the fun but still dramatic take on Batman the show gave us years ago.

Round out DC's books is Brightest Day #19. Aquawar begins, as Aquaman and lad head to the Bermuda triangle to stop the Atlantian separatists of Xebel from invading land and sea while Boston Brand gets closer to figuring out why he and the others were resurrected. Have to give a hand to the Brightest Day crew for another good issue that answers a few questions but still leaves us wanting more. Should be interesting to see how this all wraps up with only a little over a handful of issues remaining.

Getting into the Marvel books we'll start with the bad, Ultimate New Ultimates #5. Thor is on a rampage after coming back from the dead only to have his beloved Valkyrie die at the same moment. Does anyone on earth posses the power to stop a god on a rampage? This story has shown fleeting glances of potential but ultimately amounts to nothing. Frank Cho's art has made it endurable, as his art is always nice to look at (especially the ladies), but if it went on much longer I don't think even that would have kept me on it. Looking forward to all of these characters being back under Mark Millar's narrative hands as Avengers vs. New Ultimates starts up next week.

Polar opposite to New Ultimates, and pick of the week, is Ultimate Thor #4 of 4. This issue rounds out Thor's origins covering from the final battle of Asgard up till him joining the the Ultimates. Not only does Carlos Pacheco's art depict the the Norse god of thunder in all his earthly glory, Jonathan Hickman's story fits perfectly with how the character seemingly started as pretender but ended up being immortal. While I'm a not real big Thor fan, I real dug this mini-series and feel it was a great telling/re-telling of his origins (telling in the sense that it's the ultimate version, re-telling in that it still bears the markings of the original Thor.) If your a fan of the character of are looking for a nice sci-fi/fantasy tale make sure to grab this when it gets collected.

That is it for this week, looks like we have another heavy stack on the way next week though so that will have to make up for it. Usual routine: comments, critiques, questions, or suggestions can be left below or emailed to me talesofthegeeklanterncorp@gmail.com Now I'm off to get some sleep while Visions and Scarlet Witches dance in my head.

Wednesday Pickups 1/26/11

2011-02-04T18:30:00.000-06:00

Another large stack of comics this week, so let's dive right into them:

Kicking things off (sorry I couldn't resist the easy set up) is Skull Kickers #5, the conclusion to its first arc One Thousand Opas and a Dead Body. Baldy and Shorty do battle with the demonic horde, which turns into battle with a giant ugly demon! Spectacular letters by Marshall Dillion and great pencils by Edwin Huang lead this title but Jim Zub's story isn't to shabby either. Keeping with the humorous and outrageous tone it's set so far, the book finishes it first arc in good fashion and even plants a seed or two for the future. Really looking forward to next issue, a collection of short stories about our two favorite warriors but put in the hands of other creators besides Zub and Huang.

Heading over to DC, we have Justice League: Generation Lost #18. Max Lord continues his experiments on the Blue Beetle while his new mind control minion, Power Girl, takes the rest of the league down a peg or two, seeing them Superman and crew turned evil. Another fantastic issue from writer Judd Winick, this time with pencils by Aaron Lopresti, that leaves us craving the next issue. Really enjoying how Winick opens each issue with a scene from the past that informs readers where these heroes are coming from but also relates to what their about to face. Still keeping my fingers crossed that this book turns into a regular monthly title after Brightest Day concludes.

Finishing the DC titles for the week is Teen Titans #91. Most of the titans face off against the genetically altered teens who took their school hostage while Ravager and Robin are left to deal with the remain student body that have been turned into mindless thugs. Solid issue by J.T. Krul (writer) and Nicola Scott (penciler) that wraps up their beginning story-line on the book nicely. Nothing too flashy or epic but good character development and interaction, something I have always enjoying Teen Titans books. Next up is a cross over with Red Robin which, being a huge fan of that book, I am really looking forward to.

Concluding the non-Marvel books is Vertigo's American Vampire #11. The two part The Way Out finishes up here as Pearl and Henry battle some bootlegging blood suckers while Hattie tracks them down for a not so friendly reunion. Not my favorite issue of the book but still a good one none the less. Mateus Santoluco's art keeps it visually interesting but isn't quite as dynamic as series regular Rafael Albuquerque. Scott Snyder's tale continues to be the best regular does of vampire around.

First up from a large selection Marvel books this week is Ultimate Avengers 3 #6. The finale of Blade Versus The Avengers is here, as the two stand together against an overwhelming force of vampires. While I voiced my doubts about this volume of the series, this issue brought it all together for me. The book straddles the line between over the top hilarity and groan-worthy cliches until this final issue where it sets its self firmly on the side of the former. I could sell this issue to you in one sentence, SPOILERS: Someone get stabbed with a plane! So if you skipped out on this series, make sure to correct that when it gets collected in TPB form.

Continuing with the avengers, but moving over the regular marvel universe, we have Secret Avengers #9. Steve Rodgers and crew cook up a plan to get Sharon Carter back from the Shadow Council but will they be able to do so without losing another member? The art by Mike Deodato and Will Conrad compliments Brubaker's shadow ops story well, filling tons of panel space with shadows but still conveying action convincingly. Not sure how the arc is going to wrap up next issue, but I am definitely looking forward to it.

Special addition this week, is the book most comic fans are talking about, Fantastic Four #587. Spread out and all in dangerous situations, one of the fantastic four members meets their end in the conclusion of the Three arc. Not going to say which member it is (in case you have somehow managed to avoid spoilers from major media services and the online comic-fan community) but I will say I enjoyed the issue. Been meaning to check out Jonathan Hickman's FF since it started but kept pushing it off and then never grabbed the trades. Definitely going to rectify that soon though, after seeing the quality of his writing on this book matched with Steve Epting's great art.

This brings us the the huge amount of mutant books this week (yeah, I might be a mutantholic), and we'll start them off with Age of X: Alpha one-shot. Written by Mike Carey (and with art from and army of talent) this book drops us in the world of Age of X and hits the ground running. Instead of taking the usual approach and showing how the world got this way, this first entry just gives us the back story of a few of the main mutants and promises to reveal over time why this world is different from the one we know. Digging the story so far and looking forward to more when it takes over some of the regular X titles in February.

Next up is Namor: The First Mutant #6 with a fantastic cover from Phil Noto. Starting a new arc titled Namor Goes to Hell well... Namor goes to hell or at least his own version of it while his allies work on trying to bring him back but end up getting a visit from one of Namor's oldest friends. Surprise surprise, another spectacular issue from Stuart Moore (writer) and Ariel Olivetti (artist.) These two just manage to get everything about the character and his surroundings/supporting cast right. It might be a little early to call it, but I think there run is my favorite out of any Namor title.

Getting into the team books we have X-Men #7. In their new initiative to make every one love mutants, Cyclops sends a team to New York to deal with a problem some might classify as street level. After the first arc, Curse of the Mutants, being barely satisfying and this new one, To Serve and Protect, not seeming to interesting I think I'm going to take a break from this book. While I love the Terry & Rachel Dodson covers, I never really liked Chris Bachalo's art (interior artist) and Victor Gischler's writing isn't helping either.

Rounding out the regular X-men books is Uncanny X-Men #532. Emma, Kitty, and Fantomex continue to deal with Sebastian Shaw; Angel's group tackles the Collective Man and Sublime's Designer X-Men; and everyone back on Utopia continues to suffer from the mutant flu. Featuring splendid art (both inside and out) by Greg Land, this issue brings the title back a little bit from the past few crowded and convoluted issues. While Matt Fraction and Kieron Gillen (the writers) still have a lot going on here, its improved a lot in presentation and pacing making for a more enjoyable read.

The penultimate book this week, missing the top spot just barely, is New Mutants #21, the conclusion to Rise of the New Mutants. General Ulysses has released the Elder Gods spelling doom for both Limbo and our world but Magick hasn't performed her last trick yet and may still have a shot at stopping them. This issue brings a fitting end to they story the Zeb Wells has been telling since the book started and manages to send us out on a bang but also with a few new story-lines hanging to be pulled on later. Not sure if Wells and partner in crime, artist Leonard Kirk will be returning to the book after Age of X but I certainly hope so as they have proved they can make it one of the best titles Marvel has to offer every month.

Pick of the week should come as no surprise since its been here a couple times already, Uncanny X-Force #4. The Apocalypse Solution concludes as Archangel and crew decide the final fate of Kidpocalypse. Another frakking awesome X-conclusion and another awesome issue from Rick Remender and Jerome Opena, this issue brings a perfect ending to this new groups first adventure with many more to come. I seriously can't recommend this book enough, both for its great story and art, and if you missed out on the single issues make sure to grab it when its collected in TPB.

And thus brings us to another thrilling conclusion of Masterpiece Myster... I mean Wednesday Pickups. Any comments, critiques, suggestions, or questions can be left below or sent to talesofthegeeklanterncorps@gmail.com . I know it's a little late this week but that was actually a test. Everyone should have been so busy checking out Multiplex (see the article below this one) that they shouldn't have had time to read this till now. Most of you passed, barely.

Awesome Web Comics: Multiplex

2011-02-01T18:45:00.000-06:00

While I love the idea of web comics, I rarely get into them. Thinking about the whys of that it usually comes down to a) being intimidated by a large back catalog b) not keeping track of one updating and c) I will always prefer reading something off a page rather than a screen. I bring all this up because one web comic, that I recently was turned on to by the good folks running the C2E2 twitter account, has made me love it despite facing all these obstacles and it's name is Multiplex.

Multiplex, written and illustrated by Gordon McAplin, follows the hilarious and dramatic lives of a movie theater's staff as they tackle everything from the summer blockbuster hordes to filling their down time with movie gags and "worthwhile" discussions. Catering to fans of film humor, office romances, and slacker bliss this strip has something for everyone and has a ton of enjoyment for fans of all of above (like myself.)

After diving into it last weekend, I am now up into the the 200s of the series 500+ strips. As soon I finished the collected edition (available from their online store here containing the first 100+ strips), I ran right to my computer and kept on going. The art, the characters, and the humor just won't let me go. Since your going to be trapped inside anyways via the coming snowpocalypse, I urge you to do yourself a favor and check out this phenomenal web comic via the links below. I am almost positive you won't regret it, and if you do well this blog and that web comic are free so you got what you paid for ;)

Link to Multiplex

Follow Multiplex and Gordon McAlpin on Twitter

Wednesday Pickups 1/19/11

2011-01-26T12:23:00.005-06:00

Very small stack this week but still some good comics, so lets get to it:

First up is Brightest Day #18. Hawkman and Hawkgirl are finally free of the curse but their troubles aren't over yet as the latter's mother now battles them with the Zamaron's entity. Back on earth, Boston's ring's power level begins rising and it isn't necessarily a good thing. Another good issue from the BD crew, that offers both touching and heart-breaking moments. Don't want to get into spoilers on exactly what happened but this will definitely be remember as one of the key issues of the series.

Only other DC book this week, as evidenced by the symbol covers above, is Green Lantern Corps #56. The Sinestro Corps show up to the party on Qward, and things get a little dicey trying to maintain the truce between them and the GLC. More spectacular art from Tyler Kirkham while Tony Bedard's story keeps things fun read. Nothing really new to say about the title but its maintains its high quality month in and month out.

Heading over to Image, we have Memoir #1 of 6. Written by Ben McCool (great name) and illustrated by Nikki Cook, this mini-series follows jaded journalist Trent MacGowan as he goes on assignment to investigate the small town of Lowesville. What makes Lowesville so special? Ten years ago everyone in town had a mysterious lapse in memory and Trent is here to find out why. I really like the premise but the comic just seems ok and doesn't really live up to it. Going to pass on the rest of this mini but if I ever see it collected and on sale, I might give it another try.

Branching into the Marvel creator-owned imprint, Icon, we have Scarlet #4. Scarlet pulls the trigger on this revolution and takes to the streets, first the digital ones and followed by the real ones. Meanwhile, the police are hot on her trail but in no hurry to bring her in alive if you catch my drift. Another solid issue from Brian Michael Bendis and Alex Maleev, sort of like a modern-day V for Vendetta that feels believable. Really recommend checking out this title for the rable rowser deep inside everyone.

Part two of our Icon double feature is Superior #4. Madeline Knox, star television reporter, does everything short of dancing naked in the street (much to this reviewer's dismay) to get an exclusive interview with Superior but does she take one-fatal step to far? Still enjoying this book, while I don't necessarily agree with its advertising tag line of "The Best Book On The Stands" it is an enjoyable read.

Last up and pick of the week is Cyclops #2 of 8 from Archaia, making it 2 for 2 on taking the top spot. New recruit Douglas Pistoia gets into the thick of things on his first mission out, causing the nation (and the CEOs counting on him as a symbol) to hold their breath. Loving this book from Matz (writer) and Luc Jacamon (illustrator.) Its balance of battlefield action and home viewer response/television host critiques makes for a great read. Looking forward to the 6 remaining issues and if you haven't checked this book out yet do so immediately.

That is it for the week, not the greatest one but not the worst either. Usual routine; questions, comments, or critiques can be left below or sent to me at talesofthegeeklanterncorps@gmail.com Next week features a ton of mutant books and a certain fantastic four issue that is making headlines.

Wednesday Pickups 1/12/11

2011-01-19T14:30:00.001-06:00

Great week of floppies, so lets dive right into them:

Kicking it off is Justice League: Generation Lost #17. Max now has Blue Beetle, and given his track record on having someone with that name in his possession, it doesn't look good. Meanwhile, the rest of the gang tries to track him down only to get a visit from an old friend who was definitely built for speed and comfort. Another solid issue from Winick and crew, that gets into what Max has been planning but doesn't give it all away just yet. Next issue, looks to be a battle of DC heavyweights and I for one can't wait to see.

Moving right into it's solo character connected title, we have Booster Gold #40. Titled "The Life and Times of Michael Jon Carter", this issue examines the high jinks of Booster through the eyes of one of his recent enemies. From his lackluster beginnings up through his "cash for Gold" days, this issue presents a fun re-telling of his origin but also manages to begin a new story. Bang up job by Keith Griffen, J.M. DeMatteis (writers), Pat Olliffe, and Rich Perrotta (artists) who manage to create a great jumping on point for the title as well as tackle an issue of Booster's past that seems obviously overlooked through out the years (or at least to my limited knowledge.) If you've been thinking about giving the book a try, now is the perfect time.

Taking a break for a friendly meal, we head over to Red Robin #19 (Yum!) Tim and the gang wake up in a world that isn't quite right, granting the readers a chance to dive in and take the Red Robin pill. Writer Fabian Nicieza and artist Marcus To bring us a wonderfully whimsical issue that is certainly one of their best yet. Even if your not a regular reader of the title, you may want to give this issue a shot as it is a slice of golden age fun set in the modern DCU.

Last up from DC is T.H.U.N.D.E.R. Agents #3. This issue tells the back story of NoMan, the invisible/immortal member of the original T.H.U.N.D.E.R. Agents, who has come out of retirement for this rescue mission. Making him out to be part Dr. Manhattan and part The Vision, Nick Spencer (writer) and Cafu (artist) give us another wonderful issue of this series that examines what is sure to happen when "people" like that live long enough. Looking forward to next month's issue, which I have a sneaking suspicion will focus on the new Lightning.

First and only book from the Marvel universe this week is Widowmaker #3 of #4. Mockingbird and Dominic Fortune infiltrate a Russian army base while Black Widow and Hawkeye go the more traditional route of intel gathering and hit up a Japanese Geisha brothel. A descent issue, that had a few laughs and cool moments, but overall I have been less impressed by this mini-series the more I see of it. Still going to pick up the final issue but not really expecting a whole lot out of it and would definitely recommend passing on the series.

From Image comes Hack/Slash: Me Without You one-shot. Featuring great art by Daniel Leister along with Tim Seeley's awesome narrative, this comic tells the tragic origin of Vlad right up until the moment he first met Cassie and became her slasher killing partner. The perfect companion piece to the recent My First Maniac mini-series, this great one shot gives just the right amount of personality and history to the character without over doing it. While it might be more enjoyable for fans of the Hack/Slash series, I think it can still be fun for those new to the book or who have never read it.

Runner up this week comes from the Marvel imprint Icon, Casanova: Gula #1. Starting another chapter in this wacky/sci-fi spy world, writer Matt Fraction (along with artist Fabio Moon this time) brings us almost more absurdity than a reader could handle. Almost. After a mission gone wrong (maybe?) Casanova Quinn is missing in time and everyone, including a sexy sometimes six-armed blue woman from the future, is looking for him. Meanwhile, his alternate reality sister, Zephyr makes new criminal friends who have some sweet digs and hair styles. Its is hard to explain what exactly I love about the Casanova books but a big part of it is Matt Fraction's bravado to make the story whatever he wants it to be, most of the time fighting against a sensible narrative. In addition to that, it is consistently well drawn (whether by Gabriel Ba or Fabio Moon) and is the one comic that has me choking out "WTF?" in between the constant laughs. Normally I would recommend tracking down the first mini-series (and you definitely should at some point) before jumping into this one, but this series is so twisted you won't be much more lost than every other reader if you just start here.

Pick of the week goes to the latest comic from Image, The Infinite Vacation #1. This comic is about a guy named Mark, or many Marks depending how you look at it, as he sells and buys his way through the lives of his doppelgangers throughout alternate realities. Everything is going... well... not great but ok until suddenly a lot of the alternate Marks Mark has been start dying. This comic blew me away! Spectacular art by Christian Ward with a unique and bizarre story by Nick Spencer, this one has sunk its hooks in and is pulling me deeper into the rabbit hole as I write this and flip through it again. I think the advertisement that got me in called it a blend of Eternal Sunshine of the Spotless Mind, (500) Days of Summer, and Inception which after reading it I completely agree with. So if you some how skipped this book last week make sure to pick it up this time, as we need awesome comics like this to sell through the rough.

That it for this week. Usual deal leave comments, critiques, suggestions either below or email them to me at talesofthegeeklanterncorps@gmail.com. Now if you'll excuse me I off to search eBay for an alternate reality Geek Lantern that is either shacked up with Tricia Helfer, Taylor Swift, or both.

Wednesday Pickups 1/5/11

2011-01-12T01:26:00.007-06:00

A relatively small week compared to the last few, but it still managed to put some awesome books on the shelf that are worth your while. Here's what I picked up:

First up is The Suicide Forest #2 from IDW. Alan is brought in for questioning by the police due to his friendship with a few people that died, while Ryoko gets chewed out by her boss for following the old/spooky customs of her father. This issue takes steps towards setting a firmer horror tone for the book but still leaves the reader a bit in the dark, which I liked about it. Still not sure if I will be picking this up every month, but I will be getting the next issue so its on its way to becoming a regular.

Next up, comes from Image and is another second issue, Twenty-seven #2 of 4. Picking up right where we left off, with Will surround by ghosts, this issue sees the now dead professor explaining the ritual he tried and speculating as to what the gizmo in Will's chest is really capable of. After this issue, I think I'm sold on the entire mini. Charles Soule's story is interesting and complimented quite nicely by Renzo Podesta's brash art. Looking forward to figuring out what this "9" creature is all about and seeing how much deeper they dig into the 27 club.

Finishing out the smaller publishers this week is Radical's latest book, Earp: Saints For Sinners #1 of 5. Taking the ideas of Wyatt Earp's old west and putting them into the near future, this book treats us to a bloody, bank-robbing, dueling America where cash is king. The recently retired Wyatt is looking forward to the quite life of owning a casino with his good buddy Doc Holiday rather than being the most famous U.S. Marshall of all time who is probably responsible for creating just as many celebrity criminals as he captures. This peace is cut short however, as his younger brother Morgan comes to him for help and brings a full helping of trouble right behind him. I was definitely surprised at how much story ended up being packed in this first issue, and not in a bad way. It manages to create a compelling world that is fully realized while still telling us about the characters and their place in it. Art in the book is in Radical's usual fashion (gritty and realistic), but fits the books like a glove. Can't wait for the rest of this series and to fully immerse myself in the world it creates.

Heading into the superhero fare, we have Avengers: The Children's Crusade #4 of 9. Wiccan being captured last issue leads everyone and their super powered mothers to Latveria resulting in an all out, battle royale at Doctor Doom's castle. Meanwhile said prisoner tries to get the Scarlet Witch to remember who she is. Another beautiful issue from Jim Cheung (penciler), with the only downside being Allan Heinberg's story seems to be moving too fast for a 9 issue series. I am hoping this doesn't turn out to be the case but I could easily see a few of the issues becoming filler and not adding to the story, but I have been known to under estimate writers before.

Jumping over to DC, with their symbol based covers this month, we have Brightest Day #17. Firestorm finds himself in an unwelcoming place, (no longer) Deadman visits with an old relative, and we catch up with hawk family fighting for their lives on Zamaron. This great issue manages to balance the action on Zamaron well with the personal developments in Deadman's life. Art is good, as usual, with the Brand reunion being particularly moving. Hopefully they keep this balance up for the remainder of the series.

Hitting the fast forward button, we head into the DC future with Batman Beyond #1. After the recent events in Gotham City (aka Dick Grayson's clone tearing it up and killing old bat-villains) things have calmed down for Terry and allowed him to enjoy more time with his family and friends. Nothing good lasts forever though as the Justice League comes to town, chasing a thief that's holding the entire mall hostage (including Terry's mother and brother.) Awesome first issue from Adam Beechen (writer) and Ryan Benjamin (penciler), that shows they will keep expanding the universe but aren't going to shy away from characters established in the television show. If you enjoyed the recent mini-series or the TV show from years ago, you really should be checking out this book.

Pick of the week goes to a new mini-series starting up from Marvel, Ultimate Captain America #1. We open with Cap being held hostage and about to be executed in the coming minutes. This gives way to a flashback of 6 weeks ago in North Korea as Steve is on a covert mission to sabotage their Super Soldier program, only to meet someone who bears no love for the stars and stripes. Phenomenal comic from Jason Aaron (writer) and Ron Garney (artist), this first issue really re-ignites the spark of life in the character. Portraying Cap as the hard-headed, ignorant symbol, Aaron sets up what looks to be an interesting, politically-charged tale about the Ultimate universe's super soldiers that will set them apart from their regular Marvel universe counterparts. In addition, Garney's art kicks all kinds of butt while depicting all kinds of butt kicking. Definitley looking forward to more of this mini, as it reminds me of the promise the ultimate marvel universe once showed in things like Ultimates vol. 1 & 2.

That's it for this week, and as of now I am totally caught up on all my comics to be reviewed (or at least until I go and buy the new books out today.) Comments, critiques, and book suggestions can be left below or sent to my email (talesofthegeeklantencorps@gmail.com) Now if you'll excuse me, my talents are required at my X-Box as the Joker has taken over Arkham Asylum and needs to be stopped.

Wednesday Pickups The Last Three Weeks of December and of 2010 (12/15, 12/22, and 12/29)

2011-01-11T13:45:00.001-06:00

This will hopefully be my last multi-week post for quite a while since I will be all caught up. That said, lets get right into it since all three of these weeks had a lot of books.

First up from the 15th we have our only Marvel entry from the week, Uncanny X-Force #3. Picking up right where we last left them (getting their arses kicked), this issue reveals the origins of Apocalypse's final horsemen as they try to finish off our merry mutants. Wolverine and the gang use every trick up their sleeve, including pop rocks and psychic blades, but not every one makes it to the final show down with Kidpocalypse. Another spectacular issue that really only losses out on pick of the week because I don't want to give the spotlight to this title all the time, even if it's my favorite. Jerome Opena's art is gorgeous, especially for the graphiX-Men, while Rick Remender's story presents us with interesting new characters (in the Final Horsemen) and a fascinating test to see just how deep these X-Men will go into the darkness. If you love any of these characters or the last volume of X-Force, you really need to be picking this up.

Heading over to DC, we have Batman: Orphans #2 of 2. Everyone in the city, good and bad alike, are searching for a package said to contain a villainous super weapon culminating in a battle royale where not everyone walks away. Plus, the secret reason Batman has been recruiting these orphans is revealed. Not the greatest Bat story ever, but all in all it ended up being a descent two issue mini-series. The highlight would have to be Carlo Barberi's (the penciler) fluid and action packed panel structure, which really kept the book moving at a great pace. Ultimately, if you're a fan of Batman's wards I think you'll enjoy this book.

Next up is our bi-weekly dose of cheer, Brightest Day #16. Aquaman tells his newest aquabrother all about his past and dubs him the new Aqualad, with some slick aquabling! Meanwhile, Deathstorm has a little fun with his prisoner's and Firestorm blows up in a big way. An average issue, but one that was needed to keep these particular plot lines moving. Art, as usual, is still pretty good so that and the collector's mentality are reason enough to add this one to you're Brightest Day collection.

Rounding out the usual super suspects, is Green Lantern #60. Parallax takes a new in host in the Flash and the mysterious being collecting the entities is revealed. As I said last time Geoff Johns' story here has been boring me but picking up the slack, Doug Mahkne's art is awesome in this issue. Owning quite a bit to the great inkers (Keith Champagne, Christian Alamy, Shawn Moll, and Mahnke) and colorist (Rod Reis), I couldn't take my eyes of this vibrant issue even though I didn't care much for the story being told. Also, kind of felt like Johns was stepping on the toes of Tony Bedard's story over in Green Lantern Corps in having a character react in a completely different way than he did in that title. Can't rightly recommend this if your looking for a compelling Green Lantern tale but if your in it for the art, this one does not disappoint.

Adding a little fresh blood to the stack, we have The Suicide Forest #1 from IDW publishing. In this introductory issue we meet the two protagonists of the book; Ryoko, a young Japanese female park ranger working in the Aokigahara forest also know as The Suicide Forest for the massive amount that take place there, and Alan, an American living and working in Tokyo who just ended an exhausting relationship. It is a little early to tell exactly what the book is about besides the ghosts of these suicides stalking the woods, but it certainly lives up to its title. I will be sticking around to find out what El Torres (the writer) has in store for us though. The real appeal of this issue is Gabriel Hernandez art; very rough but strangely alluring it comes together nicely focusing particularly on symmetry of adjacent pages and panels. Definitely give it a chance a flip through at the your local shop to see if you dig it as much as I did.

Going back to a familiar face, from Vertigo we have The Unwritten #20. Continuing with the sexy ending of last issue, Tom and Lizzie bump uglies helping Tom to remember some of the time they spent together as children. This is cut short however as Tom picks up the trail of Moby Dick and ends up in the famed novel. Yet another solid issue from Carey, Gross, and crew; this title never fails to keep my attention and leave me wanting more. The only disappointment was the missed humor opportunity of not one mention Moby Dick during the more intimate scenes ;)

Also from Vertigo this week we get another helping of Vertigo: Resurrected, with John Constantine getting the special treatment. A 100 page collection that contains reprints of Hellblazer #57-58 and #245-256. In the first story, by Garth Ennis and Steve Dillion, John helps a friend track down a family member's body that is being used for something beyond science; while in the second tale, by Jason Aaron and Sean Murphy, a group is doing a documentary on the long forgotten punk band "Mucous Membrane" and they end up meeting one of John's oldest fans. If you've been following the blog, you know I've really been digging these resurrected titles and in particular the Constantine stories they've featured. This issue just builds that love even more with two great stories by two great, creative duos. Not sure why I never really checked out Hellblazer stuff till recently but I am certainly glad I finally did.

Last up and a double pick of the week is the first two issues of DCs latest series, T.H.U.N.D.E.R. Agents (kind of cheated here since they didn't come out this week, but this is when I read them.) Written by Nick Spencer, with pencils by Cafu, T.H.U.N.D.E.R. Agents follows of group of individuals recruited by the United Nations and given super powers to handle covert situations, the catch being the powers will eventually kill them. In these first two issues we see the death and capture of current agents, the assembling of a new team, and (in issue two) the back-story of the new Lighting (one of the agents.) I skipped this title the first time I saw it on the shelves but after a little prodding from John over at the Burnt Weiners Podcast, I decided to give the first two issue a chance and ended up loving them. A perfect blend of action, humor, and drama; this series has it all (along with some great art) and is easily accessible to readers because it isn't bogged down by the lengthy continuity of all the big name titles. While there was a previous T.H.U.N.D.E.R. Agents title, this one doesn't seem to be tied to it much if at all. Highly recommend giving this new book a shot and if your having a lot of "huh?" moments in the first issue, just press through. Everything gets explained and it will give you a funny new definition of double agent.

Lets keep right on moving with the huge stack of books (15!) from the 22nd.

Starting off with a slew of Marvel books, we have What if? Dark Reign one shot. Sick of Norman Osborn making the real Avengers lives a living hell, Clint Barton (aka Ronin aka Hawkeye) declared he was going to kill the former villain turned... well still a villain but now working for the government. Of course in the regular Marvel universe his plan didn't come to fruition but this comic explores the dire consequences on if it did. Being a big Hawkeye and What If? fan I had to check this out and was not disappointed. Instead of focusing on just the capes and tights aspect, writer Jason Henderson instead explores what if a hero became an assassin/terrorist and how quickly those roles can change in the public eye. Definitely recommend checking out this one shot, there is also back-up story involving Deadpool and Venom but I skipped it since I didn't read the other parts of it and I don't have much interest in either character.

Next up is Secret Avengers #8. John Steele and Max Fury, members of the mysterious Shadow Council (and surprisingly not male porn stars), cook up a scheme to kidnap Shang-Chi but will the Avengers figure it out in time to stop them? Still digging this interesting Shadow Council story of Ed Brubaker's while Mike Deodato's awesomely detailed art provides a great back bone to the book. The only improvement I could ask for is a bit more character development in the coming issues and having read some of Brubaker's other work I am sure that is just around the corner.

Moving in to the mutant books, we have Namor: The First Mutant #5. A one and done issue, this one examines the many faces of Namor through a bystander who has met him on more than one occasion. I have talked about how much I love this title at length previously but I think this issue provides a perfect example of why I love it. Stuart Moore's excellent writing shows the many sides of Namor whereas so many just write him off as the pissed off king. If that wasn't enough to sell you, Ariel Olivetti (whose name is misspelled in the title page, for shame Marvel) turns in more spectacular underwater art, while Brian Ching does some awesome flashback scenes of Namor throughout the years, and Mike Mayhew gives us a delicious cherry topping with his slick cover. If all you know of the character is his anger and physical strength, you really need to give this issue (and series in general) a shot.

Getting into the mutant team books, we have Uncanny X-Men #531. The virus continues to run rampant on Utopia affecting even the strongest among them, meanwhile the de-facto X-Men (basically the few who weren't on island at the time) try to maintain the media panic, find The Collective Man, and find out more about the artificial mutants sporting the powers of the original X-Men. In addition to all that Emma, Shadowcat, and Fantomex continue to deal with Sebastian Shaw. A solid issue with good art and writing but it does seem a little bit crowded plot-wise. It seems to me like Matt Fraction and Kieron Gillen (the writers) are trying to fit too many stories into one issue. Hopefully this will end with the Quarantine story line but I don't really see it happening before then.

Rounding out this week's X-books is X-Men #6, the conclusion of Curse of the Mutants. The vampire invasion failed and now Xarus must defend himself against Dracula, Blade, and Cyclops' X-Men, but that doesn't necessarily mean those three are playing nice together. All in all not a bad little story, a bit predicable but still fun and entertaining. The biggest disappointment was the one vampire I wanted gone is still around (hint: she is also on my short list of disliked X-Men.) Looking forward to what's next for our favorite mutants in this title as they apparently head back to the NYC.

Skipping over to Marvel's Icon imprint, we have Superior #3. Simon starts doing the whole hero thing, and in spectacular fashion. Another great issue by Mark Millar (writer) and Leinil Yu (penciler), particularly on Yu's part who draws some awesome crowd panels. Also, a nice little surprise at the end of the issue that hints as to what is really going on. Looking forward to more from this great creator owned book.

Over at DC, we start with Justice League: Generation Lost #16. The boys (Booster, Atom, Blue Beetle, and Rocket Red) engage in an all out battle with the Creature Commandos while Ice tries to help Fire who was shot last issue. Back stateside Batman and Powergirl dig a little deeper into what is really going, only to discover something is rotten in the state of Checkmate. A fun, action centered issue but nothing to spectacular. Still really digging the book though and looking forward to where it goes from here.

The second one shot of this loaded week is Teen Titans: Cold Case. Going back to shortly after "One Year Later" began, this book focuses on Robin and Ravager, the former dealing with the loss of his father and the latter being toyed with by her's. Inevitably, this leads to the two of them (along with Wonder Girl, Cyborg, and Kid Devil) getting roped into a battle with The Rouges. Big fan of this team, especially Robin, so picking it up was a no brainier for me but did not expect it be as well done as it is. Sean Murphy turned in some great art and Mark Sable's story is interesting, adding to the characters without mucking around to much so it can stay as a one shot. If your a fan of Tim Drake, Ravager, or this Titans line up you should give this issue a chance.

Checking in with my second favorite lanterns dressed for the season, we have Green Lantern Corps #55. Things heat up on Qward as Kyle and crew show up to rescue Soranik from The Weaponer and the corps find out about Gathet's secret alliance with Atrocitus. Another solid issue from Tony Bedard and Tyler Kirkham. Art is great, which has become the status quo on Green Lantern books, and the story actually remains interesting as opposed to Johns' GL book. Hopefully the regular GL series takes some notes from its younger brother here.

Last up from DC proper is Larfleeze Christmas Special one-shot. Being the "good" alien that he is, Larfleeze expects to get everything on his X-Mas list to Santa but he wakes up Christmas morning with not a present in sight. Johns and artist Brett Booth craft a fun one shot for all-ages that not only entertains as a comic but has a maze, make-able ornament, and a recipe for cookies. While its a little late to do so now, this is definitely one comic you could share with the whole family this holiday season.

The final third of this large week kicks off with Kill Shakespeare #8. Fair Othello attempts to ready the men for the coming battle with Richard and his forces while Hamlet and Juliet edge closer together. Consistently one of my favorite books, this issue brings us more amazing work from Andy Belanger (the artist), Conor McCreery, and Anthony Del Col (the co-writers.) The best little Shakespeare reference in this issue is a recreation of one of the more famous scenes from Romeo and Juliet. The question on this title isn't whether its great or not (that's already been decided) but rather whether to pick up single issues or wait for a nice collected edition of it all?

Next book up comes from Image, Skull Kickers #4. Shorty and Baldy make their play to retrieve the chancellor's body but, as per the norm, things don't go exactly their way. More fun, visual story-telling from Jim Zub and Edwin Huang comes in this issue along with quite a few laughs. Not sure if I've mentioned it before, but the unsung hero on this book is Marshall Dillon who does the awesome letters. If your still looking for a reason to check out this book, you have it right there as his letters here are probably the best on the shelves. Also for you RPG nerds out there, this issue contains stat sheets for its two protagonists. Strangely, neither of them has a +2 Shield.

The Stuff of Legend Vol.2 #3, makes a rare and always delightful appearance. In Chapter 3 of The Jungle, our favorite toys are split up as the animal-like ones are forced into the ranks of the Snake's zoo while their humanoid companions become the other animals' latest prey. While I don't talk about this title as much as I'd like, since the time between issues is lengthy, it is always a joy when I do. Sort of a cross between Toy Story and Saving Private Ryan, this comic has something for everyone and one of the easiest titles to hand to non-comic fans. With spectacular illustrations by Charles Paul Wilson III and a compelling story written by Mike Raicht and Brian Smith, this is one of the few comic I have no problem shelling out the $4.25 for every time it appears on the shelf. If your unfamiliar with The Stuff of Legend series, do yourself a favor and check out the first collection here. (Its only $11.05!)

No stranger to the blog is the next entry, American Vampire #10. Pearl and Henry continue to enjoy their new peaceful secluded life and take in a local jazz club opening, while we find out exactly what happened to Hattie after Pearl got her hands on her quite a few years back. Same great continuing story from Scott Snyder while Mateus Santolouco (and this time its Vertigo with a name misspelled on the title page) does the art solo for a few issues and it looks satisfyingly gruesome. This along with The Stuff of Legend were both close to pick of the week and probably would have taken it if they next book didn't have that new hotness appeal working for it.

Pick of the week comes from Archaia (in what is probably their first single issue appearance on the blog), Cyclops: The Recruit #1 of 8. Written by Matz and illustrated by Luc Jacamon, Cyclops takes place in the only somewhat distant future of 2054. Jobs are still tough to find as our protagonist, Doug Postoia, is forced to join up with a security firm who just landed the U.N.'s outsourcing contract and is now handling their military missions. This war will be seen by everyone the world over, as soldiers wear camera helmets and are affectionately known as cyclops (hence the title.) While this issue is mostly setting up the world, it starts with a bang that draws you, and the masses watching this war from their living rooms, in with every dark detail. This sci-fi thriller book looks to explore the fine line between entertainment and war reporting, and judging by this first issue it does so in spectacular fashion. Bottom line - buy this book!

2 Weeks down, 1 to go

Kicking off once again with marvel we have Ultimate Avengers (Vol.) 3 #5. The Avengers begin staging a massive attack force to take down the growing vampire populace but, Nerd Hulk (the new vampire leader) is tired of waiting and decides to attack the Triskelion. Essentially just another issue in this average arc, it has its funny moments and it has its ones that you roll your eyes at. The one thing that probably sets it apart, is its pretty descent examination of newer Avenger Perun and what brought him to where he is. Like I've said before, I wouldn't recommend it out right but if you think you might enjoy a bad vampire horror movie involving the Avengers, give it a shot.

Sticking in the Ultimate Marvel U, Ultimate Thor #3 of 4 is next. Its all been leading up to this, as Loki leads his army of Nazis and Frost Giants into Asgard destroying everything in their wake, Ultimate Ragnarok is here! Continuing this great mini by Jonathan Hickman (writer) and Carlos Pacheco (penciler), this issue really delivers on what the story has been building to but ends on a great cliff hanger going into the final issue. Looking forward to the book wrapping up nicely next month and it should make a great TPB purchase for those who held off on it.

Shifting time zones to the 616, Widowmaker #2 of 4 strangely creates no widows. Picking up right where it left off, Widow and crew are forced in to battle with the ruskies accusing Hawkeye of being the multiple murder eliminating politicians under the guise of Ronin. Descent issue as far as continuing the story but I honestly did not enjoy Manuel Garcia's art that much. Looking forward to getting back to David Lopez's art in issue #3. Still if you've been digging the Hawkeye and Mockingbird title, I recommend checking this mini out. Even if I wish they would have just kept it as a crossover between that and Black Widow.

Heading into the X-titles, we start it off with X-Men: The Heroic Age one-shot. Essentially the book is a guide to the current X-Men and mutant world written from the perspective of recently returned to life Steve Rodgers. Definitely a worthwhile investment ($3.99, but your getting a lot of book) for anyone who hasn't been keeping up with all the mutant books and it even manages to drop some knowledge on those of us that have been.

Next up was an impulse pick and one in which the cover really won me over, Chaos War: X-Men #1 of 2. Chaos War apparently centers around Chaos King (new character to my knowledge) putting every living person into eternal sleep and destroying the underworld so the dead return to earth. This comic follows some of the desceased X-Men (Thunderbird, Banshee, Moria MacTaggart, Esme & Sophie Cuckoo, and three clones of Jamie Madrox) as they come to and figure out what is going on. Really enjoyed Doug Braithwaite's art in this book and the story (by Chris Claremont & Louise Simpson) is ok but not particularly strong. It is mainly held back by Claremont's tendency to over explain everything to the reader (via character's thoughts and dialogue), something that has really been keeping me away from his books. I will pick up the second issue, since there is only two in the mini, but I'm not expecting any thing worthwhile besides more of Braithwaite's art.

Rounding out the X-books is New Mutants #20, Rise of the New Mutants part 1. After their narrow escape last issue Magick, Karma, and Pixie make it back to Utopia to regroup with X-Men and prepare to "rescue" their friends. Meanwhile in Limbo, General Ulysses finally starts to get his revenge on the demons for trapping his people there for so long. Still LOVE this book! Zeb Wells (writing) and Leonard Kirk (artist) truly are a dynamic duo, putting out one of Marvel's best books every month. Wells manages to show he's got everything well planned out by returning to and answering questions that have been present since this title launched. Can't wait to see how he wraps it up next issue and where the New Mutants stand going into the Age of X.

Heading over to the distinguished competition, we kick it with the young-ins in Teen Titans #90. After a certain hot head ruined things last issue, the team tracks down this TK kid and finds his high school isn't just sloppy joes and boring math lectures. Another great issue from J.T. Krul and Nicola Scott, they keep the current story line moving at a good pace but also throw in a little guide as to where their going next. Judging by the end of this issue Robin and Ravager are going to have their hands full next time, which is sure to result in our enjoyment almost equaling their own.

Adding a bit of color to the mix, we have Green Lantern #61. Taking a break from Hal and the gang, this issue focuses on Atrocitus tracking down the rage entity, The Butcher. The Butcher isn't alone how ever as he has started stepping on the toes of The Spectre, and good ole Crispus Allen certainly isn't one to take that lying down. It seems like I've been saying how bored I've been with this title for months, and in this issue Geoff Johns finally delivers a story I could sink my teeth into. While it does seem to play a role in the over all story of Krona trying to capture the entities, I think this chapter can stand on its own two legs and represent Atrocitus' adventures on earth. Doug Mahnke delivers some stellar pencils, as usual, and his team of inkers and colorist (Keith Champagne, Christian Alamy, Tom Nguyen, Mark Irwin, and Randy Mayor) really complete the art. If you've been iffy on or staying away from GL as of late I recommend you give this issue a shot, its a great example of what Johns and crew are still capable of delivering.

Keeping the Johns' train running, we have The Flash #8. Centering on Eobard Thawne this issue tells the Revese Flash Rebirth, and just how he became the man that who attempted to destroy the Flash legacy before it even began. Haven't checked in on this title since the first issue, and I must say I was really please with it. While I don't think I will start picking it up regularly (it seems to be heading into some Flashpoint event) Geoff Johns and Scott Kolins certainly put together a great one and done on the Reverse Flash. If your into the character, you might want to consider grabbing the issue even if your not regularly reading the title.

Hitting up one of the smaller companies, Slave Labor Graphics (SLG) Publishing, we have The Royal Historian of Oz #3. After being captured last issue, Frank awakens in Oz to find them a lot friendlier then he expected while the Ozians discover one of their own didn't feel like coming back. Not much new to add here, other than that I am still enjoying this fantasy tale from Tommy Kovac (author) and Andy Hirsch (artist.) The pacing seems to be a little slow for my taste but the humor more than makes up for it in the long run.

Saving the best for last we have the one shot Whatever Happened To The World's Fastest Man? from Accent UK. Its a cheat pick since it didn't come out this week, this just happened to be when I got it in the mail. The comic follows Bobby Dole, your average fellow, on the most important "day" of his life. In his city, a mad scientist placed a bomb that could not be defused and would kill everyone in two city miles. It is at this point Bobby comes into play as he posses the power to stop time and he could potentially save almost everyone but it would take his entire life to do so (as he ages normally when outside time.) Don't want to go to much beyond there story-wise, suffice to say this comic blew me away. After its glowing reviews from Tales from the Parents Basement and Burnt Weiners podcasts, I was a little skeptical on it holding up to their praise but it went above and beyond. This book contains a phenomenal story that is not only emotional but puts you in to the shoes of the protagonist, and is paired with some great art that perfectly illustrates the passing and standing still of time. Written by Dave West, with art by Marleen Lowe few comics in 2010 have been more deserving of your hard earned cash. Probably not a book you will find on your local shelf, I highly urge you to track it down (Hint: checking out the Accent UK website should give you a good start.)

Well that wraps up a very lengthy edition of Wednesday Pickups. You know the deal, any comments, recommendations, or questions can be left below or sent to my email at talesofthegeeklanterncorps@gmail.com Now if you'll excuse me, I'm going to go pass out on some long boxes with visions of Psylocke dancing in my head.

Circle of Trust #5: Howl (2010)

2011-01-04T00:05:00.001-06:00

If your new, this is the series where I talk about the DVDs I receive as member of Oscilloscope Laboratories' Circle of Trust. To learn more about Oscilloscope, the awesome movies they distribute, and their illustrious Circle of Trust DVD club click the link above.

This time we are looking at Howl, written/adapted and directed by Rob Epstein and Jeffery Friedman, starring James Franco. Definitely my favorite film Oscilloscope has put out so far and one that will end up pretty high on my top ten list of films from this year (whenever I finally get that written out); Howl is a 3 part film that features an illustrated verison of the title poem, a re-enactment of the trial in which it was accused of being obscene material and therefore not art, and a blended in narrative/fictional interview with Franco as Alan Ginsberg (writer of the poem Howl) revealing his life and thoughts on the poem. I first saw this film back in September and rather than rehash my review of it (found here), I will simply link you to it and hope you check it out if you haven't already. The one important note I do have to add about the film itself though is that it stands up to repeat viewings, and I found it just as impact-full a second and third time. Now, onto the DVD itself.

Oscilloscope has the film available in two packages, the first a standard DVD copy and the second a blu-ray/DVD combo pack. Similar in packaging style, although a slight size difference is given to the blu-ray box, the main difference is the definition (DVD vs Blu-ray) and a few additional features on the blu-ray disc. For starts both contain a feature length audio commentary (with Franco, Epstein, and Friedman), an interesting making of featurette that goes in depth about the film and Alan Ginsberg, four research interviews with former associates of Ginsberg, and two readings of Howl (one by Ginsberg and one by Franco.) So needless to say, you are getting a jam-packed disc and the quality of the material makes it well worth the price of admission. The aforementioned blu-ray only features are a Q & A with the director's at Provincetown Film Festival and Ginsberg reading two of his other works (Sunflower Sutra and Pull My Daisy), which are neat little bonuses but not necessarily must have extras.

Not surprisingly based on my original thoughts on the film and the nice selection of features, I am giving this DVD (while I have the blu-ray combo, I recommend either one just as much depending on your player availability) 5 out of 5 stars. If your looking for how to get a hold of it or just to see the film check out the links below. It is officially out today (actually just turned 12:00 am CST while writing this paragraph.)

Buy either the Howl DVD or Blu-ray combo from Oscilloscope Labs

Add Howl to your Netflix Queue

Wednesday Pickups: The First Two Weeks of December (12/01/10 and 12/08/10)

2010-12-26T20:50:00.001-06:00

Still playing catch up here so jumping right back in with December's books:

First up is an impulse pick after flipping through it at the shop, Batman: Orphans #1 of 2. Somewhat uncharacteristic of the dark knight, Batman starts recruiting any army of orphaned and runaway children to help him fight crime on the mean streets of Gotham. Keeping them in an undisclosed location, he is hiding them from even Dick (Nightwing) and Tim (Robin). The question is, Why? Have to admit I really picked this up because I flipped it open and the first page mislead me a bit. It turned out not to be a bad thing however as I really ended up enjoying the comic. Featuring two talents I haven't read much of before, Eddie Berganza (writing) and Carlo Barberi (pencils, did some awesome work on New Mutants Vol.2), who ended up really working well together. Looking forward to the second part soon.

Next up, and also from DC, is Brightest Day #15. Titled "Whatever Happened To The Manhunter From Mars?", this story takes a look at Martian Manhunter's new "life" on the revived mars quite a few years in the future. Another great one off from the Brightest Day crew, this one is also accessible to those not keeping up with the title if read as an Elseworlds One-shot. Probably would have ended up being a pick of the week if it wasn't against some of the stiff competition I'm about to talk about, I really recommend every one check out this issue for its great art and story.

Runner up this week is a "series" that is quickly becoming one of my favorites, Vertigo Resurrected: Winter's Edge One Shot. Another anthology like collection, this time featuring winter/holiday related stories that Vertigo has previously released in 3 issue mini-series, it once again blew me away. Perfect for those readers who have just come to Vertigo in the past few years and missed out on these stories the first time, like me for instance. A great read for a cold winter's night, make sure to pick it up if your shop has any left. Can't even pick a favorite out of this one, pretty much all the stories were top quality and well worth the price of admission.

Last up, and pick of the week by a slim margin over the last two books, is American Vampire #9. Concluding the "Devil in the Sand" arc, all the major players engage in a bloody free-for-all with not everyone living to see the sunrise. I pretty much been gushing about this title since the first issue, but what can I say Scott Snyder (writer) and Rafael Alburquerque (artist) have consistently been bringing their "A" game. Perfectly combing period set comics with the horror and gore of vampire books, this duo have a firm handle on how to keep a reader coming back for more. So if your still one of the few who has yet to check out this awesome book, do yourself a favor and pick up the recently released hardcover collection of the first two arcs.

Small but very quality stack this week, I love it when there isn't one book in the bunch that disappoints. Keeping it going though, here are the books from the 8th:

Starting off with the only Marvel book I picked up this week, we have Widowmaker #1 of 4. Essentially the title that is taking the place of Hawkeye and Mockingbird for a few months, this issue features someone new dawning the Ronin identity and killing international politicians. Not far behind, some of the most notable Marvel spies, Black Widow and Mockingbird (with Hawkeye in tow), are hot on his tail as they have had hits put out on them. All is all, a solid book. It really keeps the same feeling built in the H&M (or HaM if you prefer) and just drops Black Widow into the mix. Love what Jim McCann is doing with these characters and I hope he keeps their reigns for quite a while.

Venturing to a company that rarely graces my pull list (I buy their books in trades), Image brings us 27 #1 0f 4. This issue follows injured rock star Will Garland on his 27th birthday as he meets with an "alternative healer," looking for anyone that can get him back the use of his left hand. Little does he know, he just open a door to a world even weirder than that of sex, drugs, and rock & roll. Initially drawn in by the awesome cover pictured above, I ended up digging the book. The story (written by Charles Soule) has got me interested enough to keep picking it up and the while the interior art (done by Renzo Podesta) isn't my favorite it fits well with the dark and mysterious tone of the book. Definitely recommend giving it a shot if your local shop still has it on the shelves.

Continuing with another awesome cover, we have Crossed: Family Values #6. This penultimate issue starts with a bang and pretty much beating you to the ground the whole way through. Adaline and Matt make it back to the rest of their group after their run in with the Crossed members of their family last issue but morale is hits rock bottom. What more can I say about this series that I haven't already? It's still superbly written, still spectacularly drawn, and continues to drags its readers through the mud while kicking them square in the junk (but in the best way possible. ) If you can't handle gore or only slightly do not read this book, but for those brave few that can or embrace it (you sickos know who you are ;)) this is a must read if only to see what new way Lapham and Barreno have come up with to disgust their readers. Also, I really didn't think any one particular Crossed would reach the level of infamy "Horse-cock" achieved, but I have got to say Mommy Pratt has topped him in every way possible.

Heading into the slightly more cheerful world of DCs capes and tights, we have Red Robin #18. Heading to Russia, following a lead about the supervillian communication grid Unternet, Tim meets with heroes and businessmen to gather intel not knowing who is really on his side if any of them are. Another great Red Robin issue from writer Fabian Nicieza and artist Marucs To, yet this book still flies under the radar of most DC fans. Sure it doesn't feature the big names of the other Bat-Family titles but its just as good, if not better. In conclusion, Buy It!

Next up if Justice League: Generation Lost #15. Back in the present, after last issues possible future, we find our favorite outcasts once again seeking refuge in an old J.L.I. base while, unbeknownst to them, a new threat tracks them down. Also, turns out Max Lord isn't the only person the most of the world forgot. Continuing its streak of awesomeness, this issue brings us another solid read. Another title I've praised to death and have run of good things to say about it, easily my favorite Justice League title in quite a while.

Lastly up, and pick of the week, is Booster Gold #39. In this issue that really hit me on personal level, Booster deals with his unresolved feelings over his best friend's (Blue Beetle) death. Not as humor filled as most issues but one that is equally important to the building of the character; Giffen, DeMantteis, Batista, and Perrotta bring us a stand alone issue that tugs on the heart strings and is a shinning example to be shown to anyone who claims superhero comics are "for little kids." Might not be as moving to those that haven't been keeping up with Booster but I still recommend everyone check out this book, if not this issue. Great story, character, and art that has its hooks deeper in me than pretty much any other DC book.

Well, that wraps up another two weeks of comics and brings me closer to getting back on track. Looking to do one more long post containing the last three weeks of December and put me back on track for the new year. Any questions, comments, or suggestions can be left below or sent to talesofthegeeklanterncorps@gmail.com

Wednesday Pickups: The Last Two Weeks of November (11/17/10 and 11/24/10)

2010-12-19T01:00:00.004-06:00

Gonna try and get caught up on my large back log of unreviewed comics so let's get right to it.

First up is X-Men #5. Xarus' army of vampires, now including Wolverine, descend upon Utopia and look to have the X-Men back into a corner they won't make it out of. Of course old, sly Scott Summers expected as much and reveals his hidden weapons (one very much expected and the other a very clever use of a character) sparking a massive battle that between the two species. Not the greatest X-Men book going but still pretty enjoyable. Victor Gischler's story walks a fine line between predictable and clever, ultimately it just seems to keep enough interest for one to enjoy Paco Medina's art. This issue also features another great cover from Adi Granov, this guy really knows how make vampire covers snatch fresh blood. (see what I did there ;))

Heading over to DC, we have a Green Lantern double feature with the regular title and Green Lantern Corps. In Green Lantern #59 the Indigo tribe returns, finding a human host for their entity while Barry and Hal have a heart to heart over who the latter is keeping company with. Doug Mahnke's art is consistently knocking it out of the park! Emotional scenes, action scenes, large alien entities; this guy can handle it all. Not sure if its just me but Geoff Johns story just isn't as captivating as before and during Blackest Night. Going to keeping picking up the book for a little while hoping it changes for the better but I could easily see this being the result of Johns stretching himself to thin over everything he has his hands on at DC. Green Lantern Corps. #54, on the other hand, is just great overall. This issue features a ring-less battle between Kyle and Sinestro (although I have to call shenanigans on the end of it) and The Weaponer telling his origin to the captive Soranik Natu. Tony Bedard is really keeping the reader invested in these characters each issue while Tyler Kirkham and the art team are illustrating this glowing-spacey book to perfection.

Finishing up DC for the week is Brightest Day #14, one of my favorite of the series so far. This issue is all about the artist formerly known as Deadman as he takes to the mean streets of Gotham in search of the dark knight. Believing he has finally found the person to wield the white ring he is anxious to get rid of it but the ring has other plans. Boston Brand (Deadman) is easily one of the more interesting characters to come into the spotlight in Brightest Day and I really enjoy the creative team (would list them but there is quite a few) taking this whole issue to focus on him.

Jumping back to Marvel, or more specifically their Icon imprint, we have Superior #2. Simon tells Chris all about the space monkey and suddenly becoming Superior, this then leads to the two running through a power checklist for Simon with some interesting results. Still enjoying this original book from Mark Millar and Leinil Yu, I don't know if its quite "The most important comic book since 1938" but it is a fun and emotionally involving read none the less. One thing you have to give the books props for its handling of an impaired character gaining powers, while its been done before this books does it tastefully and with feeling rather than for a gimmick.

Next up is the latest Vertigo resurrection, The Extremist #1 (originally published as The Extremist 4 issue mini series.) The Extremist is one who takes pleasure in all things perverse and abnormal, who only serves others so that its own desires can be met, and most importantly of all The Extremist is not just a single person. Have to admit I didn't know exactly what I was getting into when I picked this up, but I ended up enjoying it. Peter Milligan crafts an interesting tale about the normalities and abnormalities of life while Ted McKeever's loose and rough art style provides the perfect accompanying visuals. Definitely not a book every one could get into but if you enjoy the examination of fetish and fringe life styles, this might be right up you alley.

Lastly, and pick of the week by a mile, is Kill Shakespeare #7. In this issue, the players come to town to provide a little entertainment for those fighting the good fight against Richard. Shakespearean players never appear just to entertain however, as both Juliet and Hamlet reveal to the reader as well as each other their deep motivations. I know I have talked this book up a lot so far, but this issue just makes me want to repeat it all over again. Easily my favorite of the series so far with a great story, art, and cover all working in harmony this issue. If you haven't checked out this book yet, please do immediately! This issue wouldn't be a bad jumping on point and the previous 6 were recently collected if you wish to know the full story.

That is it for the 17ths books so let's jump right into those from the 24th.

Kicking off this week we have Skull Kickers #3. Our two favorite mercenaries try to catch up with chancellor's corpse while Dwarf suffers through an interesting bout of indigestion. A book for those looking for a bit of humor with their sword and sorcery, this issue deliver another helping of all three. The highlight of the issue, though, had to be Edwin Huang's indigestion dreams for Dwarf. Looking forward to even more of this medieval farce coming in 2011.

Heading over to DC for a large portion this week, we have Batman Beyond #6 of 6. Barley surviving their encounter with this new Hush last issue Bruce and Terry have just moments to regroup before he blows up the entire city. Luckily, their not the only ones with a score to settle as Dick Grayson, out of retirement for one time only, and the new Catwoman join up with our favorite future Batmen to help them stop this latest abomination created by Cadmus. Those who have been reading the blog, know I've really been digging this mini and that certainly continued into this final issue. Overall this was a great comeback for Batman Beyond and I am glad it sparked enough interest to warrant an ongoing series starting in January. It effect utilizes the world created by the TV show but isn't afraid to tell new stories, which is always refreshing from a comic based on something else. Needless to say I will definitely be checking out Batman Beyond #1 and you should be to.

Staying in Gotham but traveling back to the present we have Batman and Robin #17. Dick and Damien get dragged into a little murder-mystery party involving one of Bruce's old flames, but is she really dead or is someone just manipulating the dark knight and the boy wonder? Overall the comic was ok, nothing spectacular but bigger fans of this pairing might want to stick around. With a comic stack that I'm constantly adding to or trying new things in I have to trim the fat occasionally, and Batman and Robin have drawn the short straw this time around.

Keeping Robin in the picture, we move out west to Teen Titans #89. The team receives Damien as a new member, although neither side is really to happy with the arrangement, and end up tangling with a powerful telekinetic. Really digging Teen Titans since the creative team change to J.T. Krul (writer) and Nicola Scott (artist), and this issue keeps it going. Bringing the new Robin into the team will help keep things interesting story-wise and Scott's art is working wonders in showing the team as still teenagers. Looking forward to lots more from them and where they are going with this new scientist villain who is giving kids powers.

Finishing out the DC books this week is Justice League: Generation Lost #14. Due to absorbing the massive explosion last issue, Captain Atom is once again throw through the time stream and into the future. This time the world has become a wasteland through bio-warfare as well as battles between meta-humans, OMACs, and humans themselves and Captain Atom must help the Justice League to make one last attempt to bring down the OMACs. Like I've said many times before, still really loving this book and see no signs of that stopping any time soon. Easily the best thing to come out Brightest Day.

First up from Marvel this week is Ultimate Avengers 3 #4. In this issue Blade tells the remaining human Avengers everything he knows about the vampires, while the vampires themselves go through a leadership change. Not the best comic out there but a fun super-hero/vampire story, much in the vain of a movie that is so bad its funny. It was probably intended to be a little more serious than I take it but I am still enjoying it none the less. Even the colorists' (Matt Hollingsworth and Matthew Wilson) work seems to bright to be a serious horror tale and just amps up that hilarity of it all. So give it a go if your into that kind of thing and super heroes, although at this point it might just be smarter to wait till its collected.

The last four books of the week all contain the x-gene, starting with Namor: The First Mutant #4. Finishing out this first arc, Namor engages in a duel to the death with his un-dead grandfather, former ruler of Atlantis and current leader of the Aqeuous, for control of both peoples. Story wise, I enjoyed the issue despite it being predictable to the end it stuck with the depth of character that has been present through out the entire series so far. I do have a complaint with the art however, not that Andres Guinaldo's work is bad or anything but it really takes away from the arc when the first three are done by one guy (the fantastic Ariel Olivetti) and the last one is done by someone with a vastly different style. Think this just may be a fill in to keep the book on schedule but I honestly would have rather waited.

Next up is Uncanny X-Men #530. Starting off a new arc "Quarantine", we find most of the mutants on Utopia fighting off new disease targeting mutants. As a, you guessed it, quarantine goes into effect only a few X-Men are in San Fransisco making them the active team, meanwhile Emma and Kitty are dealing with Shaw. Really digging Greg Land's art and Matt Fraction's story matched up together. The only foreseeable problem I see is having to much going on for one book to handle, but I think Fraction will be able to reign it all in before it gets out of control. As good as this book is though, it takes the bronze in X-men group books this week.

The runner up is New Mutants #19, concluding "Fall of the New Mutants" arc sort of. After being quickly beaten last issue by General Ulysses' mutant soldiers this issue shows most of the group being tortured in one manner or another, with the only light at the end of the tunnel being a few of them escaping. Begining to sound like a broken record but like I said before, I'm still really loving this book. Zeb Wells story is awesome as he skillfully handles all the New Mutants while Leonard Kirk's art is sticking strong with him and being just as much of highlight for the book. I do question the rational in concluding the arc at this point only to end it with "to be continued" but that isn't going to keep me from coming back next month :P.

Last up, and no surprise as pick of the week, is Uncanny X-Force #2. Tracking Apocalypse and his minions to the far side of the moon, our favorite mutants with a license to kill head after him but aren't exactly welcomed with opened arms. After the first issue Remender (the writer) and Opena (the artist) had me hooked and the issue just sinks their claws in deeper. Great art, great story, great action, and great characters (well, except for Deadpool but even he is tolerable under Remender's Pen) this one has it all. I used to say if you were reading one "X" book it should be the only one with out and X (New Mutants), but going to have to change it this title from now on.

That is all for this time, slowly but surely catching up to the current week's comics again. And comments, critiques, or outlandish exclamations can be left below.

Coming Soon: Rare Exports (2010)

2010-12-15T01:02:00.006-06:00

Once again, thanks to Capone and the awesome people over at Ain't It Cool News, I got to check out another Oscilloscope Labs' film a few days before it hits most theaters and just in time for the holiday season, Rare Exports. A rare export in and of itself, this film from Finland tells the true story of Santa Claus.

Its December and for some strange reason an American excavation crew is digging around in the Korvatunturi mountains of Finland. What they find there, leads to one of the most enjoyable action/holiday comedies I have ever seen. Taking some of the original fables that old Saint Nick was based on, the film brings a "realistic" Santa to the modern world and you can be sure this old guy won't be doing Coke commercials any time soon. In addition to the fantastical and funny story the film features, it also doesn't slack in the technique department.

Boasting some awesome action cinematography and special effect scenes, no technical enthusiast will be leaving with coal in their stockings. The nice list also features some great dialogue which is equal parts hammy and hilarious.

Rare Exports is the perfect holiday film for the entire family* and while it probably won't be taking home any awards or accolades this year, it is one gift you need to share with your friends this holiday season. I personally really like it (giving it 4 out of 5 stars) and it is sure to be a film I'll be digging out at least once a year. To see when it is hitting a theater near you, click here.

*As long as your family is mature enough to see an R-rated comedy and can handle the truth about Santa ;)

Circle of Trust #4: Exit Through The Gift Shop (2010)

2010-12-13T22:45:00.002-06:00

For those unfamiliar with this article series, it is where I review the DVDs I get as a member of Oscilloscope Laboratories' "Circle of Trust". For more info on Oscilloscope and the Circle of Trust check out there site located here. Their latest DVD release brings us one of the hottest and most talked about films from the Sundance Film Festival this year, Exit Through The Gift Shop.

Exit Through The Gift Shop took roots from one man's passion to film everything he saw, his discovery of the thrill of street art, and the subsequent journey those two things lead him on. In a quick description the film is a documentary covering the inside story of street art but one quickly realizes there is something more to it. Not content to just follow this man's journey or graffiti art, the film critiques and examines art in general as well as the modern art business that seems to be growing/corrupting world wide. Tackling all these subjects in one film is no easy task but the crew (the film is directed by the elusive street artist Banksy, edited by Chris King and Tom Fulford, and narration by Rhys Ifans) does a spectacular job blending it all together, creating not only a great film but a lasting piece of art about the fading world of it.

The DVD comes with a few extra features but isn't jam packed. Featuring deleted scenes, an early attempt at a graffiti documentary, a short based one particular street art show, and finally a short about the street art of the director Banksy. All of these give you a little more time in the world the documentary creates but aren't essential viewing. The DVD also comes with a few physical bonuses as well. In addition to the great inside art Oscilloscope normally features in a release, this film comes with 2 decals (for when you get that urge to start doing some street art), 2 postcards featuring art shown in the film, and a very special pair of 2-D glasses!

Final grade on the film is 5 out of 5 stars, a must see for fans of any art, and 4 out of 5 for the DVD itself, a really cool design that I think fans of the film will want to add to their collection but a commentary track from Banksy really would have made this a must own. Do not hesitate to check this film out as soon as you get the chance! Exit Through The Gift Shop should be available for purchase from the Oscilloscope site by the time you read this and available for instant streaming through Netflix. Check out the links below if you need any help finding it and leave a comment with your thoughts on the film, if you end up checking it out.

Buy the Exit Through The Gift Shop DVD from Oscilloscope Laboratories

Add Exit Through The Gift Shop to your Netflix Queue

Also if you dig around on Oscilloscope's twitter feed (@OscopeLabs) or find them on facebook, there might be a chance to win this DVD. Not going to make it to easy on you this time though ;)

The Lost Art of the Double Feature: Box Elder (2008) & One Too Many Mornings (2010)

2010-12-06T20:00:00.000-06:00

"You can never get a cup of tea large enough or a book long enough to suit me." - C.S. Lewis

Ok, you caught me. I don't really enjoy tea and rarely sit down to read a lengthy book but I do occasionally entertain the idea of doing so. Truth be told I am much more likely to snuggle up with a bottomless Big Gulp of soda and a couple DVDs (or VHSs) but I think the sentiment remains the same. Back in the "good old days" (aka when I didn't have things like job searching to steal my attention) I could watch two or three movies in a row with out a second thought and one of my favorite ways to do this was a Drive In that would play a double bill of modern films that had some sort of linking idea or them. So, in an attempt to partly relive that type of experience but at the same time share some of my favorite films with the small section of the world that wastes their time reading this blog, I chose to embark on this article series.

I decided to start with two recent films that are both hilarious but also creep up on you with how much they can relate to your life, well at least for me anyways. First up is one of my favorite independent films, Box Elder; The definitive college and/or slacker comedy of my generation. Written, staring, and directed by Todd Sklar this film follows a group of college bros coasting through their last few years of school. Dealing with all the goodies and problems available to them at this stage of life (booze, broads, betrayal, and BLTs), the film presents a comedic yet honest look at getting a "higher" education. While the film could rest on these laurels alone, Sklar strives for even more with some great cinematography and sound track selections. Lastly, I would be doing a grace injustice if I didn't mention the performance of Alex Rennie as himself who steals every scene he's in, everyone was great but he was the best. I instantly fell in love with the film when I saw it in college, and when I return to (which I do often) I am reminded of all those great times (even if they were just a few years ago.)

It is customary to take an intermission between the films of a double feature and I utilize that time to hit the bathroom (if necessary) and grab some fuel before round two. As you might have guessed if you lingered over the picture above, or have ever seen Box Elder, I elected to make a sandwich and partner it up with a tall glass of milk (although coke and/or alcohol are suitable substitutes if you're of age and so inclined to do so.) So if you also venture into this little double feature, make sure you have the necessary items on hand. Trust me, if there is one thing your urge you'll have after Box Elder it's for a sandwich or possibly to put a tie on your house hold pet.

The second film is One Too Many Mornings, an independent film that debuted at the Sundance Film Festival earlier this year and unfortunately has gotten as much attention as it deserves. Written and directed by Michael Mohan this dramedy examines two estranged high school friends, Peter and Fischer, who are finally being forced to grow up, even if life has to drag them kicking and screaming all the way. Opting for black and white over color film (although, I consider them separate but equal), the film has a natural feel to it (I would say "classic feel" but that is the one phrase everyone uses to describe a modern film shot in black and white) drawing the viewer lackadaisically into it's world before springing life on them and its characters. Again, I feel like I could really relate to this film because its sort of where I'm at now in that post-school world where one is supposed to be an adult but is holding out as long as they can. Not unlike Box Elder, this film also features some great cinematography and music (with the stellar band Capybara providing the sound track) but their similarities don't end there.

There are a ton of reasons why I feel these films make for a great double feature but the main one is the latter seems to pick up right where the former left off. Both are coming-of-age tales in a way, with Box Elder looking at the time when you first find out who you are away from home and One Too Many Mornings looking at how that person grows up to sink or swim. They also relate tonally; Box Elder keeps you laughing the whole way through while giving you a little warning that you have to grow up at some point and One Too Many Mornings continues the laughs but suddenly forces "grown up life" on you, helping you to realize you can stand it. While at first glance you might think it turns the whole experience into some sort of lesson, I can assure you it's a fun one (like those rare days you had class outside.) The films also bear a relation in my mind because I first heard about One Too Many Mornings from Todd Sklar on twitter (love me some tweets.)

Well, that concludes are first foray into double features with hopefully many more to come. I am including some links at the bottom of the post if you want to know more about the films or want to watch (which you really should.) I've got a few other ideas lined up for this feature but would also love suggestions of your favorite double features, to see what I can get from it. As always, I can be reached at (via email) talesofthegeeklanterncorps@gmail.com or (twitter) http://twitter.com/Geek_Lantern.

Box Elder Links:
-Add it to your Netflix Queue (Please do this one, it just got on there and demand for it would help the film and help it become available on here sooner)
-Follow Box Elder or its director Todd Sklar on Twitter
-Check out the official site of the film (Currently the DVD is on sale for $14! So get to gettin' while the gettin' is good.)

One Too Many Mornings Links:
-Add it to your Netflix Queue (Similar situation as Box Elder, come on you know your queue has room for two more films! Just take out Transformers 2 and The Last Air-bender, they both sucked.)
-Follow One Too Many Mornings on Twitter
-Check out the official site of the film (This one is only $9.99 for the DVD and $4.99 for the digital download.)

Geek Lantern Corps Status Report

2010-12-03T20:55:00.002-06:00

If you're a regular reader you might have noticed I haven't posted in a little while. The primary reason (all though, there are others) is a good friend of mine (and the first honorary Geek Lantern) passed away almost two weeks ago. Although he never did post/comment on here, he told me in person quite a few times how much he enjoyed the blog and looked forward to more on it. This brings me to my main point in posting this, the next few weeks are going to see a multitude of new posts. We have the mandatory Wednesday Pickups (covering the last three weeks of comics), two new features (I've Seen It Both Ways and The Lost Art of the Double Feature), the latest entry into the Circle of Trust, and maybe even some film or graphic novel reviews. In addition to that I've started ranking favorites of this year and most looking forward to things of next year so look for those in January. So keep your rss feeds tuned here, this Geek Lantern isn't out of juice just yet (although I could use a fresh supply of juice boxes if you have them, Hi-C Ecto-Cooler is preferred.)

Wednesday Pickups 11/10/10

2010-11-17T22:30:00.001-06:00

Its that time of week once again, where one can enter their local comic shoppe and be treated to the sights, sounds, smells, and tastes(?) of new comics. Here are the books that I checked out from last week that you might be interested in: (Yeah, they are one week old but their still so cute at that age)

First up, we have Marvel's Avengers: The Children's Crusade #3 of 9. Continuing the quest of Scarlet Witch's possibly re-incarnated children (the two Young Avengers Wiccan and Speed) to find her, this issue finds Quicksilver and Magneto jockeying for leadership and trust of the children and reveals where Wanda is. Still really enjoying this limited series. While the presentation of Wolverine seems a bit over the top, everyone else is spot on especially Quicksilver and Magneto. Allan Heinberg (the writer) and Jim Cheung (the penciler) are truly showing they can handle the rest of the Marvel Universe with the same skilled that have handled the Young Avengers.

Jumping over to the Ultimate Marvel U, we have Ultimate Thor #2. Continuing to unveil the history of the Norse god, this issue sees the Asguardians celebrating their victory over the Frost Giants in ancient times with gladiatorial games and the beginning of the Frost Giant's revenge (led by Zemo) years later during WWII. I'm enjoying the triple narrative in this title, even if it gets a bit confusing here and there. Judging by the ending of this one, some epic battles will be taking place next issue that should be a spectacular sight to see.

Heading over to DC, we have one of my favorite comic double features of Justice League: Generation Lost and Booster Gold. In JL:GL #13 Magog and Captain Atom mix it up in a battle that's sure to leave a mark on the city while Max Lord continues to pull the puppet strings. Said it many times before but I'm really digging this book. The art, story, and humor are doing it for me on all levels and I feel like I can never wait for the next issue. Judd Winick and friends are keeping this one of my favorite team books.

Over in Booster Gold #38 (the tie-in for those not in the know is that Booster is a member of JL:GL) Booster is taking care of business and knocking out Nazis! Rani, the young girl Booster saved from the distant future a few issues back) steals a time machine and goes back in time to WWII with a special mission in mind. Another fantastic issue from the team of Griffen, DeMatteis, Batista, and Perrotta. If your looking for a fun super hero book with hi-jinks and hilarity you can't go wrong with either of these two.

Next up is Comic Book Guy: The Comic Book #5 of 5, finally the final issue. While the initial issue showed a lot of promise, the mini-series quickly deteriorated into length jokes that didn't pay off and the occasional one-liner that barley got a ha. The issue wraps up this sorted tale of course revealing the not so final fate of our favorite Android's Dungeon shop owner. If you were waiting for a collection of this, I highly recommend you just skip it all together.

Heading into the Vertigo books we have The Unwritten #19. Tommy and crew begin their search for their own personal white whale while Mr. Pullman drafts a new recruit in his quest to end Tommy's story once and for all. Another solid issue of this comic and Mike Carey and Peter Gross show no signs of letting up. If your still not reading this series do your self a favor and pick up the first trade paperback collection.

Taking a trip out to the early days, and also from Vertigo, we have American Vampire #8. Police Chief Cash McCogan finds out exactly who his visiting federal agents while tracking down the dying off investor's in the dam and Pearl Jones, back in California, is visited by similar agents. Scott Snyder (the writer) and Rafael Albuquerque (the artist) consistently present an awesome vampire story that doubles as a great period piece.

Lastly and pick of the week, we head back to DC for Red Robin #17. An epilogue to "The Hit List" arc, this issue follows Red Robin as he touches base with various allies. This issue does a great job of showing who Tim Drake has become since donning the Red Robin persona, in how he deal with the aloof former Batgirl Cassandra, the part temptress/possible enemy Lynx, and his mentor Batman back in action. Hint Hint: With this chapter coming to a close Issue #18 would be a great spot to jump on the title.

That's it for this week. Usual routine, comments of any kind are appreciated below. Now to get to reading this week's books (I actually already started you can look forward to an interesting creation of Holy Water.)

Wednesday Pickups 11/3/10

2010-11-09T23:45:00.000-06:00

After last week's double post, this one is going to take a step back with only six books. The good news, however, is that all six were quality comics and well worth your money so lets get right to them.

First up is Marvel's first and my favorite avenging son, Namor: The First Mutant #3. Going on the offensive this issue, Namor and his Royal Guard take the battle to the Aqeuos (basically vampires under the sea, fun fact: they first appeared in deleted scenes from The Little Mermaid.) Their plan to ultimately deal with the vermin hits a snag however when a familiar face shows up. All in all, another solid issue of this series. Like I've said before I am really digging the way Stuart Moore is writing Namor as not just an eternally pissed off ruler. In perfect compliment, is the art from Ariel (resisting a second little mermaid reference only because this dude's art rocks) Olivetti and a few pages from Fernando Blanco. If your not reading this book, at least give it a flip through at the shop to see how awesome they handle drawing an underwater world.

Sticking with Marvel we have the final issue of a series I hope returns soon, Hawkeye & Mockingbird #6. When we last left this Bonnie and Clydesque couple they had decided to call it quits and head there separate ways; this issue goes into why they made that decision and whether it was the right one. Another book I've talked about in length here before, I just wish it didn't have to end so soon. Jim McCann (writer) and David Lopez (penciler) were really hitting a nice stride with the characters. Originally they were going to continue the series with #7 and #8 crossing over with Black Widow but it appears that was changed to both titles pausing for a mini-series titled Widowmaker. Not entirely sold on picking it up yet, but if McCann is writing I probably will.

Moving over to the distinguished competition, we have DC's Brightest Day #13. Now I know I harped on this book last issue for focusing on only one story line, hoping they would go back to spreading the panel time, but this issue really pulled it off in my opinion. Staying off world, like of Mars last issue, this time Hawkworld is the location with Hawkman and Hawkgirl taking center stage. Its probably just because I care about the main characters a bit more than Martian Manhunter, but this issue definitely brought me back into the book. Looking forward to next issue, with the possibility of certain caped crusader donning a white ring!

Speaking of caped crusaders, next up is Batman and Robin #16. Bruce is back, Dick has been shot in the head (giggle), Damien is still tearing sh*t up, and the final mysteries of Doctor Hurt's past are revealed! Everything Grant Morrison has been working to so far pays off leading into the next era of Batman, he's plans to go corporate and my resume is already in the mail. Art was great as well this issue with Cameron Stewart, Chris Burnham, and Frazer Irving all turning in pages; Irving's art was a lot more enjoyable in a smaller portions than running the length of the issue as in the past few. While I won't be picking up to many Batman Incorporated titles, I will be staying on Batman and Robin for a while to see what's in store for Dick and Damien.

Next up is America's favorite, new, red headed, rebel with a cause; Scarlet #3. Picking up right where she left off, Scarlet plans to further expose the corrupt police responsible for her lover's young life cut short. Her handy work from last issue has been found and the powers that be are looking to speak with her, but they might want to be careful what they wish for. Think I've said it previously, but I'm loving this latest Icon title from Brian Michael Bendis and Alex Maleev. The story and art just flow so smoothly and always leave one craving more. Still early in the series so I highly recommend you jump on this wild ride. It would have been my pick of the week but it was narrowly beat out by a comic that is no stranger to the top spot.

Pick of the week, even if I went by just covers, is Avatar Press' Crossed: Family Values #5. After the run in with the other beings that are still people, and I use the word lightly, last issue; the group holds up in a hospital for Hannah and Kate to each give birth. Still worried about their other brother Joesph, Addy and Matt head out to see if they can reach him before he gets to the hell that is New Paradise. I've said it before, I love this book even though most people would lose their lunch from viewing some of the images it contains. David Lapham (writer) and Javier Barreno (artist) continue to amaze me with this beautifully grotesque comic, not just with the unique ways of showing blood and guts but the way it examines humanity. I can't rightfully recommend this to every one, I would probably lose a lot of friends if I did, but if you think you can handle it, give it or the Crossed Vol.1 TPB a try. Just keep one thing in your mind while reading it, the Crossed do nothing humans haven't already done or still do.

That wraps another week of funny (or not so funny) pages goodness. Comments, critiques, and suggestions are all welcomed below. Now if you'll excuse me I hear some comics podcast calling my name. Check out Burnt Weiners and The Pull List, two awesome comics podcast. It's sort of like reading this blog except they're a lot funnier, more knowledgeable about the subject, and have crossed into the world of sound!

Circle of Trust #3: I Knew It Was You: Rediscovering John Cazale (2009)

2010-11-08T15:00:00.000-06:00

If this is your first foray into this series, the gist of it is these are my reviews of the films distributed through Oscilloscope Laboratories and which I receive by being a member of the Circle of Trust. Here is a link to my first review to see what they're all about. This time I'm taking a look at I Knew It Was You: Rediscovering John Cazale.

I first heard about I Knew It Was You shortly before its premiere at the Sundance Film Festival last year and have been looking forward to seeing it ever since. I've really enjoyed Cazale's work ever since the first time I saw The Godfather. By the the time I saw The Godfather Part 2, Dog Day Afternoon, The Deer Hunter, and The Conversation he had become one of my favorite actors. Due to the extremely niche market of the film, I knew I was in for a long wait for the film to make its way to me. Thanks to the awesome people at Oscilloscope that wait has ended and come tomorrow (11/9/10) this film while be available for purchase, but as a Circle of Trust member my wait ended last week.

I Knew It Was You tells the about the career of cult-favorite actor John Cazale, better known to the world as Fredo Corleone from The Godfather, through interviews with the phenomenal talent he worked with, the modern actors he has inspired, and the loved ones he spent his time with. Shedding the normal bio-documentary take of telling one's life story, this film shows the effect John had on everything he touched and is as personal and sweet as he himself is usually described. This fitting tribute to Mr. Cazale continues on into the bonus features on this DVD.

Starting us off is an audio commentary for the film done by the director Richard Shepard. If you have any question about the film, its pretty much answered in here from why he started the project to why someone isn't interviewed in the film. Next, is two extended interviews of which excerpts were shown in the film. The first is with Al Pacino, in which he tells few more personal stories, and the second is with Israel Horowitz, a playwright who often cast John which contains the full eulogy he wrote for him. Last and probably most hilarious are two shorts John worked on in the sixties, The American Way (which he acted in) and The Box (which he shot), both I had never seen before and plan to revisit often.

Another solid pick up from Oscilloscope, I give this film (and DVD) 4 out of 5 stars. Some might justify it as only a rental, complaining of its length (another issue addressed in the audio commentary) but its a must own for any John Cazale fan. As previously mentioned, it officially goes on sale tomorrow. Below are a few links to make sure you don't miss out on it.

The synopsis of I Knew It Was You on Oscilloscope's site (You should also be able to purchase it from here soon)

Add I Knew It Was You to your Netflix Queue

Win a copy of this DVD from the A.V. Club

Wednesday Pickups 10/20/10 & 10/27/10

2010-11-03T17:29:00.000-05:00

Are you ready to experience possibly the most comics ever reviewed in one post? If not, I recommend you come back at a later date with your favorite drink and snack item because reading this post will challenge you right down to your soul! Or you could just skim it and read about the series you care about. With out further ado, here is my thoughts on 19 recent comics most coming out in the last two weeks.

Books from 10/20/10

We start off in the DCU with Batman and Robin #15. Still enjoying Grant Morrison story and the way he handles Dick, Damien, and the Joker. Frazer Irving's art has continued to grow on me and while it certainly is my favorite, I can see its value to the way this story is being told and respect its use. A lot of his panels almost seem perfect for a poster but at the same time that some times distracts from them fluidly moving the story. If you enjoy Morrison's stuff and are interested in the new Batman and Robin, this book won't disappoint.

Staying with in the Bat-family but skipping a number of years into its possible future we have Batman Beyond #5 of 6. Can't say much about this book I haven't already. Really enjoying both Adam Beechen's writing and Ryan Benjamin's pencils. It may be a bit formulaic, with this penultimate issue answering most questions to prepare for the action packed finale but that doesn't make it any less fun. Definitely a must read for any fans of the TV series but still accessible to those that haven't seen an episode.

From the shadows of current and future Gotham City, we move over to Brightest Day #12. Not the best issue, in my opinion, mainly due to focusing to much on just Martian Manhunter. I don't hate the character but usually find it some what of a task to read a comic mostly about him. Art is still great and the other bits of story were good, just hope they return to a more balanced act in future issues.

Also under the Brightest Day banner this week we have Green Lantern Corps#53. This issue starts a new arc, The Weaponer, and looks to be a good jumping on point for the series. I am big fan of the book, mainly due to getting my Kyle Rayner GL fix from it, and this looks to be the start of something good. The combined efforts of Tyler Kirkham's pencils, Batt's inks, and Nei Ruffino's colors work wonder's in a Green Lantern color scheme. I do have one slight reservation that the story might try and undermine one of my favorite character's development over the years. Hopefully I end up worrying for nothing but I don't know how any GL fan could say no to next issue anyway, with it looking to be an all out battle between Kyle and Sinestro.

Moving over to Marvel books we have Ultimate New Ultimates #4 (I hate typing that title.) Thor's return to the mortal world breathes a little life into this story that has relied on senseless action and Frank Cho's fantastic art to get it off the shelves. Definitely more interested in checking out the next issue of this series more than I have been for the last few, but that isn't saying much. Can't recommend any new readers jump on but you can wait for when they inevitably either launch Ultimate New Ultimates 2 #1 or try to come up with a stupider title.

Hopping over to the regular Marvel Universe we have New Mutants #18. Another book where I have little to say about because I've said it all before. Love the characters, love the story, and love the art! Zeb Wells (on writing duties) and Leonard Kirk (providing the art) are consistently knocking it out of the park and if it weren't for a certain special that got pick of the week this would have easily beaten the rest of the field.

Heading over to Marvel's imprint Icon, we have Superior #1. While Superior didn't come out this week, its the first chance I had to pick it up and take a look. Written by Mark Millar with pencils by Leinil Yu, Superior follows young teen Simon Pooni. After having been diagnosed with multiple sclerosis, life hasn't been easy for him but that all changes one night when he visited by a magical monkey from space. Magic space monkey, Ormon, tells he he has been selected out of every one on the planet to receive the magic wish and before Simon can respond he is transformed into his favorite fictional hero, Superior. Overall, I enjoyed the book but still am not sure if I am going to pick it up regularly, or as regularly as an Icon book comes out. Leinil Yu is another artist whose work I don't like a whole lot, although I did feel it had some brilliant moments in this first issue. So for now, the jury is still out on this book.

Sitting snugly between my Icon books this week is Image's latest title Skull Kickers #2. Picking up right where the #1 leaves off this issue treats us to even more action, humor, and brilliantly lettered sound effects by Marshall Dillon. This title is perfect for anyone who enjoys a little bit of guns and guts mixed in with their medieval mayhem. Also, I believe this series is the first I've seen of both Jim Zubkavich (the writer) and Edwin Huang (the artist) and I am looking forward to more from this delightful duo.

Next up is my other pick up from Icon, Kick-Ass 2 #1. Still not exactly how I feel about this book as it left me quite torn. Part of me really enjoys some of the humor and the super hero team aspect of which this book is approaching while the other half dreadfully feels like it is just a vehicle for the powers at be to make a sequel to the film based on the first Kick-Ass. Probably going to end up grabbing the second issue but if I'm still getting the same vibe will end up dropping it.

Last up for books from the 20th is the pick of the week, Vertigo Resurrected #1. This is a 100-page anthology of short stories previously put out by Vertigo in other books, and it is stocked full of awesomeness. The talent on this one alone should be enough to get people to pick it up; including the like of Warren Ellis, Grant Morrison, Jim Lee, Garth Ennis, and Peter Milligan just to name a few. Its honest been quite a while since I have picked up a comic containing short stories and thoroughly enjoyed each one. If by some chance of luck this is still on the shelves at your local shop make sure to pick it up, provided you can handle the adult nature of some of the stories.

Books from 10/27/10

Starting off with Marvel this time we have Ultimate Avengers 3 #3. Just above the other Ultimates book, in both content and ridiculousness of title, I have been mildly enjoying this book. Not sure if it is exactly what the creators were going for but it has a cheesy horror film vibe to it coming from both the cartoonish art style of Steve Dillion and the fact that every one is turning into a blood sucker. If your looking for pure comics gold like the first two volumes of The Ultimates, you won't find it here but this is an entertaining story set in that world.

Next up is Secret Avengers #6 by Ed Brubaker and Mike Deodato. Now this is one Avengers books I am thoroughly enjoying. This issue kicks off a new arc, Eyes of the Dragon, and brings another recruit to the team Shang Chi. A covert team of heroes plot line-check, spectacular ninja fight scenes-check, bodacious heroines in skin tight and/or revealing clothing-check; this one has it all. If your not already picking up this book, I suggest you give this issue a try and you might just find yourself hooked.

Last book from Marvel this week is Uncanny X-Men #529. While I am still not crazy about Whilce Portacio's art it is serviceable and Matt Fraction's writing along with Terry and Rachel Dodson's covers are what is really keeping me in the book. Looking forward to the next issue to see how the book handles (presumably) the loss of the Hope storyline to the new Generation Hope series starting today.

Stepping away from the "House of Ideas", from Slave Labor Graphics we have The Royal Historian of Oz #2. For those not familiar with the title the cliff notes version is that its about a boy whose father desires to be the foremost authority on all things Oz, despite being ostracized by other "experts" on the subject. As it turns out, he travels to Oz and steals proof of its existence but needless to say this doesn't leave every one there to happy. This issue pick up from there with Ozites (sure, I'll call them Ozites) coming to our world. Still really enjoying the concept, story, and art of this book. It actually came out a few weeks back but my store didn't get theirs in until now, so hopefully I am preaching to the choir on this one.

Venturing back into the $1 trial books, I picked up the reprint of Hack/Slash #1. Not really a trial for me, since I have been getting into that world as of late but definitely a solid read for anyone interesting in checking out the title. Plus, who doesn't love a $1 price tag?

Rounding out the lesser known titles this week is Kill Shakespeare #6 from IDW. I will spare you all me going on again about how much I like this book, but just know that I do. The unique world Conor McCreery, Anthony Del Col, and Andy Belanger have created borrowing some of The Bard's old favorites it truly fantastic. Also, for those waiting for collected editions I believe the first TPB of the series came out today, so be on the look out. A definite contender for pick of the week but it was just barley nudged out by another favorite I will get to later.

Starting of a stellar set of DC books this week is Teen Titans #88. This issue brings the much anticipated (from me at least) creative team change to J.T. Krul writing and Nicola Scott on pencils, and I think they knocked it out of the park. It reminds me a bit of Johns run which I really enjoyed but I can tell its going to have its own flair with Ravager and "Robin" joining the team. Also, think I am in love with the way Nicola, along with Doug Hazlewood (the inker) and Jason Wright (the colorist), give each location its own unique feel. I don't have one bad word to say about this book, looks like Teen Titans will remain on the pull list for the foreseeable future.

Next up is Bruce Wayne: The Road Home-Ra's al Ghul one-shot. Picked this up for two reason the first being that I enjoy Ra's as a character and the second was too see how it tied in to and/or stood on its own from the other BW:TRH one-shot I read. Have to say it was a success on all fronts. It tells an interesting Ra's tale that could be read with out any other books but also ties into what Bruce Wayne is coming back to. Reading this one is really getting me thinking about picking up some of the other one shots in the series.

Last, and certainly not least, is the pick of the week; Justice League: Generation Lost #12. Those familiar with my blog should see it as no surprise since I have gushed about almost every issue of the series on here. This issue focuses on Ice, adding a bit of her past into the current story line. While I have never been her biggest fan, I love the way Judd Winick gives some of her history in brief to newer readers, of which he did the same for Captain Atom in an earlier issue. I know he as a writer is real hit or miss for some readers, but I think he has only brought his A-game to this book.

Whew! Well that is all for the last two weeks of comics. Be sure to leave comments with what you thought on these books or others I didn't check out and don't be afraid to make a recommendation if you think I might like something based on these reviews. Next week looks to be short on issues but I hoping to check out some graphic novels and get those up on here. *fingers crossed*

Circle of Trust #2: Kisses (2008)

2010-10-26T21:09:00.009-05:00

If this is your first time checking out the Circle of Trust, here is a link my first post in the series and what it is all about. This time I am checking out Kisses, an Irish film by writer/director Lance Daly.

Kisses follows two runaways on an adventure through the kind and mean streets of Dublin. Dylan, played by Shane Curry, comes from an abusive father and a home that hasn't quite been the same since his elder brother ran away, while Kylie, played by Kelly O'Neill, is the girl next door who comes from a home full of children and problems. Both turn in brilliant performances in this heartfelt tale that not only examines the city from the eyes of a child but connects with any viewer who has ever wanted to runaway. Daly's emotional story and characters carry a bulk of the weight but the technical aspects also shine in this Indie-Irish darling.

First, and probably my favorite part of the film, is the the changing color scale. The beginning and the end are pictured in old fashioned black-and-white while most of Dylan and Kylie's adventure is shown in full color, with transitional phases happening between each section. There are quite a few ways to read into such a stylistic choice but this reviewer see it as everyday life remembered in plain gray-scale, extraordinary events are captured in all the colors of the rainbow, and sometimes the two blend together when were not quite sure which is happening. Less in your face is the score to the film, a fantastic accompaniment to this tale. Part fantasy with magical melodies matched to the title scenes, part real world/folk grounded music with the raspy singing of Bob Dylan, and part everything in between. These and other such elements are going to have me re-watching the film every once in awhile for years to come.

The DVD, however, is a little less impressive with minimalist features, but that isn't to say they are interesting features.. The film comes with the standard fare of outtakes, a making of featurette, and commentary track but with its own little spin. Both the outtakes and featurette are less technically minded and more of seeing the production through the kid's eyes and in place of a director's commentary we get to listen to the two star enjoying the film, showing their chemistry even off screen and just having a good time.

Overall giving the film a 4 out of 5 stars, since I really enjoyed it and Oscilloscope continues its lengthy hot-streak in choice for me, but giving the DVD only 3 out of 5, fans of the film will enjoy it for the film and a once through on the features but not much there for others. I definitely recommend everyone check out the film although it might not capture every one as it has me, always been a sucker for those Irish films, but coming in at 78 minutes it is a great film to just put on and relax. If your still or now interested in the film check out the links below to get it into your hands.

Check out the trailer on YouTube

Add the film to your Neflix queue

Buy the film from Oscilloscope Laboratories or check out the rest of their films

Or try your hand at winning it from one of these two great sites: Cinespect and Film Junk

Wednesday Pickups 10/13/10

2010-10-21T17:30:00.000-05:00

Ton of books this week, as you can see below, so let's get right into it.

We start off this week with Oni Press' Frenemy of the State #3. While not the greatest title out, its still a pretty fun book. The topic of under cover agents has been done to death but this title breaths some fresh life into it with its clever "pop princess" dialogue and the unique ways our protagonist maintains her cover.

Next up is Bongo Comics' Comic Book Guy: The Comic Book #4 of 5. Not much to say about the book really. The art the same as the television show, neither better nor worse, and the story/humor have been in a steady decline since the first issue. It still has some funny moments but overall not worth the price of admission. Due to my collecting illness I will probably pick up the last issue when it comes out but I really recommend passing on it if your not already invested.

Kicking off a swarm of DC books we have Justice Society of America 80-page giant 2010. Overall an awesome one-shot of short stories. Didn't care to much for the tale of two Wildcats or Liberty Belle's story but the rest were great, with Christian Weir and Nunzio DeFilippis' Cyclone story being my favorite. Art from everyone was fantastic but I especially enjoyed Mateus Santolouco's Dr. Fate work (except for his velociraptor-like Power Girl.) A must check out for any JSA fan (especially of these characters) even if you have gotten away from the regular books recently like I have.

Up next is another DC one shot, Untold Tales of Blackest Night and I for one wasn't nearly as impressed with this one. While the art was good just like it was consistently through Blackest Night, but most of the stories just felt like scrapped ideas from it. Really enjoyed Ethan Van Sciver's Karu-Sil's story and the actual deleted scenes from Blackest Night, but the rest just left me unimpressed. If you want more of Blackest Night I can recommend it as your only current source but if you felt satisfied with the story there is nothing absolutely necessary here.

Rounding out these DC one-shots we have Bruce Wayne: The Road Home, Red Robin. I was pretty hesitant about picking this up, mainly because I thought this series of The Road Home one-shots would leave you feel like you were missing something if you only picked up one. I am really glad to say, that is no the case. While it ties in elements from both the other Road Home books and the Red Robin monthly title, it also tells an accessible stand alone story of Tim and Bruce testing each other. If you have ever been a fan of this particular duo, definitely recommend picking it up as it gives a nice perspective on where each of them is now.

Getting into the regular DC titles we have Green Lantern # 58. Solid issue, Doug Mahnke's art kills it as usual while Geoff Johns' story continually growing. Really enjoying Atrocitus getting to flex his vocal cords and his quoting of "The Dark Knight" film.

Heading over to another Brightest Day tie-in we have Justice League: Generation Lost #11. Another series that continues to pump out great issues. Featuring the Metal Men, this one turns into a hero vs. hero slobber knocker, which may seem a like a tired plot but is both fun and funny here. Quickly becoming one of my favorite super hero books that I hope continues for quite a while.

The perfect compliment to the last book in both characters and style is up next, Booster Gold #37. Giffen, DeMatteis, and company continuing tales of the greatest hero you've never heard off never cease to entertain an amuse me. Featuring a sexy prison break, Blue Beetle being eaten, and Booster solving the problem he got into from time traveling by traveling forward in time; this issue delivers another helping of awesome.

Moving over to the my only Marvel book this week, unless you count the Icon imprint, X-Men #4. Have to start off by talking about the gorgeous cover by Adi Granov. His portrait of vampire Wolverine is affective and bone chilling. On the matter of the actual comic, it is good but nothing spectacular. I enjoyed Paco Medina's art but find the story to be predictable while aiming for just the opposite, never been a big fan of that. I could end up eating my words if the story drastically changes but I doubt it.

Getting back into one-shots, this time from Image, we have Hack/Slash: Murder Messiah Annual. Per the norm for Hack/Slash, the cover and art are fantastically gory and sexy. The story was also really good but might probably isn't the best for any one to join in on or new comers to the universe such as myself. While I enjoyed it and just wanted to known more about these characters, I could see someone having the reverse reaction and totally losing interest in the book. Hopefully going to track down some early volumes of this book soon.

The almost but not quite pick of the week is The Unwritten #18. Just when we have figured out most of what is going on in The Unwritten, Mike Carey and Peter Gross open up a whole new and delightful can of worms. Spectacular art and story as always with yet another engrossing cover. Can't recommend this book enough, so if your still not checking it out rectify that immediately.

Lastly, just barely beating out The Unwritten, is Casanova #4 from Icon. What more can I say about this book that haven't in previous posts? Amazing art from Gabriel Ba, a Silly/Sci-Fi/Spy story by Matt Fraction, and even special features via an interview at the end of every issue. While I know not everyone will like this book, I am enjoying the hell out of it!

Well that is it for this week, and since this is going up late I can already tell you there are some great comics for next week. See you back here in six days (going to try to get this on a normal schedule of every Wednesday.)

Wednesday Pickups 10/6/10

2010-10-13T15:00:00.000-05:00

Really small stack this week but it is full of some awesome comics.

First up from Veritgo is American Vampire #7. I have already gushed about this book in previous posts and this issue maintains that level of deserved praise, so just pretend I wrote it all again. Something I don't think I have mentioned yet is how great this book is at blending vampire stories into a time period. In the first arcs it was early Hollywood and "The West" while the current story line takes a look at the beginnings of sin city and the Hoover Dam being built. Overall this book is just another perfect example of the work Vertigo puts out every month.

Next up is DC's Brightest Day #11. Art is still awesome and the narrowing down to two story-lines per comic, something that has been solidifying over the last few issues, has really helped the flow of the overall narrative. This issue brings us the return of a few familiar faces, which I am not really excited about but don't hate either so I am willing to see where it goes.

Heading over to Marvel, we kick their books off with Hawkeye & Mockingbird #5. It has been said many places but this comic just oozes fun and you should definitely be giving it a shot. In addition to the fun factor, David Lopez's art every issue has been great especially the action sequences. Again the books leaves us with a great cliff hanger anxiously awaiting next's month's installment.

Moving into my new books, with this one only getting picked up after flipping through it at the shop, we have Ultimate Thor #1. Never been a big Thor fan and Ultimate Marvel books haven't been great recently so this should have been an easy pass for me. At the shop though the cover caught my eye, which got me to flip through it, which got me to buy it, which resulted in me really enjoying it. The combination of Jonathan Hickman's story and Carlos Pacheco's art has a real epic and grand feel that fits the Norse god of thunder, especially the battle scenes. Definitely going to pick up the next issue, hoping they keep it up.

Lastly and pick of the week is Uncanny X-Force #1. I was little hesitant when I first read about this comic as I had really come to enjoy the previous X-Force team, have no love for Deadpool, and haven't read anything from Rick Remender or Jerome Opena. It was inevitable that I would pick it up though since I couldn't miss Archangel and Psylocke being back together in the same book (and bed coincidentally.) Long story short: I Love This Book! It holds on to that the feeling of X-Force but Remender and Opena also manage to put their own personal touch on it that makes it feel unique. Can't wait to see where they these two creators go with two of my favorite x-men and one of my favorite x-villains. So if you were holding back or didn't want to pick up another x-book, I implore you to give Uncanny X-Force a shot. They even manage to make Deadpool bearable.

Closing time once again and while you don't have to go home, you do have to go out to your local shop and pick up next week's comics since I do as well. See you back in here in 7 days or less or the next post is free.

Wednesday Pickups 9/29/10

2010-10-05T19:45:00.001-05:00

Not a huge amount of books this week, but all were awesome save the one I was expecting not to like. Really hard to narrow it down to a pick of the week but through a number of coin flips, die rolls, and games of rock-paper-scissors (with myself) I was able to do just that. So with out further ado, the usual suspects:

Lets get the bad stuff out of the way first, Teen Titans #87. If you've been reading regularly, you know this title has been a disappointment as of late. The art isn't bad but the story and characters just seem shallow, boring, predictable, and humorless. Basically everything I liked about a Titans book has slowly been stripped away. All that said, I promised to (and still plan on) sticking around for the creative team change coming with the next issue. Hopefully with some fresh blood and some returning/new characters, this book can get back on track.

Heading over to the Marvel Universe, we have Namor: The First Mutant #2. I am enjoying everything about this book! The phenomenal art and cover art (by Ariel Olivetti and Jae Lee with June Chung respectively), the way the story ties into the other Curse of the Mutants branded books but can also be read by itself, and perhaps most of all the character development of Namor. While a lot of creators just write him off as the eternally pissed off king of the sea, Stuart Moore is doing a tremendous job of building personality back into the character. Instead of just letting his fury come out at the drop of a at as is his standard operating procedure, Namor instead restrains himself saving it for the heat of battle. Being the long time Sub-Mariner fan that I am, I am glad he is back in his own book under a great creative team.

Next up is part one in the duo of death both coming to a conclusion today, 1 Month 2 Live #5 of 5. This issue brings a nice and fitting end to this mini, which had me on the fence for a while but am now firmly on the side of liking it. It had its moments that I didn't like, but overall presented a great story which is a feat considering how many different creators were working on the title. I don't want to give away the ending here suffice to say that I really enjoyed it and that people should definitely pick this up when it gets collected.

Part 2 is little well less covered by most, coming from IDW, but is just as good, 5 Days to Die #5 of 5. In this final issue Andy Schmidt and Chee bring their bloody noir tale to its ultimate conclusion. While it was a bit predictable, that didn't effect the emotional or visual payoff when Ray finally caught his man and paid the price for doing his duty. Also, the cover of the final issue was worth the price of admission alone, perfectly summarizing this entire mini-series in one single image. If you get the chance, and this does get collected, I definitely recommend giving it a read.

Continuing with just a little more death, we have Crossed: Family Values #4. Now I am a huge fan of the Crossed books and this issue just builds on what is already a great series with a bit of a curve ball. The big story here is how this issue was very toned down in comparison to every other issue, with less blood and gore and almost no sexual content, shocking the audience this month with what wasn't in the book. Upon a second reading though, I found even more interesting the bulk of violence was normal humans against each other instead of the crossed wreaking havoc on them. While I know a lot of zombie/apocalyptic books broach this subject, I am really interested to see where David Lapham takes it in the crossed universe. All that said, art is still great from Javier Barreno and if you are a guts and gore fan, you need to be picking this book up. Really close to being pick of the week along with our next book, but both just barley fell short.

Venturing into the world of toys and the boogeyman, we have The Stuff of Legend Volume:II The Jungle, Part 2. Its been a while since the last issue, so for those who don't know this book it follows a group of toys loyal to their master who are trying to rescue him from the Boogeyman. Something of a cross between Toy Story and The Never Ending Story, this book continues to wow with spectacular art and design as well as interesting story with compelling characters. A perfect example of what non-superhero comics can be and why more people should be giving them a chance.

Last up and the pick of the week is Icon's Casanova: Luxuria III by Matt Fraction and Gabriel Ba. Casanova is a humor filled spy story that keeps me wanting more each month. From fantastic locals gorgeous robotic women, this one has it all. I'm a huge fan of Ba's art, whose work is not stranger to the pick of the week coming off of Daytripper, and am becoming a bigger fan of Fraction every issue, with his writing on this book as well his recent X-Men work. In addition to this being another great issue, it also features a little story/interview by Matt that was personal, touching, and inspiring. Even if the concept of the book doesn't sound like your kind of thing, check out this issue for a little insight in to Matt Fraction's life.

That wraps up another week of comics. Next week is looking a little light so I might finally get around to reviewing some of the recent indie comics I have been checking out. Until next time keep flopping those floppys.

Circle of Trust #1: La Loi (The Law) 1959

2010-09-29T14:45:00.000-05:00

This is the first entry for what is going to be a regular series on my blog, almost monthly, and one I am really excited about. As I have mentioned quite a few times before I am in love with the film distribution company Oscilloscope Laboratories. Every one of their films that I have seen is awesome and based on their upcoming releases I don't see that changing in the near future. Along with selling their DVDs through their online shop they also offer membership to a DVD club of sorts where they send you their releases automatically.

Called the Circle of Trust, membership nets you Oscilloscope's next 10 DVD releases about a week before they go on sale for the price of $150. Now I know that sounds like a lot, but for the value your getting it is really quite a deal. Each DVD comes out to fifteen bucks (had to break out the old calculator on that), is loaded with special features, and comes in a beautiful case (the cover art for The Law is featured below.) The next thing that jumps to mind is "but I don't know what movies I will be getting for that money", a somewhat true statement. Oscilloscope updates with news about their latest acquisitions as soon as there are acquired so you can sort of guess what movies you will be getting from them. Additionally, in my opinion, if I was having anyone pick out DVDs for me besides myself I would want it to be them. They have yet to distribute a terrible film from so I know they won't end up making me watch one, something I can't even say for the closest of friends. As an added little perk, members can also purchase a copy of each older Oscilloscope release at half price from shop, something I plan on taking advantage of quite a bit. Now, on to my review of the first DVD I received as a member, Jules Dassin's The Law.

The Law is a tale of lust, love, justice, and control all happening in a small Italian fishing village named Porto Manacore. With multiple story-lines and an amazing ensemble cast, The Law focuses primarily on two individuals. The first is Mariette (played by the gorgeous Gina Lollobrigida, seen above), a young female house keeper looking for love and freedom, and the other is Matteo Brigante (played by Yves Montand), a gang leader gaining power and status in the town so he can totally control it once the current Don passes. Part Italian neorealism and part soap opera, the film presents of an interesting blend of romanticism and politics that few films nowadays seem to attain.

In addition to its engaging story and brilliant acting, the film's technical aspects aren't to shabby either. From a great out doors long-shot early in them film (introducing us to many of the minor players) to the intense, close-up bar scene when the gentlemen play the drinking game The Law (providing insight into the community and from which the title comes) no shot seems to be without powerful meaning from behind the camera as well as in front of it. The spectacular backdrop of the southern Italian coast didn't hurt either, as it adds to how epic the film feels and looks.

In true Oscilloscope fashion the DVD comes with some great extras. Two critical essays on the DVD cover, an alternate ending, two television clips discussing the film and the book it was based of off, and a great little documentary about The Law as it is played today in southern Italy. While I didn't listen to the commentary track from film critic David Fear I look forward to checking that out next time I decided to take a trip back to Porto Manacore.

I am giving this film (and DVD) 4 out of 5 stars, as I really enjoyed it and I think it has something for everyone if your willing to look for it. Released on DVD yesterday, it is available for purchase from the previously linked Oscilloscope shop and for instant viewing through Netflix.

Wednesday Pickups 9/22/10

2010-09-28T11:36:00.007-05:00

Not a ton of new pick ups this week but still a bunch of good reads. Decided to change up the usual routine this week and start with everything non-superhero.

First up is Image's latest fantasy tale Skull Kickers #1 by Jim Zubkavich, Chris Stevens, and Edwin Huang. Two nameless mercenaries, one a gun wielding barbarian the other a quick tempered dwarf, embark on a journey to well... have fun and get paid. Skull Kickers presents a fantasy tale with over the top humor and graphic cartoon-like battles, it has sucked me and had me laughing quite a bit. Looking forward to more of this series.

Also from Image, I finally decided to check out the $1 reprint of Chew #1. Being a series that has received critical acclaim in addition to being recommended by my friends, I tried to keep my expectations from getting to high on this one. In the end that didn't really matter since this book is awesome! Chew, written and lettered by John Layman while drawn and coloured by Rob Guillory, follows detective Tony Chu who has the unique ability of being a cibopathic, meaning anything he eats gives him information about where it came from. Gore, illegal chicken, great one liners make this book a must read especially at a dollar. Probably going to invest in the trades of the series when I get the chance as well.

Moving into are weekly duo of death, we have 5 Days to Die #4 of 5. Not much more to add about this series besides what I have covered over the past three weeks. Still loving the combination of story and art, and can not wait to read the finale next week. Part two of the duo is none other that 1 Month 2 Live #4 of 5. Same goes for this one, really covered it over the past three weeks leaving little more to say till its finished. Interesting moment towards the end of this issue when they stayed true and didn't take the easy way out but the finale issue is really going to make or break this one for me.

Heading into the capes and tights department we have Uncanny X-Men #528. Interesting developments in every story line, and even a new one or two, except for Hope's visit to the newest mutant. I really think Matt Fraction is doing good job of handling the X-Men stable in showcasing some people, giving others a minor appearance or two, and letting others stay in the rest of the x-books. Had some problems with some of Whilce Portacio's art (there is a panel or two where Emma looks very manly) but over all it was still enjoyable.

Next up from Marvel is Secret Avengers #5. This issue explains how Nick "Max" Fury got into bed with the Shadow Council that is out to take down Steve and his covert ops team. Really enjoyed the art collaborating artists David Aja, Michael Lark, and Stefano Gaudiano; it gave the book that old-school/spy story feel which is perfect for the character. The story was good once you read the entire issue, starting out it feels like one of a dozen Fury stories I have read in the past. Still loving this series, never been a huge Avengers fan but Ed Brubaker is turning that around in a hurry.

Venturing over to DC we have Green Lantern Corps #52. The conclusion of Revolt of the Alpha Lanterns wasn't as great as the rest of the arc but still descent. My big problem with it was how the story seemed to take the easy way out of the corner it had been written in to and gets a happy ending. I was kind of hoping for something big that would have a lasting impact on the characters but it kind of went the safe way. Ardian Syaf's art was still fantastic through and made up for a less than stellar ending.

This brings us to the pick of the week, Justice League: Generation Lost #10. If you read my comments before you know I love everything about this book and that just continues into this issue. Also, loving the way it is tying into past DC stories (ala Kingdom Come) even if that is probably more of an editorial decision that Winick's alone. Joe Bennett is still bringing his A-game with the art and this issue features a nice cover by Cliff Chiang. If your not reading this book, start immediately!

That's it for this week's books, leave comments/recommendations/critiques through the usual means.

In Theaters: Buried (2010)

2010-09-27T17:56:00.004-05:00

Attended a preview screening of this little gem last week, starring Ryan Reynolds and directed by Rodrigo Cortes. Reynolds plays Paul Conroy, an American truck driver working on in Iraq who wakes up inside a coffin. Realizing his situation and armed with only a cell phone and lighter, Paul races against the his depleting oxygen supply to get out or get himself rescued.

So let's get this out of the way first, yes the entire film takes place in the coffin. While most directors would avoid that idea like the plague for fear of boring viewers to death, Cortes embraces and uses it to create one of the most intense films I have seen in a while. Utilizing some spectacular cinematography from Eduard Grau and very little off screen sources of lighting (from what I could tell), Cortes keeps the audience invested in this thriller all the way through to end. Of course all that would be for naught with out a great performance from Reynolds.

Buried is probably my favorite Reynolds acting gig to date (would have to watch The Nines again to be sure.) Showcasing a range of emotions from fear and anger to compassion and love, Reynolds performance elevates this role that would have crushed a less talented actor. Staying true to his usual style, he even manages to cause a few laughs from an audience that is watching him suffocate to death. Really can't say enough about how much I enjoyed him in this film and look forward to seeing more of this caliber from in the future (crossing fingers for Green Lantern.)

Needless to sat at this point but I really enjoyed the hell out of this film, even if I was a little tentative about it at first. Giving it 4 out of 5 stars in my book, well really 4 out of 5 in my internet blog but you get the idea. I highly recommend you see this film in the theater if you get the chance, as it only adds to the ambiance of it. Pretty sure it is in select theaters now but widening out to more markets come October so look for it soon.

In Theaters: Devil (2010)

2010-09-24T17:14:00.006-05:00

"I was living in a devil town,
didn't know it was a devil town.
Oh Lord, it really brings me down about the devil town."
-Daniel Johnston

Got around to seeing Devil Monday after finally emerging from the basement I spent all weekend in playing Halo: Reach. It wasn't a film I was dying to see but the trailer and hearing the director & producer duo of the film (John and Drew Dowdle respectively) talk about it at Chicago Comic Con was enough to get me to see it in theaters, and I am glad I did.

The general premise of the film is that five people become trapped in an elevator and one of them may or may not be the title character. Not an overly complicated idea but greatly done in this film as a thriller/mystery with a dash of police procedural. It would fall flat on its face though with out the excellent cast. Headlined by Chris Messina and Logan Marshall-Green, this ensemble of recognizable performers, but non-house hold names really hold their own. Although with any film, movie magic played quite a large role as well.

Watching a film take place in primarily a small elevator would become boring and tiresome fast if not for the creative and interesting techniques the film utilizes. Ranging from multiple point of view shots, getting inside each character, to total black outs of the screen, bringing about the fear of the unknown, the viewer is constantly wondering who is perpetrating these events and why. These combined with the excellent sound mixing sustain the thrilling atmosphere all the way to credits.

I really enjoyed the film, enough so to give it a 4 out of 5 stars and as long as your next expecting the greatest film of all time I think you'll enjoy it as well. To those out there who have been staying away from it after not enjoying Shyamalan's last few films (The Last Air Bender, The Happening, The Village), keep in mind he only wrote the story and produced, so he didn't control anywhere near as much in this film and its more reminiscent of his earlier better films (The Sixth Sense, Signs, Lady in the Water.)

Wednesday Pickups 9/15/10

2010-09-21T20:30:00.000-05:00

This week's books (plus a few from previous weeks) were amazing! Add those to a few other goodies and it going to be quite lengthy post today, so grab your beverage of choice and turn on some Dido to set the mood.

First up is our fortnightly does of brightness, Brightest Day #10. This issue focuses on Aqualad and one of my favorite new odd couples, Firestorm. Both stories begin to heat up and boil (double bad pun useage for the win) as one pulls a semi-Darth Vader while the other brings back one of the best characters from Blackest Night (hint: his new name is so stupid its awesome.) Keeping up with quility of work this series has been putting out can't be easy task of this band of artists but they some how manage it. Art is still awesome, with a particularly striking cover, and going with only two story lines per issue is really helping the writing to shine.

Staying in the DCU but heading into a future (the future is a lot harder to get to), we have Batman Beyond #4 of 6. Terry meets up with a former partner of Bruce's and sees the real cost of the working with him while the new Catwoman shows she is not a one trick pussycat. Oh yeah, and the new Hush reveals his or her identity! I am going to reserve judgment on that till the end of the mini but still really enjoying the book. One (of the many) things the creative team, lead by Adam Beechen at the type writer and Ryan Benjamin on the pencils, is good at is subtly making references to the TV show. Both in the story and in the visuals it is their for long time fans to appreciate but doesn't exclude those who may just be getting into the Batman Beyond world.

Moving from the dark and grim future of Gotham City to the dark and grim future of the Marvel universe we have Marvel Universe vs. The Punisher #4 of 4. While I was some what skeptical about this mini at first it really ended up being an enjoyable read. Part dark comedy, part "true" Punisher story, this tale doesn't try to redefine Frank but show him in his true light in another world. This final issue really brings it all together nicely and satisfies with out making you desire a sequel. However, I do hope Jonathan Maberry and Goran Parlov team up for something else soon.

Meanwhile back in the current Marvel universe things are going almost as badly for our favorite band of young mutants in New Mutants #17. Illyana feels "a disturbance in the force" and realizes young Pixie has been kidnapped by General Ulysses, his unit, and "the babies." Taking charge, she leads the team against these Limbo-hardened warriors and by issue's end things are going so well. Have to start off by saying how much I love this cover! Not sure if it is how strong and colorful the image looks or my obsession with young Russian women with awesome names but Dave Wilkins gives us a cover you can't help but notice on the stands. As for everything inside the cover, awesome as usual. Can't wait to see what happens with these "babies" when everything is said and done. Also loved how Cypher nonchalantly translates everything said in limboese in the book, just adds to my fondness for him and Magick and gratefulness at having them both back in the X-verse.

Last up from Marvel is 1 Month 2 Live #3 of 5. This week Dennis Sykes, or Flux as he was recently dubbed, goes adventuring with Marvel's first family while his family drift further apart. Really liked Shane White's art in this issue, has that classic Fantastic Four feel to it and goes with the adventure. An interesting guest-star of the week type tale, this book is consistently fun and the creative team changes keep the reader vested as well, but I am not sure how its going to finish up in two issues with out feeling rushed or losing impact. Hopefully I will be pleasantly surprised.

Changing companies to other dying protagnist, we have 5 Days To Die #3 of 5. Contiuing this weekly noir tale Ray confronts Mr. Hoverman but doesn't get his revenge just yet. Is revenge really warranted though, is Frank even seeing reality anymore after his injury? Meanwhile, in the hospital his daughter wakes up and is not to thrilled about his absence. Really digging the art on this book, its dark tones with occasional red splashed panels creates a feel not available anywhere else on the stands. While I feel like I know where right where this one is going, there still might be a surprise or two in store, and I am sticking around to see it to its bloody finale.

From one bloody tale to another, we have Hack/Slash: My First Maniac #3 & 4 of 4 (missed 3 at some point resulting in this little double feature this week.) Cassie Hack gets to the bottom of the happenings at the old Fig Farm and finds her place in this monster filled world. For my first venture into the Hack/Slash books this mini really pulled me in. Full of sexy babes, horror film humor, and character development this book delivers on all fronts. Already looking at picking up some of the collected editions and I can tell by the covers I am in for a treat. If you like horror movies or like to laugh at them, I can't recommend this book enough. I am sure it will be out in trade paper back soon enough, and be showcasing a provocative new cover no doubt.

Next up is another $1 preview comic from Radical, Mata Hari. A fictional tale based on the real person, famous during World War I as a performer turned "double agent" or government scapegoat depending on who you ask. Not only does this comic feature beautiful art but its page and panel layout is amazing. Busy pages line up and flow perfectly with out seeming crowed and over stuff. The story of this book is interesting as well, featuring an article at the end of the comic by the author and why he had to write this tale. Mata Hari is set as a hardcover graphic novel release in spring 2011 and I will definitely be picking it up then. The only problem I see with it is their release of this preview so early, closer to the release of the actual book would seemingly have gotten them much more sales from buzz about it.

Last to books of this week both come Vertigo and both are awesome, yes I realize saying something is from Vertigo and is awesome is redundant but some people don't know this yet and need to be converted. First up is Joe the Barbarian #7 of 8. In this penultimate chapter, Joe finally gets to the item that could make every thing right again but will it work for both worlds? I've said it before but this mini-series is just chock full of awesomeness! From all the classic heroes we see doing battle to the the mirroring of the real world in his world to the humorous mythical names given to locations, this one has all the makings of a great dream-scape adventure. Can't wait to see how it all wraps up in the next and final issue.

Last book, and no suprise as pick of the week since its no longer competing with Day Tripper, is The Unwritten #17. Taking a different approach with this issue, Mike Carey and Peter Gross present us with a choose your own adventure comic. Complete with non-sequential pages and choices that lead to different endings, this is just another example of how special and unique this comic is. It goes places other haven't or won't all while telling an engrossing narrative. The art, both interior and covers, is amazing as well of which this month's cover is a fine example. If your not already reading this comic, seriously stop reading and go check out the first collected volume!

That brings us to the end of my comics for the week but I also bought a few other things which you might find of interest.

First up is the Halo Reach Limited Edition set. I wouldn't call myself a huge Halo fan but I do enjoy the campaigns as well the multiplayer modes of all the ones I have played. The real reason I wanted to pick this up/showcase it here (besides playing it obviously) is how sweet this set really is. First is all comes in a black box type case which goes well with this game being about the fall of Reach In addition to the case it comes with a journal of one of the supporting characters in the game that dives deep into the creation of the Spartans as well as the research happening on reach. Now they could have just produced it like a normal book and it would have been fine but it is made to look like an actual journal down to the page feel and sketches inside! Going even beyond that, tons of little news stories or memos are stuffed into the journal and can be taken out, some of which I arranged in the picture below but I couldn't even fit all of them on the table. As some of you might now, I have a fondness for movie or game collector's editions I can easily say this is one of the finest I have ever seen.

Next to Halo Reach is an impulse buy graphic novel/memoir from this week, Drinking at the Movies by Julia Wertz. Can't say to much about this one, as I haven't gotten around to reading it yet but the cover and title really drew me in. Flipping through it in the store really sold, while it was simply illustrated I just got this cool personal feel from the writing. Looking forward to sitting down with it in the next few days, maybe even tonight.

Last is yet another example of my sickness in collecting collector's editions, the Alan Wake Limited Edition. I haven't tired the game at all and actually no very little about it outside its comparisons to Twin Peaks but just couldn't pass up this awesome looking edition on sale. This one, all shown in the picture below, comes with a novel "written" by the main character in the game about the happenings in the game, the soundtrack of the game, some bonus downloads for your Xbox 360, not to mention the game itself. On top of that, it comes packed in what looks like an over sized book (the protagonist is a writer.) Not quite as awesome as the Reach set but very cool indeed.

Well, that is it for this week. You know the routine, any comment is greatly appreciated. Suggestions, critiques, and even off color jokes are all accepted. If your not the type to comment email is also an option, send them to talesofthegeeklanterncorps@gmail.com Untill next time, stay literate my friends.

-The least interesting comic reader in the world

Thursday Pickups 9/9/10

2010-09-16T01:05:00.000-05:00

Huge bunch of books this week so lets jump right in.

First up is 5 Days To Die #2 of 5 from IDW. Continuing with the same black & white (and red) noir feel they started with, Andy Schmidt and Chee's tale of the dead and dying goes even further down the rabbit hole. These action scenes are spectacularly drawn and colored while the story gets darker and darker. I'm sold on the rest of the series but a smart man might wait for a trade since its only 5 issues.

Sticking with dying protagonists we have 1 Month 2 Live #2 of 5. Marvel opts go a different route and change up the creative team for each issue. Digging the art of Koi Turnball & Shawn Moll over that of the first issue's team. Not the best book out there but the story and art team changing are enough to keep me with the book for the remaining three issues. Still can't believe Marvel and IDW managed to put these similar concept books out at the same time, some one had to pull some shenanigans.

Getting into the regular books, we start with Ultimate Avengers 3 #2. While Steve Dillion's art is better than that of (season) 2, it still doesn't have that "Ultimate U feel" in my opinion. The solid, bright colors just seem to go against what the universe and this book are primarily about. I am still sticking on the book however since the story line is grabbing me with everyone turning into a vampire, now if only they manage to keep them that way it would be a true ultimate universe.

As for my review of X-Men #3 a lot of the same comments can be copied and pasted, except about the art. Enjoying this art for the X-Men: Curse of the Mutants storyline, had the right mix of color for varying personnel and locations and makes some really dynamic panels pop that much more. I am a little worried the story is just for event shock and awe, and will have no lasting effects what so ever but I guess we will have to wait and see on this one.

Staying with our favorite mutants we have X-Force: Sex + Violence #3 of 3. Think I wrote it pretty clearly in the review of the last two issues, but I love every thing about this mini. The art, story, covers, dialogue, sex appeal, ect are all of the charts for awesomeness. Seems like a fitting good bye to this X-Force and time to start praying that Deadpool doesn't make me hate the new book.

Moving over to DC we'll start off with Batman and Robin #14. Definitely starting to warm up to Frazer Irving's art. While I still don't love it his panels of the Joker, Black Mask, and Professor Pyg are really eye catching and iconic. Morrison's story is still my favorite part of this book and keeps me coming back for more each month. How he has Dick filling Batman's cowl, just nails the character spot on for me and can't wait to see how he handle's Bruce's return.

Changing birds we have Red Robin #16. Still my favorite bat-book and character, Fabian Nicieza and Marcus To have really been doing great things on this book. The core of Tim Drake to me is that he is constantly growing, most of the time it is emotionally with all that he goes through but his skills and plans are right up there as well. Nicieza creates a perfect story atmosphere for this while To art shows it perfectly. Probably the most under-rated bat-book as well, so if your a bat fan and not reading it please give it a chance. Looks like #17 in two months will make for a good jumping on point *hint hint*.

Switching gears and going all intergalactic planetary we have Green Lantern #57, a Brightest Day tie-in. Art is still amazing! Mahnke pencils are being handled very well by a team of inkers to bring us this vibrant book each month and it is well worth the price for that alone. Johns story while still pretty good has been waning a little bit in this title but I am holding out hope that it could really change right back around any issue now.

Moving on to the shining star of Brightest Day, we have Justice League: Generation Lost #9. If you've been reading the blog, you know I love this title. Great humor, characters, story, and art all in one team book. While a lot of DC team's have been sliding off my pull list, this one is standing firm at the top. If your in the same spot, fill the gap with this book. You won't regret it.

Last book of the DCU this week is Booster Gold #36. A great companion read to Generation Lost (sharing a main character and all) this one delivers on a lot of the same cylinders but goes delightfully over the top on the humor. Probably starting to sound like a broken record, but this is yet one more super hero book you should be checking out.

From Bongo Comics we have Comic Book Guy: The Comic Book #3 of 5. Classic Simpsons art with some great nerd humor. Still not as memorable as the first issue but descent enough to finish out the mini.

First Vertigo book of the week is American Vampire #6. Shifting the locale a bit from the first arc but Scott Snyder is still delivering in the story department. Rafel Albuquerque's art is great as always. Strange deaths begin happening in the growing Sin City of Vegas in the 1930s and newly appointed police Chief Cashel McCogan is hot on the trail (that is an awesome character name by the way.) It does feel a little shorter with out a co-feature from King but I am Snyder will have us all forgetting about those days in no time at all.

Coming it at runner up this week is Kill Shakespeare #5. Still loving everything about this book! Despite not knowing the in depth stories of all Shakespeare's characters, this book manages to present enough of them for new readers to get the character and still enjoy the book. Andy Belaner's art flows seamlessly from panel to panel, demanding your attention until the last page. I think this book would look even better in a slightly over-sized hardcover collected edition, hope one of those comes out soon.

Last and best is the pick of the week, Daytripper #10 of 10. In this final chapter of Bras' life Fabio Moon and Gabriel Ba leave us and him with the perfect ending. While I hate for this book to end, all great things must at some point and I am glad the book did hear. I can't remember the last time I enjoyed a comic this much every single time it came out, as evidenced in being my pick of the week every time its available. Now to start the wait for the collected edition which I am sure I will be buying in mass to give out to people. If you still have managed to some how not check out this book, GET ON THAT!!!

Well that is it for this week, a little later than normal but I think the massive size allows for that. Be sure to comment with and thoughts, critiques, or recommendations. Always up for trying out new comics.

Coming Soon: HOWL (2010)

2010-09-14T23:12:00.005-05:00

Thanks to the fine folks over at Ain't It Cool News, I got to attend a preview screening of HOWL, staring James Franco, tonight which was followed by a question and answer session with the film's co-directors and co-writers, Rob Epstein and Jeffery Friedman.

For those not familiar with the subject of the film, HOWL is a poem written/performed by Allen Ginsberg in 1956. While it gained some popularity on merit alone among the beat poet community, it came into the national (and world eye) when the company that published it was charged with producing and selling obscene material due to the adult language, sexual acts, and drug use the poem spoke of. I was first exposed to it in a college literature class and while I didn't immediately fall in love with the poem, its uniqueness and my teacher's lessons brought about a through enjoyment of it.

The film features three main, inter-cutting story lines to create a film practically as unique as the poem it comes from. The first is Allen Ginsberg, played by James Franco, reading Howl while accompanying animations amaze the viewer, not just by illustrating the words but capturing their emotion and metaphors perfectly. Next are re-enacted scenes from the obscenity trial, featuring Jon Hamm and David Strathaim as opposing counsel, to examine both the conflicting critical thoughts on the poem as well as the censorship in question and on art in general. Lastly is an interview with Franco's Ginsberg, exposing not just his views on Howl but poetry, life, love, censorship, politics, and art. Blending these three narratives, Epstein and Friedman create a film that not only is spectacular to watch and loose yourself in but defies genre classification.

With the writer and director pair coming from mostly documentary work, most would try to classify it as an artistic bio-pic but it really transcends that. The film, instead breathes new life not only into Ginsberg or the court transcripts, but the poem itself making for a truly unique experience. The themes of sexuality, oppression, judgment, and heartbreak are just a few of the subjects covered sensationally in the poem and film, making the latter not just a regular adaptation but one that also beats with its own visual heart. It wouldn't be so though, without numerous other factors at work outside of narrative.

Acting in the film is phenomenal, with James Franco yet again proving how great he is at capturing the essence of real people. I first saw it a made-for-tv James Dean bio-pic (a film the directors also mentioned as enjoying him in), and while I haven't seen Milk I am sure it was prevalent there as well. Following at a close second is the astounding animations of the poem. Their fluid movement, great color, and the particular style really leaves one dazzled. While I could go on and gush about more of the film, such as the greatness of its score, I will leave somethings for you to discover when you see it.

Should come as no surprise if you have read the review so far but I am giving this one a 5 our of 5 stars, and it has quickly jumped to being one of my favorites of the year. Can't be too surprised though since it is yet another film being distributed by Oscilloscope Laboratories, they really know how to pick them (at least for my taste anyways.) While I know some people will still see this film and the poem as obscene, I encourage everyone to go check it out. Might open your perspective up on some things.

REVIEWFLIX: The Exploding Girl (2010)

2010-09-10T22:45:00.002-05:00

(Usual deal, reviewing a film I recently watched and the title links to it on netflix if you want to add it to your queue. Leading off with the DVD art instead of a poster this time because I love the look of it so much.)

Not sure how many of you have heard of this film, but I have been looking forward to seeing it for quite a while. First heard about it via a feature article in Filmmaker back in late 2009/early 2010 and really enjoyed the director's (Bradley Rust Gray) commentary on film-making, collaboration, and inspiration. That said, first thing I did after work Tuesday (day of its DVD release) was load it up on the Netflix Instant and enjoyed every minute of it.

The film centers on Ivy, played amazingly by Zoe Kazan, as she comes back home for spring break and deals with the transition from teen/child to being an adult. Dealing with everything from relationships to illness to friendships on a mature level, Ivy goes through a transition that we rarely see featured in a serious/dramatic film and that some us are not to far removed from. ;) While this simple story and brilliant performance were enough to satisfy me, the camera work brought the film to a higher level of greatness.

Shot with a long of long lenses and shots the film brings us in to Ivy's life without letting us in all the way, following in line with the film and how Zoe keeps people at a distance. These couple with suffocating close ups when she is alone in her room on the phone or waiting for it to ring, capturing her frustration precisely and keeping the viewer invested in her relationships. While all these things were great about the film the one shot you just barley see, as the camera respects her privacy, and have been expecting most of the film is one of the most memorable. Relating to the viewer that while we know her and are invested in her life, we don't really "know" her and aren't automatically privy to extreme situations.

A solid film that is going to stay with me for quite a while, I am giving it 4 out of 5 stars. I know its probably not for everyone but if anything in my review sparked your interest I highly recommend you check it out. Another solid film distributed by Oscilloscope Laboratories, and you have to love how all of their films are available on Netflix instant the day they are released.

Wednesday Pickups 9/1/10

2010-09-07T21:26:00.004-05:00

Not a ton of books this week but all were pretty solid with no disappointments, which always makes for a good week.

Jumping right in with out only helping of DC this week, we have Brightest Day #9. Turning into solid book every other week, not sure if I just grew accustomed to the pace or they picked it up a bit but it works. Really liked the art and both main story lines of the issue (Martian Manhunter meeting up Smokey the Bear in guise of Green Arrow and Black Manta becoming Darth Vader) are getting better. Still not on the level of 52 but it is a good Bimonthly book none the less.

Next up is Five Days To Die #1 of 5 from IDW. An interesting Noiresque thriller in which our protagonist (Ray Crisara) gets a unofficial expiration date in the first issue. Really enjoyed the art (done by Chee, don't ask me) and looking forward to where the story goes. Hopefully we will get some more splash pages like the ones in this first issue, gorgeous destruction.

Over at Marvel we have a somewhat similar concept in 1 Month 2 Live #1 of 5, but takes it in a drastically different direction. After an being exposed to bio-hazardous materials Dennis Sykes seems to have only a short time left to live but on the plus sides, he seems to have developed a special power as a well. This book looks to feature a who's who of marvel characters and talent, hopefully making for a unique collaborative experience and not a train wreck. First issue was enough to keep me interested and eventually pick up #2, not to much more than that though. Looking forward to what the other writer's and artist's bring to the table.

From death to death to death, we head over to Marvel Universe vs. The Punisher #3 of 4. We find out why Patient Zero wanted to meet with Frank and the story takes a few interesting turns at the end of the issue. I am enjoying this book, while it may not be the best one it is a fun little survivor tale. Some nice visuals in this issue from when the virus first broke out (except for Lady Deathstrike being drawn how she appeared in X-Men 2, that really bugged me for some reason.) Also wondering how this is all going to get wrapped up in the last issue, I am putting my money on a high body count.

Continuing out mini marathon of Marvel mini-series we have Avengers: The Children's Crusade #2 of 9. Still digging the book. In this issue, a bit of a battle ensues between friendlies (never saw it coming), another relative makes a quick appearance, and cliff hanger that definitely changed where I think the book is going. Only complaint is that Wolverine's character seems a little off but other than that, its a great read.

Moving over to Marvel's imprint Icon, we have Scarlet #2. Still really digging this book as well. The breaking of the fourth wall in this book just draws me in more than the comedy books its traditionally done it. Alex Maleev's art is gorgeously textured bringing out the grungy details of every person and location. Only second issue so still time to jump on this one before it takes off. Very close to being my pick of the week but the next title just barely edged it out.

Hawkeye & Mockingbird #4 is the top of the stack this week, and well deserved it is. Loving this book more and more each issue! A fun spy/action book that more people really need to check out. Jim McCann is handling ever character expertly while David Lopez's pencils glue your eyes to every page with their classic yet solid feel. Predicable? A bit, but that isn't always a bad thing. It keeps the book enjoyably entertaining rather than try to throw the reader off with multiple twists and shocking moments. If your a fan of either character or just in the market for a fun read I strongly urge you to give this dynamic duo a chance.

Well that is it for this week's books. Got tons of other posts I am working on so be on the lookout for those soon and better stack up on the snacks for next week's reviews, the list is currently at 13 books and could still rise.

Wednesday Pickups 8/25/10

2010-08-31T22:34:00.003-05:00

Not a whole lot to go over this week but the break it gave my wallet was much appreciated.

First up is Teen Titans #86. Still not wowing me despite the new developments in the story and the second feature is thankfully almost over. Like I said before I am going to hang around to check out the up coming changes with Damien showing up and what not but if there is no improvement, going to have to cut the book loose.

Moving over to one of my new favorite DC books, we have Justice League: Generation Lost #8. Continuing to love everything about this book! The story, the characters, the art, the humor; all are top notch. A fun DC book that readers, both new and old can enjoy.

Lastly the pick of the week comes from Marvel with one of their oldest characters back in his own series, Namor: The First Mutant #1. Wasn't sure I was picking it up till I flipped through it at the shop (Amazing Fantasy Books and Comics in Tinley Park, Illinois for those of you not in the now) and saw Ariel Olivetti's art. Enjoyed his work on some of the Punisher comics I've read but I think he really shines drawing Namor and underwater vampires in this book. Also, I've always had for the character, probably because I love how he is constantly angry and acts superior to everyone (reminds me of a younger me, perhaps even a few years older me.) Add that together plus its relation to whats going on in X-Men and I am sold for at least the near future.

That's all folks. Next week looks to have not many more books so hopefully I review alot of my stuff from Wizard World Chicago.

Coming Soon: The People vs. George Lucas (2010)

2010-08-27T19:14:00.002-05:00

The highlight of my Wizard World Chicago Comic Con experience this year by far was getting to see an awesome documentary making the festival rounds currently, The People vs. George Lucas. This doc humorously examines the controversial (geek) issue of George Lucas' crimes against his fan base (the special editions, the prequels, the merchandising, etc.)

Taking an unbiased view in this war, the film takes playful jabs at the fans who have become more than obsessed with the Star Wars mythos as well as George himself who has fueled the fan hatred for himself on more than one occasion. Covering everything from the the original trilogy not being released for this generation (dvds/blu-rays) to why this man has inspired so many only now to be despised by a lot of them, this popcorn documentary takes a look at something real with out being to serious making it accessible to everyone, not just us Star Wars nerds.

On the technical side this documentary also does something a little bit different, hopefully to be seen more in the future. Back in 2007 when the film began production a website was set up to build buzz as well as accept footage from Star Wars fans around the world to be included in the film. So in addition to showing the opinions of people like nerd-film critic Chris Gore and famous author Neil Gaiman the viewer is treated to the rants and recreations of tons of fans.

The People vs. George Lucas is a brilliant 5 out 5 stars in my opinion. Engages the audience, makes them laugh while thinking, and delivers a complete film. I highly recommend checking this film out if you get the chance, even if you aren't a huge Star Wars fan this film will help you see what all the hype is about. At the comic con screening, we also got to enjoy a worthwhile Q and A session with Director Alexandre O. Philippe and producer Robert Muratore, who both really showed a passion to the film and subject matter so much so that I will definitely be checking out what ever they get into next. So go see the film if it makes it a festival around you and if not add it to your netflix queue or amazon wish list immediately so you get to it on dvd when it makes it there.

Wednesday Pickups 8/18/10

2010-08-24T21:42:00.004-05:00

Still back logged from Wizard World Chicago but I was finally able to finish last weeks books.

First up is Brightest Day #8. Spectacular art as usual but more of slow burn issue focusing on Martian Manhunter and the Hawks. While I didn't enjoy it as much as the last couple, I do see the necessity in advancing these stories in one lump some to advance the all encompassing story. Looking forward to the next issue in two weeks which will feature the return of Black Manta, although I have read very little involving the character I always liked him for some reason.

Next we head off world with Green Lantern Corps #51, a Brightest Day tie-in. I can't get enough of Adrian Syaf's art in this book, he is really knocking it out of the park each month. On the story side Bedard is holding is own as well making me anxiously await the final chapter of Revolt of the Alpha Lanterns. He just better not pull what he did on Exiles and lure me in with some good stories only to end up killing off a great in a weak story.

Heading into DC's future we have Batman Beyond #3 of 6. Still an awesome read! Love everything about returning to the Beyond world, the new characters as well as some old friends including one I don't was ever featured in the TV show. Adam Beechen and Ryan Benjamin are putting out an awesome mini, hopefully sales will convince DC to make it a regular monthly. Can't recommend this enough if you liked Batman Beyond when it was on.

Over as Bongo Comics, we have Comic Book Guy: The Comic Book #2 of 5. Not as much of a laugh out loud issue at the first one but it was still descent. Next issue looks like its going to pick back up though with a geek/nerd civil war.

First up from Marvel is Secret Avengers #4. The conclusion to Secret Histories and what a fantastic one it is. Brubaker and Deodato Jr. are handling this motley crew of characters very well and are keeping me coming back for more each issue. Also looking forward to finding out more about this Thorndrake character.

In 28 Days Lat... I mean Marvel Universe vs. The Punisher #2 of 4, Frank takes down one heavy hitter only to be visited by the dreaded "Patient Zero". An fun read despite it similarities to other stories.

Starting off the X-books and making its first appearance on the blog is Wolverine: Weapon X #16. Not a series I am regularly reading but this issue is a stand alone story focusing on Wolverine dealing with Nightcrawler's death. Examines their odd couple friendship over the years in a delightful manner, really glad I ended up picking it up.

Up next is Uncanny X-Men #527. Keeping the awesomeness rolling from Second Coming Uncanny is building its way back up to one of my favorite X-books (despite still being behind the pick of the week.) Art and story are both great with Terry Dodson's covers complimenting both quite well. Looking forward to finding out what Shaw is up to.

Pick of the week is New Mutants #16 written by Zeb Wells and drawn by Leonard Kirk. This issue tells the origins of General Ulysses and his unit, why they were limbo in the first place, and how they ended up stranded their for 26 years. Love this little back story issue and looking forward to where they are going from here. Was also pleased to see that it tied in to X-Infernus a little bit but not to much to throw of someone who never read that mini. If you kept reading one X-book after Second Coming, I sure hope this was it.

Well that is it for this week but I should have a lot more posts up in the next few days covering all that was Wizard World Chicago, except for Blaggo's hair. Leave some feedback or suggestions below if you feel like it.

Wednesday Pickups 8/11/10

2010-08-18T21:51:00.007-05:00

Not a huge stack this week but do to a busy weekend posting this a little late once again. Hope either next week or the week after I will get back to a regular posting, somewhere between Sunday and Monday night. To make up for that however I have arranged this week's comics in perfect order for overlapping segues!

First up is ultra foxy and graphic X-Force: Sex+Violence #2 of 3. After dispensing with their attackers from the end of last issue, Domino comes clean about the whole reason they are after her which leads to Wolverine and her shacking up. Reallying digging this mini series. Perfectly self con tainted from the rest of the X-Universe and shows in spectacular detail the blood, gore, and sex the other X-books only hint at to remain available for most ages. Not an X-Men comic you would give to a child but a fun read for the older fans. SPOILER: Wolverine and Domino don't have as much class as Batman and Black Canary, they take the costume and masks off.

Staying in the X-World we move over to X-Men #2, Curse of the Vampires Part 2. A good issue but I (among others from what I've read) find Blade not hesitant enough about a crazy scheme to take down vampires. Art is still a bit fun and dark, a good mixture for the plot, and it should be an interesting ride to see exactly how this "plan" works. One complaint though with this being billed as the book that puts the X-Men in more of the mainstream Marvel U, it actually just lumps it in with the another sectioned off part ala Vampires.

Making the switch from Blade hunting down vampires to Ultimate Blade doing so we have Ultimate Avengers 3 #1. I am digging Steve Dillion art on this season... I mean volume a lot more than Leinil Yu's from the last volume. Story-wise it has picked up a lot (but I have always dug the vampire stuff as opposed to Ghost Rider) and it should be interesting to see if the people shown as vamps/bitten by vamps in this issue remain so.

Jumping through universes, dimensions, and time we have Booster Gold #35. What can I say, I am loving the funny and old-school adventuring feel of this book. A DC fastball special, yet another person realizing this isn't the right Booster from this time period, and a gun that hurls moons are just a few of the fantastic elements that make this book a must read. While I didn't really get into Booster Gold till these last couple years I picture this as the type of comic JLI was and why people liked it so much.

Going on another adventure with the man in blue and gold we move over to Justice League: Generation Lost #7, a Brightest Day tie-in. A perfect double feature with the previous comic, the crew attempt to infiltrate the CHECKMATE headquarters but of course they seem to lack the A-Team factor where the plan comes together. Just another solid, funny book with Max Lord as the perfect villain.

Sticking with Brightest Day, we have it's latest tie in Green Lantern: Emerald Warriors #1. Great GL style art, excellent inking from Cam Smith, mixed with a ominous first issue makes for an interesting new Lantern book. Will definitely be adding it to the regular rotation, mostly for the art but also to see where this mission takes Guy, Ganthet, Atrocitus, and hopefully Sodam Yat.

Hoping over to one of my favorite comic double features we have Vertigo's The Unwritten #16. Bringing some of the resolution we have been looking for since the beginning of the book, it also tacks on a few new questions for the future. Can't say enough great things about this book! Art is great with fantastic covers such as this one and the story just sucks you in. Also another great page full of fictional Internet articles and social networking about the events, I always love that in a comic for some reason.

Part two of the Vertigo double feature and pick of the week is Daytripper #9 (tear, tear, only one issue left.) What can I wrote that I haven't already, I love this book! Phenomenal art, themes, story, characters, etc. I can't wait till this is collected so I can force everyone I know to read it easily. The final issue will be interesting though, with the issue almost seeming like the perfect ending. While that is it for comics, one additional pick up was made which I talked about in my last post.

Got an awesome Blu-Ray/DVD combo in the mail from Oscilloscope Labs, The Messenger. Last post has my more complete thoughts about the film and distribution company but in short I love them both, check them out if you get a chance. That is it for this week but next week is sure to be a monster stack with all my weekly books and all the goodies I pick up at Wizard World Chicago. Might do a post about the event itself as well, hoping to see some awesome films, get into great panels, and see some great cos-play. I will be going as Shadowcat.

Just kidding...

but seriously I will be.

REVIEWFLIX: The Messenger (2009)

2010-08-17T00:20:00.002-05:00

(Kind of cheated on this one since I didn't watch it through netflix but the my recent purchase of it. Thought I would still include it under this though since it is available instantly on netflix.)

The Messenger is a smaller film from last year that was one of my favorites. I have been meaning to revisit it for a while but kept putting it of till I broke down and added it to my collection recently.

The Messenger tells the story of recently returned, from Iraq, soldier Staff Sergeant William Montgomery (Ben Foster) and his new assignment in the Army's causality notification service. Paired up with Captain Tony Stone (Woody Harrelson), to learn from the best the film, they proceed due their duty and inform soldier's loved ones of their deaths. From the very first time we see them in action, however, the difficulty and toll of this job become apparent.

Telling the side of the war we to often glance over in the newspaper without a second thought, this film delivers a hard hitting and much needed emotional punch to the face. Every time they deliver the a death notice it becomes abundantly clear the real cost of and war, and how unprepared everyone is for it. Oren Moverman, co-writer and first time director, gives the viewers a powerful and affecting film (and message) that remains impartial to any one political leaning. The themes and message of this film are almost out shown though by the brilliant acting of all those involved.

Ben Foster and Woody Harrelson both deliver what is arguably the best performances of their respective careers. In supporting roles Samantha Morton and Steve Buscemi also potray convincing characters as family members of the deceased. Couple all this with great stylistic choices such as going to hand held cams when they deliver the news and brilliant use of light and shadow in Will's apartment, this one is a complete film to me.

I gave it a 5 out of 5 when I originally saw it and this second viewing has only added to my enjoyment of the film. Although this screening was infinitely more comfortable in my own home, (Advice: Never see a film in the second/back up screen at The Music Box Theater in Chicago, while they show excellent films the set up is akin to metal folding chairs in front of a big screen tv) I recommend seeing it in a theater if you ever get the chance.

Just as a little aside and plug for the company, this film was the first film I saw by my favorite fiilm distributor Oscilloscope Laboratories. Headlined by Adam Yauch of The Beastie Boys this company continues to pick some of the best smaller features or independent films out there and market them with the same creative passion in which they were made. Although I still haven't seen a lot of their films, the ones I have seen are phenomenal with this film and Dear Zachary particularly standing out and I am anxiously awaiting DVD or nearby theatrical releases of The Exploding Girl and I Knew It Was You. If you get the chance, check out their films. You are bound to find a few you will love, and a lot of them are streaming instantly on netflix for you to watch right now. And to you DVD collectors out there all of the ones available from them are on par with Criterion Editions, so be sure to pick up a few.

Wednesday Pickups 8/4/10

2010-08-10T18:00:00.009-05:00

Posting a little late again this week but better late than never besides. So without further into lets get into another solid week of comics, well half solid half flacid.

First up this week is New Mutants Forever #1 of 5 from Marvel. I love the idea of these "forever" books where they tell a story set in the past as opposed to the current comics continuity and I enjoy Al Rio and Bob McLeod's art on this book. That said I will not be picking up the next issue as I can't stand how Chris Claremont writes anymore! Don't get me wrong, I have a lot of respect for where this man brought the X-books and his story ideas but everything I have read from him recently has been all expository and no emotion. The characters all fall flat while explaining everything they are doing instead of having normal conversations, almost like Claremont no longer trusts the artist to have any effect on the story. I would love to give it one more issue but I no exactly how it is going to be written so I will have to pass.

Next up is a double feature of Marvel's best current couple, Hawkeye and Mocking Bird #2 and #3. Finally found a complete #2 just as pulled #3 off the shelves and I am still really enjoying this book. It could be that the Lopez and Lopez combination on pencils and inks are doing a phenomenal job or that Jim McCann's story is easy to get into for fans (both new and old) of this dynamic couple, but I like to think it is a little of both. You might want to wait for the trade however if your not a fan of cliff hangers since this book leaves you with a new one every month, keeping you anxiously waiting for the next one.

Jumping over to the Ultimate Marvel Universe we have Ultimate Avengers 2 #6. The final issue of this volume doesn't overly impress but it does leave some hope for the future of the book. The ending line was pretty good though and I did enjoy them setting Hawkeye up for hopefully a bigger part in the next volume. Ultimate Avengers 3 #1 comes out tomorrow so I will be picking it up to see where they go from here. Hoping for some more action or at least better story pacing, Steve Dillion taking over the pencils, and Ultimate Blade.

Last from Marvel was an impulse pick off the shelves, Marvel Univerese vs. The Punisher #1 of 4. Basic premise is the film version of "I Am Legend" substituting Frank Castle for Will Smith. That said I enjoyed it and will keep picking it up. Being told mostly through Punisher's Journal this first issue gives us a brief story of how the world got to the way it is, why he himself is immune, and some gruesomely awesome panels. Not expecting anything remarkable out of this comic but I think it will be a fun ride.

Over at DC the first book of the week is JSA All-Stars #9, which is going to be my last issue. Just not getting the same enjoyment I am used to getting out of the JSA. I love these characters, like this art, but the story is just not there. That and this being a $3.99 book makes it a pretty easy decision to leave behind.

Moving to a better entry from DC we have Red Robin #15. The Hit List continues as Tim crosses off one more name, implements a drastic plan to keep the bat family identities from Vicky Vale, and and a not so friendly face returns with hopes of putting Red Robin down for good. The art and story are both a great fit for a Robin book and I think they will be keeping it up for a while.

Last book from DC is our bi-weekly dose of light, Brightest Day # 7. This issue answers why everyone was brought back but not with out adding a few new questions. Now that the pacing has picked up a bit I am really enjoying this book and the art is still solid. Now if they could just find room for Maxwell Lord and Osiris every week I would have no complaints.

Over at IDW it is getting quite bloody looking for good ole' Bill in Kill Shakespeare #4. Hamlet and Falstaff meet up with Juliet and Othello just in time to all be caught by Iago and King Richard's men, sure enough a bloody melee ensues. If I wasn't hooked after the first three issues this one definitely sealed the deal, with full marks across the board. So much so, that it was in close contention for pick of the week with the the next two books.

From the Icon imprint we have Casanova #2. This witty/sci-fi/spy/thriller keeps the ball rolling in its second issue. With Gabriel Ba's pencils and Matt Fraction's script I am sold on this one for the long haul. International intrigue mixed with a slight dash of inter-universal incest is a winning combination.

The bloody conclusion and pick of the week should come as no surprise, Crossed: Family Values #3 from Avatar Press. I am pretty sure this is the most graphic, main-stream comic in existence! That said as much as you want to look away, you can't. Amazingly drawn by Javier Barreno, I could look at this gore fest all day as long as David Lapham's compelling story was their to guide it. In the past I have gone into the length about how this comic is more than just blood and guts but socially conscious so I won't rehash that here. I do have to say again though, if you can stomach it this is one of the best books out there! That is for comics this week but I do have a few more pick ups, one that just got here today.

First off is the VHS/DVD combo of "The House of the Devil". Already reviewed the film here but I had to pick up this awesome set from Amazon. Can't wait for a rainy night to plug this one in the old VCR. Last entry is a classic from the wal-mart $5 bin, The Machinist. One of Christian Bale's films that really shows his acting chops as well as his dedication to a part. Maybe if his rants came while filming this film, he would have gotten more of a pass on it.

Well that is all for this week. Leave your comments, book suggestions, grammar corrections, and hate mail below. Later.

REVIEWFLIX: 11 Minutes Ago (2007)

2010-08-08T00:21:00.006-05:00

Once again found my self paroozing through the Netflix Instant options on my xbox 360 (this blog is wishfully sponsored by both) and came across this little indie gem. Saw the interesting poster, read the words time travel, and I dove right in.

This film follows the time traveling exploits of Pack, a man from 48 years in the future sent back to get a clean air sample, the catch being he can only remain in the past for 11 minutes and he keeps coming back to one particular night. To add to the confusion, his travels aren't occurring in sequential order but rather a purposeful one. Pulling time travel out of the sci-fi and more into the world of drama is handled expertly by Bob Gebert; who directed, wrote, produced, and co-starred in this film. Shot on a small budget, and amazingly in one day, this film embodies the aspect of indie films I love the most, making an awesome film with little means and a lot of determination.

Not to be just a one trick pony though the story and cinematography are likewise great. The story is beautifully cater to the shooting in one day or possibly the other way around depending on your point of view. Cinematography must have been a nightmare to coordinate but it came out great with each scene or time-tumble keeping the film moving and never losing step. Acting and great music choice also add to the allure of the film with out trying to stand out but sidle into your memory.

Overall giving this one a 4 out of 5, one hell of film. Looks like it is only on Netflix Instant for now (link in the title) since there is no official dvd, hopefully soon their will be. Watch the film, tell people about, and if you have access to a time machine go back in time and make me watch this film sooner.

REVIEWFLIX: The House of the Devil (2009)

2010-08-03T21:01:00.002-05:00

(The latest film I checked out from Netflix, title links to it on there and this one is available for instant gratification.)

Was a little bored on Sunday night so I browsed the netflix instant queue (a process that takes a minimum of 15 minutes since I have to look at everything there and what is new) and found this little gem. It is one that had been sitting in the regular queue for a while so I kept putting it off but finally sat down and watched it after its move to the instant. WARNING: Reading the rest of this review, you will be willingly subjecting yourself to me gushing with delight over this horror film.

The plot is pretty basic as are a lot of horror films. A teenage girl is hired as a babysitter and the circumstances as well as the house she is in gets weirder and weirder. The true brilliance of the film lies in the homage it pays to the horror films of the 70s and 80s. Beginning with credits styled in the fashion of the time, freeze frames with colorful letters, the film takes you back to a simpler time, when a horror film stood for something ;) Props, costumes, buildings, hairstyles, and even food look spectacular in this period piece. Supplemented by the great compositions, song choices, and 16 mm film the movie leaves very little evidence of it being made in 2009. Not only does this film look the part, but it nails the feeling as well.

Suspense and pacing are perfect, getting the viewer to jump at every phone or doorbell ringing. Not to be totally predictable though, the film throws an early surprise or two in there to keep the viewer on the edge of their seat. Lighting was excellent, something a lot of current horror films seem to neglect entirely. Acting isn't the greatest but isn't the worst either, just adding more to the film's devilish charm.

Ti West wearing the director, writer, and editor's hats delivers a fully realized vision of an 80s horror film to a modern audience. 5 out 5 stars for me although if you don't enjoy horror films you probably won't like this one either. I recommend everyone old enough check it out anyway though, it is worth the price of admission to take a hop back in time to the early 80s.

Wednesday Pickups 7/28/10

2010-08-01T16:32:00.010-05:00

Greeting again my comic book nerd friends, nice improvement over last week's books. Also got a few other pickups this week, so lets get to it.

Starting off we have Teen Titans #85. Art is solid, not the best work ever on titans but still enjoyable. The story has improved a little bit, just enough for me to stick it out till a creative team change in issue #88 and Damien Wayne showing up. The second feature is getting worse in my opinion. Not only have I lost practically all interest in the story but the art has deteriorated. Hopefully that ends soon and we get a price cut or they get a better second feature.

Next up is Brightest Day/Green Lantern double feature with Green Lantern #56 and Green Lantern Corps #50. A lot of cool stuff going on in GL proper. Larfleeze is back and trying to get on a certain some one's good list, Saint Walker gives The Question some hope, and Hector Hammond finds a new friend in Ophidian (the avarice entity). Doug Mahnke put some solid work into this issue, with all the constructs and entities looking spectacular. Green Lantern Corps was the better GL book of the week but I am bias towards Kyle and Cyborg Superman so that could be the reasoning. I am really enjoying Bedard's Revolt of the Alpha Lanterns story arc, matched with Syaf's pencils it really is one of the top DC books for me right now. Could this finally be the time Henshaw gets his wish? I doubt it but he is always a fun/sadistic character to see in action.

Last DC book of the week is Brightest Day Justice League Generation Lost #6. Interesting little tale set a few issues previous when Captain Atom absorbs an explosion. Loved this issue for helping me to understand Captain Atom a little bit more. Never read much of his history (brief retelling of it here) so he has always seemed a bit one dimensional and this issue really expanded him a bit.. Art is sweet as well keeping this book at the top of my Brightest Day tie ins.

Next up is another $1 preview from Radical Comics, The Rising. Art is pretty much the usual fare from Radical but still pretty enjoyable. The gist of this one is an alien race has come to earth and "helped us" by pretty much taking over with pockets of human resistance (including our protagonist) here and there. Somewhat of a generic sci-fi story but the dialogue about religion, god, and Darwin got me really involved. This three issue mini starts up in early 2011 and I think I will be checking it out.

Moving over the Marvel Universe we have a double feature from our favorite merry mutants. First up is Uncanny X-Men #526. Great issue! Coming off the heels of Second Coming, Hope goes looking for her biological family and starts meeting with the five lights (the five new mutants that appeared on Cerebro at the end of second coming.) Also featured a back up tale that acts as a prologue to the first issue of Avengers: The Children's Crusade. Art is solid on both (coming from Whilce Portacio and Oliver Coipel respectively.) Looks like Uncanny might be returning to its rightful place as the flagship title of the X-Books. Part 2 comes from X-Men Legacy #236. To be honest the book left me a bit colder than the rest of the X-stuff since Second Coming. It seems to just be the combination of not caring much about Rogue (the main character in the book), a story that has potential but could also suck, and art that is just ok. I will probably check out the next issue but so far this is looking to be cut from the list.

Last entry from Marvel is Secret Avengers #3. Have to say, I am enjoying this book more than I have enjoyed an Avengers book in quite a while. Story and art are both phenomenal so far and neither shows signs of slowing down. Looking at this character line up months ago I would have never guessed I would be loving this book. While I am normally not a huge fan of the intergalactic happening in comics (except for the Shi'ar) this one is totally drawing me in. Highly recommend checking out the first couple issues even if you don't think it sounded like something you would normally read from the previews.

Heading over to Vertigo we have American Vampire #5. Both tales come to somewhat of a conclusion while still leaving plenty of room for the book to continue. Rafael Albuquerque's distinct bloody art for each tale continues to wow, while Snyder and King's tales finally catch up teach other. Can't wait to see what comes next from American Vampire.

Finally, pick of the week is the final issue of 7 Psychopaths from Boom! Studios. Epic conclusion to this three part mini-series. Yeah, some aspects of the ending were predictable but the ride getting there was a great one. Disbursed through out Germany each psycho attempts to kill Hitler in their own way, meeting with quite a few interesting results. Pick this up when it comes out collected, I think I might just so it will be easier to let people borrow

That's it for regular comic this week but I have quite a few other pickups to discuss.

Starting us off is the first volume of Scott Pilgrim. Really enjoyed it and I plan on trying to read the rest before seeing the film but we will see how successful I am at that. Filled with tons of laughs and a few panels I can't wait to see on the big screen. Hopefully the film does not pull a Kick-Ass and lose its awesomeness.

Next is The Walking Dead vol. 12. Don't even know where to start with this one, just another solid volume from Kirkman and the crew. If you haven't checked out The Walking Dead, stop reading this and do so immediately! For those of you who have, you know you can't wait to read this latest volume as well.

Going back to Vertigo (can't get enough of this imprint) we have graphic novel title The Alcoholic. Did a review for it already on the blog so check that out if you want to know more, a solid read.

Last up is the two Blu-Rays I got from Barnes & Noble's Criterion sale, both at half price! Chungking Express is an interesting little film out of Hong Kong that I was turned on to in college. Can't wait to watch this newly restored version with updated subtitles. The film that really put Wong Kar-wai in the international spotlight. Second film is Hunger, a 2008 film out of the UK that examines the life of and IRA member in prison. A pretty powerful film if you have the patience for it (there is one dialogue scene between two character that last around a half an hour), this is probably the best film I have seen on the Irish Republican Army (of which I have seen more than my fair share.) Both films have great cinematography and are packing some special features I am looking forward to checking out.

Well, that's all folks. Come back for more soon and be sure to tell your friends who would also be interested in reading fair to poor comic reviews riddled with terrible grammar. (I actually misspelled "grammar" just now, wow.) Leave some comments below with questions, suggestions, or rants.

When Novels Get Graphic: The Alcoholic

2010-07-28T18:36:00.006-05:00

Wandering around Borders Sunday night, I had a 40% of coupon burning a hole in my pocket, this little graphic novel caught me eye on the shelf. Picking it up for a close look and flipping through it pretty much decided my purchase right then and seeing it was written by Jonathan Ames cemented the sale. While I've never gotten around to reading any of his books, I hear good things though, I loved the few episodes of Bored to Death I have seen (a series he created for HBO) so I thought I would give his graphic novel a chance and man am I glad I did.

The Alcoholic tells the story of Jonathan A., our "fictional" protagonist and title character. A writer who has had quite a few experiences in his life, not unlike the writer of this work from what I've read, and regales us with the exploits, emotions, and experiments that have led him to where he is today. Sharing every dirty joke and heart-breaking moment, "Jonathan A." puts it all out on the table for the reader to see and relate to.

I, like most readers I'm sure, saw a lot of my own life in Jonathan's. The scripted phone calls of youth with a best friend, never knowing the right thing to say over the phone to the girl in the white dress, and the fear/dreams of what I would be like as a teacher are just a few of the examples I am willing to admit to knowing a little something about but it certainly doesn't end there. Most "somewhat autobiographical" comics speak of the qualities we want to see in ourselves through others, while this one makes you see those in addition to throwing in those ones you would like to deny.

Johnathan Ames and Dean Haspiel (the artist) really knocked it out of the park with this one. Bleeding heart and humor from every page, this dynamic duo provides us with a graphic novel that shies away from nothing and experiences everything. Whether its the awkward sexual experiences of puberty, the crazy drug trips of college and beyond, the heartbreak of relationships ending, or the cruel timing life has sometimes; the words and panels bring us into a world bearing a striking resemblance to own, although this one is a lot more honest about what its like. So if your like myself and love a good tale about about a drunken writer, do yourself a favor and check this one out. A solid 4 out of 5 in my book, well really blog but you get the idea.